Someday This Pain Will Be Useful to You (2011) Script

[ CHIMES TWINKLING ]

>> I WISH THE WHOLE DAY WAS LIKE BREAKFAST, WHEN PEOPLE ARE STILL CONNECTED TO THEIR DREAMS, BREAKFAST, WHEN PEOPLE ARE STILL CONNECTED TO THEIR DREAMS, FOCUSED INWARD AND -- AND NOT CONNECTED TO THEIR DREAMS, FOCUSED INWARD AND -- AND NOT YET READY TO ENGAGE WITH THE FOCUSED INWARD AND -- AND NOT YET READY TO ENGAGE WITH THE WORLD.

YET READY TO ENGAGE WITH THE WORLD. IF IT WAS ALWAYS BREAKFAST, I WORLD. IF IT WAS ALWAYS BREAKFAST, I WOULD BE FINE.

IF IT WAS ALWAYS BREAKFAST, I WOULD BE FINE. >> ♪ BEEN A HARD DAY, BUT I'M WOULD BE FINE. >> ♪ BEEN A HARD DAY, BUT I'M FEELING SANE ♪

>> ♪ BEEN A HARD DAY, BUT I'M FEELING SANE ♪ ♪ THOUGH THEY POINT AT ME WITH FEELING SANE ♪ ♪ THOUGH THEY POINT AT ME WITH THEIR FINGERS OF BLAME ♪

♪ THOUGH THEY POINT AT ME WITH THEIR FINGERS OF BLAME ♪ ♪ MY LIFE'S DERAILED, AND I KNOW THEIR FINGERS OF BLAME ♪ ♪ MY LIFE'S DERAILED, AND I KNOW IT'S A SHAME ♪

♪ MY LIFE'S DERAILED, AND I KNOW IT'S A SHAME ♪ ♪ COULD GET ON TRACK, BUT IS IT'S A SHAME ♪ ♪ COULD GET ON TRACK, BUT IS THAT MY AIM? ♪

♪ COULD GET ON TRACK, BUT IS THAT MY AIM? ♪ ♪ APOLOGIZE ♪ THAT MY AIM? ♪ ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪

♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ ♪ APOLOGIZE ♪

♪ DESTINED TO APOLOGIZE ♪ ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪

♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ ♪ DOO, DOO, DOO ♪

♪ DESTINED TO APOLOGIZE ♪ ♪ DOO, DOO, DOO ♪ ♪ DOO, DOO, DOO ♪

♪ DOO, DOO, DOO ♪ ♪ DOO, DOO, DOO ♪ ♪ IT'S A FRESH DAY, BUT

♪ DOO, DOO, DOO ♪ ♪ IT'S A FRESH DAY, BUT ADRENALINE'S LOW ♪

♪ IT'S A FRESH DAY, BUT ADRENALINE'S LOW ♪ ♪ AND I ASK MYSELF, SHOULD I ADRENALINE'S LOW ♪ ♪ AND I ASK MYSELF, SHOULD I JUST LET GO ♪

♪ AND I ASK MYSELF, SHOULD I JUST LET GO ♪ ♪ WANTING TO SLEEP, BUT IT'S JUST LET GO ♪ ♪ WANTING TO SLEEP, BUT IT'S TO-AND-FRO ♪

♪ WANTING TO SLEEP, BUT IT'S TO-AND-FRO ♪ ♪ IF I TAKE THAT LEAP, WILL THEY TO-AND-FRO ♪ ♪ IF I TAKE THAT LEAP, WILL THEY EVEN KNOW? ♪

♪ IF I TAKE THAT LEAP, WILL THEY EVEN KNOW? ♪ ♪ APOLOGIZE ♪ EVEN KNOW? ♪ ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪

♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ >> I'M JAMES SVECK.

♪ DESTINED TO APOLOGIZE ♪ >> I'M JAMES SVECK. I'M 17, AND I DON'T LIKE TO TALK

>> I'M JAMES SVECK. I'M 17, AND I DON'T LIKE TO TALK THAT MUCH.

I'M 17, AND I DON'T LIKE TO TALK THAT MUCH. I HATE POLITICS, ORGANIZED THAT MUCH. I HATE POLITICS, ORGANIZED RELIGION, AND ALL OF THAT.

I HATE POLITICS, ORGANIZED RELIGION, AND ALL OF THAT. PEOPLE ALWAYS TALK ABOUT THEIR RELIGION, AND ALL OF THAT. PEOPLE ALWAYS TALK ABOUT THEIR LIVES, BUT THEIR LIVES JUST PEOPLE ALWAYS TALK ABOUT THEIR LIVES, BUT THEIR LIVES JUST AREN'T THAT INTERESTING.

LIVES, BUT THEIR LIVES JUST AREN'T THAT INTERESTING. YOU SHOULD ONLY SAY SOMETHING IF AREN'T THAT INTERESTING. YOU SHOULD ONLY SAY SOMETHING IF IT'S INTERESTING OR ABSOLUTELY YOU SHOULD ONLY SAY SOMETHING IF IT'S INTERESTING OR ABSOLUTELY HAS TO BE SAID.

IT'S INTERESTING OR ABSOLUTELY HAS TO BE SAID. I HAVE NOTHING INTERESTING TO HAS TO BE SAID. I HAVE NOTHING INTERESTING TO SAY.

I HAVE NOTHING INTERESTING TO SAY. [ DOG BARKING ]

[ HORN HONKS, TIRES SCREECH ] [ SIREN WAILING ]

>> JILLIAN? JAMES?

JILLIAN? >> MOM? >> OH, MY GOD.

>> MOM? >> OH, MY GOD. >> MOM, WHAT ARE YOU DOING BACK?

>> OH, MY GOD. >> MOM, WHAT ARE YOU DOING BACK? WE DIDN'T EXPECT YOU UNTIL

>> MOM, WHAT ARE YOU DOING BACK? WE DIDN'T EXPECT YOU UNTIL TUESDAY.

WE DIDN'T EXPECT YOU UNTIL TUESDAY. WHAT HAPPENED IN VEGAS?

TUESDAY. WHAT HAPPENED IN VEGAS? >> WHAT HAVE YOU DONE TO THE WHAT HAPPENED IN VEGAS? >> WHAT HAVE YOU DONE TO THE HOUSE?

>> WHAT HAVE YOU DONE TO THE HOUSE? THIS IS FOUL AND DISGUSTING.

HOUSE? THIS IS FOUL AND DISGUSTING. >> SORRY.

THIS IS FOUL AND DISGUSTING. >> SORRY. >> WHAT HAVE YOU DONE TO MY

>> SORRY. >> WHAT HAVE YOU DONE TO MY HOUSE?

>> WHAT HAVE YOU DONE TO MY HOUSE? >> MOM, WHERE'S MR. ROGERS?

HOUSE? >> MOM, WHERE'S MR. ROGERS? >> I NEITHER KNOW NOR CARE WHAT

>> MOM, WHERE'S MR. ROGERS? >> I NEITHER KNOW NOR CARE WHAT HAS HAPPENED TO THAT MAN.

>> I NEITHER KNOW NOR CARE WHAT HAS HAPPENED TO THAT MAN. >> OKAY, OKAY.

HAS HAPPENED TO THAT MAN. >> OKAY, OKAY. WHAT, DID YOU, LIKE, DITCH HIM

>> OKAY, OKAY. WHAT, DID YOU, LIKE, DITCH HIM ON YOUR HONEYMOON OR SOMETHING?

WHAT, DID YOU, LIKE, DITCH HIM ON YOUR HONEYMOON OR SOMETHING? >> JILLIAN, PLEASE.

ON YOUR HONEYMOON OR SOMETHING? >> JILLIAN, PLEASE. >> SO, I'VE DECIDED I DON'T WANT

>> JILLIAN, PLEASE. >> SO, I'VE DECIDED I DON'T WANT TO BE CALLED JILLIAN ANYMORE.

>> SO, I'VE DECIDED I DON'T WANT TO BE CALLED JILLIAN ANYMORE. IT'S GILLIAN WITH A HARD "G" --

TO BE CALLED JILLIAN ANYMORE. IT'S GILLIAN WITH A HARD "G" -- GILLIAN.

IT'S GILLIAN WITH A HARD "G" -- GILLIAN. >> BUT WE ALWAYS CALL YOU GILLIAN. >> BUT WE ALWAYS CALL YOU JILLIAN.

>> BUT WE ALWAYS CALL YOU JILLIAN. >> WELL, HEINRICH MARIA SAYS

JILLIAN. >> WELL, HEINRICH MARIA SAYS THAT NAMING A CHILD AND THEN

>> WELL, HEINRICH MARIA SAYS THAT NAMING A CHILD AND THEN MISPRONOUNCING THEIR NAME IS A THAT NAMING A CHILD AND THEN MISPRONOUNCING THEIR NAME IS A SUBTLE AND INSIDIOUS FORM OF MISPRONOUNCING THEIR NAME IS A SUBTLE AND INSIDIOUS FORM OF CHILD ABUSE.

SUBTLE AND INSIDIOUS FORM OF CHILD ABUSE. >> WELL, DARLING, THAT'S JUST CHILD ABUSE. >> WELL, DARLING, THAT'S JUST NOT MY STYLE.

>> WELL, DARLING, THAT'S JUST NOT MY STYLE. IF I WERE GOING TO ABUSE YOU, NOT MY STYLE. IF I WERE GOING TO ABUSE YOU, THERE'D BE NOTHING SUBTLE ABOUT IF I WERE GOING TO ABUSE YOU, THERE'D BE NOTHING SUBTLE ABOUT IT.

THERE'D BE NOTHING SUBTLE ABOUT IT. >> MOM, WHAT'S GOING ON?

IT. >> MOM, WHAT'S GOING ON? >> AH, JAMES.

>> MOM, WHAT'S GOING ON? >> AH, JAMES. I NEED A DRINK, JAMES.

>> AH, JAMES. I NEED A DRINK, JAMES. THREE FINGERS OF VODKA AND TWO I NEED A DRINK, JAMES. THREE FINGERS OF VODKA AND TWO ICE CUBES.

THREE FINGERS OF VODKA AND TWO ICE CUBES. MURO, MURO, MURO, MURO!

ICE CUBES. MURO, MURO, MURO, MURO! WAIT, WAIT, WAIT, WAIT, JAMES.

MURO, MURO, MURO, MURO! WAIT, WAIT, WAIT, WAIT, JAMES. MAKE THAT FOUR AND ONE.

WAIT, WAIT, WAIT, WAIT, JAMES. MAKE THAT FOUR AND ONE. [ DOG BARKS ]

MAKE THAT FOUR AND ONE. [ DOG BARKS ] >> OKAY.

[ DOG BARKS ] >> OKAY. >> [ SOBBING ]

>> OKAY. >> [ SOBBING ] >> OH, MOM!

>> [ SOBBING ] >> OH, MOM! >> OH, NO, NO, NO.

>> OH, MOM! >> OH, NO, NO, NO. >> WHAT HAPPENED?

>> OH, NO, NO, NO. >> WHAT HAPPENED? PLEASE TELL ME.

>> WHAT HAPPENED? PLEASE TELL ME. >> [ Voice breaking ] WELL, HE PLEASE TELL ME. >> [ Voice breaking ] WELL, HE WAITED FOR ME TO FALL ASLEEP, >> [ Voice breaking ] WELL, HE WAITED FOR ME TO FALL ASLEEP, AND THEN HE TOOK MY CREDIT WAITED FOR ME TO FALL ASLEEP, AND THEN HE TOOK MY CREDIT CARDS, AND HE WENT DOWNSTAIRS TO AND THEN HE TOOK MY CREDIT CARDS, AND HE WENT DOWNSTAIRS TO THE CASINO, AND HE PLAYED CARDS, AND HE WENT DOWNSTAIRS TO THE CASINO, AND HE PLAYED BLACKJACK ALL NIGHT LONG.

THE CASINO, AND HE PLAYED BLACKJACK ALL NIGHT LONG. AND HE -- HE -- HE LOST IT ALL.

BLACKJACK ALL NIGHT LONG. AND HE -- HE -- HE LOST IT ALL. I NEVER KNEW I MARRIED A AND HE -- HE -- HE LOST IT ALL. I NEVER KNEW I MARRIED A COMPULSIVE GAMBLER.

I NEVER KNEW I MARRIED A COMPULSIVE GAMBLER. >> AW!

COMPULSIVE GAMBLER. >> AW! >> AND THEN HE HIT UP MY ATM

>> AW! >> AND THEN HE HIT UP MY ATM CARD, AND HE BOUGHT, OH, A

>> AND THEN HE HIT UP MY ATM CARD, AND HE BOUGHT, OH, A $1,500 PORTABLE CIGAR HUMIDOR CARD, AND HE BOUGHT, OH, A $1,500 PORTABLE CIGAR HUMIDOR AND 800 BUCKS WORTH OF CIGARS.

$1,500 PORTABLE CIGAR HUMIDOR AND 800 BUCKS WORTH OF CIGARS. AND AS IF THAT WEREN'T BAD AND 800 BUCKS WORTH OF CIGARS. AND AS IF THAT WEREN'T BAD ENOUGH...

AND AS IF THAT WEREN'T BAD ENOUGH... HE SPENT $1,200 ON A LAP DANCE.

ENOUGH... HE SPENT $1,200 ON A LAP DANCE. [ SOBS ]

HE SPENT $1,200 ON A LAP DANCE. [ SOBS ] >> $1,200 ON A LAP DANCE?

[ SOBS ] >> $1,200 ON A LAP DANCE? >> WELL, TWO.

>> $1,200 ON A LAP DANCE? >> WELL, TWO. $600 A STRIPTEASE.

>> WELL, TWO. $600 A STRIPTEASE. [ SOBS ]

$600 A STRIPTEASE. [ SOBS ] >> CONSECUTIVELY OR

[ SOBS ] >> CONSECUTIVELY OR SIMULTANEOUSLY?

>> CONSECUTIVELY OR SIMULTANEOUSLY? >> SHUT IT, JAMES!

SIMULTANEOUSLY? >> SHUT IT, JAMES! JAMES, BE A GOODIE AND GO RUN

>> SHUT IT, JAMES! JAMES, BE A GOODIE AND GO RUN MOMMY A BATH.

JAMES, BE A GOODIE AND GO RUN MOMMY A BATH. YES, I AM GOING TO THE GALLERY.

MOMMY A BATH. YES, I AM GOING TO THE GALLERY. JAMES...

YES, I AM GOING TO THE GALLERY. JAMES... >> I'M GOING NOW.

JAMES... >> I'M GOING NOW. >> [ SIGHS ]

>> I'M GOING NOW. >> [ SIGHS ] [ TELEPHONE RINGING ]

>> [ SIGHS ] [ TELEPHONE RINGING ] >> COME ON, COME ON.

[ TELEPHONE RINGING ] >> COME ON, COME ON. [ RINGING CONTINUES ]

>> HELLO. >> JOHN? >> JAMES, WHAT'S UP?

>> JOHN? >> JAMES, WHAT'S UP? >> SHE HAS RETURNED.

>> JAMES, WHAT'S UP? >> SHE HAS RETURNED. >> WHAT DO YOU MEAN SHE HAS

>> SHE HAS RETURNED. >> WHAT DO YOU MEAN SHE HAS RETURNED?

>> WHAT DO YOU MEAN SHE HAS RETURNED? >> WELL, SHE'S BACK FROM VEGAS.

RETURNED? >> WELL, SHE'S BACK FROM VEGAS. SHE'S ON HER WAY TO THE GALLERY

>> WELL, SHE'S BACK FROM VEGAS. SHE'S ON HER WAY TO THE GALLERY NOW, UNLESS SHE MARRIES THE CAB SHE'S ON HER WAY TO THE GALLERY NOW, UNLESS SHE MARRIES THE CAB DRIVER ALONG THE WAY.

NOW, UNLESS SHE MARRIES THE CAB DRIVER ALONG THE WAY. >> YOU SHOULDN'T TALK ABOUT YOUR DRIVER ALONG THE WAY. >> YOU SHOULDN'T TALK ABOUT YOUR MOTHER THAT WAY.

>> YOU SHOULDN'T TALK ABOUT YOUR MOTHER THAT WAY. YOU'RE SO HEARTLESS, JAMES.

MOTHER THAT WAY. YOU'RE SO HEARTLESS, JAMES. >> IF SHE FINDS OUT YOU CLOSED YOU'RE SO HEARTLESS, JAMES. >> IF SHE FINDS OUT YOU CLOSED THE GALLERY, SHE MIGHT GET KIND

>> IF SHE FINDS OUT YOU CLOSED THE GALLERY, SHE MIGHT GET KIND OF HEARTLESS HERSELF.

THE GALLERY, SHE MIGHT GET KIND OF HEARTLESS HERSELF. >> OKAY, WELL, THANKS FOR THE OF HEARTLESS HERSELF. >> OKAY, WELL, THANKS FOR THE WARNING.

>> OKAY, WELL, THANKS FOR THE WARNING. I APPRECIATE IT.

WARNING. I APPRECIATE IT. YOU KNOW I DO.

I APPRECIATE IT. YOU KNOW I DO. THANK YOU.

YOU KNOW I DO. THANK YOU. >> OKAY, I'LL SEE YOU SOON.

THANK YOU. >> OKAY, I'LL SEE YOU SOON. >> ♪ MAKIN' IT THROUGH, AND I'M

>> OKAY, I'LL SEE YOU SOON. >> ♪ MAKIN' IT THROUGH, AND I'M SATISFIED ♪

>> ♪ MAKIN' IT THROUGH, AND I'M SATISFIED ♪ ♪ WHEN I HEAR THEM SAY ♪ SATISFIED ♪ ♪ WHEN I HEAR THEM SAY ♪ [ BOING! ]

♪ WHEN I HEAR THEM SAY ♪ [ BOING! ] ♪ WHEN THEY CROWD 'ROUND, I

[ BOING! ] ♪ WHEN THEY CROWD 'ROUND, I STILL WANNA HIDE ♪

♪ WHEN THEY CROWD 'ROUND, I STILL WANNA HIDE ♪ ♪ BUT MY HEAD IS STRAIGHT, AND STILL WANNA HIDE ♪ ♪ BUT MY HEAD IS STRAIGHT, AND I'M LAUGHING INSIDE ♪

♪ BUT MY HEAD IS STRAIGHT, AND I'M LAUGHING INSIDE ♪ ♪ APOLOGIZE ♪ I'M LAUGHING INSIDE ♪ ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪

♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ ♪ APOLOGIZE ♪

♪ DESTINED TO APOLOGIZE ♪ ♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪

♪ APOLOGIZE ♪ ♪ DESTINED TO APOLOGIZE ♪ >> THANK YOU SO MUCH FOR CALLING

♪ DESTINED TO APOLOGIZE ♪ >> THANK YOU SO MUCH FOR CALLING ME, JAMES.

>> THANK YOU SO MUCH FOR CALLING ME, JAMES. I BARELY MADE IT BACK IN TIME.

ME, JAMES. I BARELY MADE IT BACK IN TIME. YOU REALLY SAVED MY ASS.

I BARELY MADE IT BACK IN TIME. YOU REALLY SAVED MY ASS. >> NO PROBLEM.

YOU REALLY SAVED MY ASS. >> NO PROBLEM. NO.

>> [ LAUGHS ] >> THAT'S NOT FUNNY. THAT'S DISGUSTING.

>> THAT'S NOT FUNNY. THAT'S DISGUSTING. PEOPLE ARE SUPPOSED TO TREAT THAT'S DISGUSTING. PEOPLE ARE SUPPOSED TO TREAT THIS LIKE ART.

PEOPLE ARE SUPPOSED TO TREAT THIS LIKE ART. IT'S -- IT'S BARELY ART, BUT THIS LIKE ART. IT'S -- IT'S BARELY ART, BUT IT'S ART.

IT'S -- IT'S BARELY ART, BUT IT'S ART. HOW DID IT EVEN GET IN HERE?

HI! >> OH, MY GOD, MARJORIE. JAMES TOLD ME WHAT HAPPENED.

>> OH, MY GOD, MARJORIE. JAMES TOLD ME WHAT HAPPENED. I AM SO SORRY.

>> WELL, I HAD... HOPED THAT THE THIRD TIME WOULD BE A CHARM, BUT...

HOPED THAT THE THIRD TIME WOULD BE A CHARM, BUT... ALAS. [ CHUCKLES ]

BE A CHARM, BUT... ALAS. [ CHUCKLES ] >> TELL ME ABOUT IT.

ALAS. [ CHUCKLES ] >> TELL ME ABOUT IT. >> AND HOW ABOUT YOU?

>> TELL ME ABOUT IT. >> AND HOW ABOUT YOU? ARE YOU HOLDING DOWN THE FORT?

>> AND HOW ABOUT YOU? ARE YOU HOLDING DOWN THE FORT? >> YEAH, JUST WORKING AWAY.

ARE YOU HOLDING DOWN THE FORT? >> YEAH, JUST WORKING AWAY. >> GOOD.

>> YEAH, JUST WORKING AWAY. >> GOOD. >> HAVE WE SOLD ANY CANS YET?

>> GOOD. >> HAVE WE SOLD ANY CANS YET? >> UH, NO, WE HAVE NOT.

>> HAVE WE SOLD ANY CANS YET? >> UH, NO, WE HAVE NOT. >> AH.

>> UH, NO, WE HAVE NOT. >> AH. OKAY. YOU WITH ME NOW.

>> AH. OKAY. YOU WITH ME NOW. OH! DAMN!

OKAY. YOU WITH ME NOW. OH! DAMN! >> YOU SHOULDN'T HAVE SAID OH! DAMN! >> YOU SHOULDN'T HAVE SAID ANYTHING.

>> YOU SHOULDN'T HAVE SAID ANYTHING. >> I'M SORRY.

ANYTHING. >> I'M SORRY. >> [ SIGHS ]

>> COME IN, COME IN, COME IN. SHUT THE DOOR.

HAVE YOU HAD A CHANCE TO THINK MUCH ABOUT WHAT WE DISCUSSED BEFORE I WENT TO LAS VEGAS?

MUCH ABOUT WHAT WE DISCUSSED BEFORE I WENT TO LAS VEGAS? >> NOT REALLY.

BEFORE I WENT TO LAS VEGAS? >> NOT REALLY. >> WELL, WHAT, WITH THE WEDDING

>> NOT REALLY. >> WELL, WHAT, WITH THE WEDDING AND EVERYTHING, WE REALLY

>> WELL, WHAT, WITH THE WEDDING AND EVERYTHING, WE REALLY HAVEN'T HAD MUCH OF A CHANCE TO AND EVERYTHING, WE REALLY HAVEN'T HAD MUCH OF A CHANCE TO ADDRESS WASHINGTON, D.C.

HAVEN'T HAD MUCH OF A CHANCE TO ADDRESS WASHINGTON, D.C. >> ADDRESS IT HOW?


I TOLD YOU, I'M NOT GOING. >> DON'T BE SO DISMISSIVE. A LIFE COACH MIGHT BE JUST WHAT

>> DON'T BE SO DISMISSIVE. A LIFE COACH MIGHT BE JUST WHAT YOU'RE LOOKING FOR.

A LIFE COACH MIGHT BE JUST WHAT YOU'RE LOOKING FOR. YOU TELL HER YOUR GOALS, AND SHE YOU'RE LOOKING FOR. YOU TELL HER YOUR GOALS, AND SHE HELPS YOU ACHIEVE THEM.

YOU TELL HER YOUR GOALS, AND SHE HELPS YOU ACHIEVE THEM. >> I DON'T HAVE ANY GOALS.

HELPS YOU ACHIEVE THEM. >> I DON'T HAVE ANY GOALS. I'M ONLY 17.

>> I DON'T HAVE ANY GOALS. I'M ONLY 17. I MEAN, HOW AM I SUPPOSED TO I'M ONLY 17. I MEAN, HOW AM I SUPPOSED TO KNOW WHAT I'M GONNA DO WITH MY I MEAN, HOW AM I SUPPOSED TO KNOW WHAT I'M GONNA DO WITH MY LIFE?

KNOW WHAT I'M GONNA DO WITH MY LIFE? >> OH, JAMES, JAMES...

I MADE YOU AN APPOINTMENT. >> TOUGH. I'M NOT GOING.

>> [ SIGHS ] >> JAMES, THE MENU FROM FABU SHOW UP YET?

>> JAMES, THE MENU FROM FABU SHOW UP YET? >> YEAH. HERE IT IS.

SHOW UP YET? >> YEAH. HERE IT IS. >> [ SIGHS ]

>> YEAH. HERE IT IS. >> [ SIGHS ] WHAT IS WRONG WITH THAT PLACE?

>> [ SIGHS ] WHAT IS WRONG WITH THAT PLACE? WHY CAN'T THEY HAVE THE SAME WHAT IS WRONG WITH THAT PLACE? WHY CAN'T THEY HAVE THE SAME DAMN SALADS EVERY DAY?

WHY CAN'T THEY HAVE THE SAME DAMN SALADS EVERY DAY? >> 'CAUSE THEN YOU COULDN'T DAMN SALADS EVERY DAY? >> 'CAUSE THEN YOU COULDN'T SPEND HALF YOUR MORNING DECIDING

>> 'CAUSE THEN YOU COULDN'T SPEND HALF YOUR MORNING DECIDING WHAT TO GET FOR LUNCH?

SPEND HALF YOUR MORNING DECIDING WHAT TO GET FOR LUNCH? >> WELL, WHAT ELSE AM I SUPPOSED WHAT TO GET FOR LUNCH? >> WELL, WHAT ELSE AM I SUPPOSED TO DO IN HERE, JAMES?

>> WELL, WHAT ELSE AM I SUPPOSED TO DO IN HERE, JAMES? HARDLY ANYONE'S WALKED IN FOR TO DO IN HERE, JAMES? HARDLY ANYONE'S WALKED IN FOR WEEKS.

HARDLY ANYONE'S WALKED IN FOR WEEKS. >> FEELS LIKE MONTHS.

WEEKS. >> FEELS LIKE MONTHS. >> I'LL HAVE THE

>> FEELS LIKE MONTHS. >> I'LL HAVE THE GREEN MARKET FIELD GREENS WITH

>> I'LL HAVE THE GREEN MARKET FIELD GREENS WITH GRILLED SHRIMP, UH, BUT TELL GREEN MARKET FIELD GREENS WITH GRILLED SHRIMP, UH, BUT TELL THEM TO HOLD THE GREEN PEPPERS.

GRILLED SHRIMP, UH, BUT TELL THEM TO HOLD THE GREEN PEPPERS. OH, AND MAKE SURE YOU GET THEM TO HOLD THE GREEN PEPPERS. OH, AND MAKE SURE YOU GET SOMETHING FOR YOURSELF.

OH, AND MAKE SURE YOU GET SOMETHING FOR YOURSELF. >> NO, THANKS.

SOMETHING FOR YOURSELF. >> NO, THANKS. I'M HAVING LUNCH WITH MY FATHER.

>> NO, THANKS. I'M HAVING LUNCH WITH MY FATHER. [ SIGHS ]

I'M HAVING LUNCH WITH MY FATHER. [ SIGHS ] >> ♪ THINK YOU'RE FREE, BUT

[ SIGHS ] >> ♪ THINK YOU'RE FREE, BUT YOU'RE JUST WALKIN' ♪

>> ♪ THINK YOU'RE FREE, BUT YOU'RE JUST WALKIN' ♪ ♪ YOU THINK YOU'RE FREE ♪ YOU'RE JUST WALKIN' ♪ ♪ YOU THINK YOU'RE FREE ♪ ♪ AH, LISTEN TO ME NOW ♪

>> SO, HOW'S YOUR SUMMER JOB AT THE GALLERY? HOW'S YOUR MOTHER?

THE GALLERY? HOW'S YOUR MOTHER? SHE ENJOYING HER -- WHAT, IS IT HOW'S YOUR MOTHER? SHE ENJOYING HER -- WHAT, IS IT HER -- HER FOURTH HONEYMOON?

SHE ENJOYING HER -- WHAT, IS IT HER -- HER FOURTH HONEYMOON? >> THIRD. AND NO.

HER -- HER FOURTH HONEYMOON? >> THIRD. AND NO. SHE CAME BACK EARLY.

>> THIRD. AND NO. SHE CAME BACK EARLY. >> [ LAUGHS ]

SHE CAME BACK EARLY. >> [ LAUGHS ] >> IT'S NOT FUNNY!

>> [ LAUGHS ] >> IT'S NOT FUNNY! >> I KNOW.

>> IT'S NOT FUNNY! >> I KNOW. >> MOM IS VERY UPSET, AND SHE

>> I KNOW. >> MOM IS VERY UPSET, AND SHE ASKED ME NOT TO TELL YOU, SO

>> MOM IS VERY UPSET, AND SHE ASKED ME NOT TO TELL YOU, SO DON'T SAY ANYTHING ABOUT IT.

ASKED ME NOT TO TELL YOU, SO DON'T SAY ANYTHING ABOUT IT. >> THIS IS WHY YOU SHOULD NEVER DON'T SAY ANYTHING ABOUT IT. >> THIS IS WHY YOU SHOULD NEVER GET MARRIED, JAMES.

>> THIS IS WHY YOU SHOULD NEVER GET MARRIED, JAMES. WOMEN WILL MAKE YOU THINK YOU GET MARRIED, JAMES. WOMEN WILL MAKE YOU THINK YOU SHOULD, BUT BELIEVE ME, THERE'S WOMEN WILL MAKE YOU THINK YOU SHOULD, BUT BELIEVE ME, THERE'S NO GODDAMN REASON WHATSOEVER.

SHOULD, BUT BELIEVE ME, THERE'S NO GODDAMN REASON WHATSOEVER. >> WELL, I DON'T PLAN ON GETTING NO GODDAMN REASON WHATSOEVER. >> WELL, I DON'T PLAN ON GETTING MARRIED.

>> WELL, I DON'T PLAN ON GETTING MARRIED. >> GOOD.

MARRIED. >> GOOD. >> GOOD AFTERNOON, MR. SVECK.

>> GOOD. >> GOOD AFTERNOON, MR. SVECK. >> ROBERT.

>> GOOD AFTERNOON, MR. SVECK. >> ROBERT. >> YOU READY TO ORDER?

>> ROBERT. >> YOU READY TO ORDER? >> I'LL HAVE THE STEAK, RARE.

>> YOU READY TO ORDER? >> I'LL HAVE THE STEAK, RARE. >> I'LL HAVE THE FIELD GREENS

>> I'LL HAVE THE STEAK, RARE. >> I'LL HAVE THE FIELD GREENS WITH MARKET VEGETABLES AND

>> I'LL HAVE THE FIELD GREENS WITH MARKET VEGETABLES AND GRILLED SHRIMP.

WITH MARKET VEGETABLES AND GRILLED SHRIMP. HOLD THE GREEN PEPPERS.

GRILLED SHRIMP. HOLD THE GREEN PEPPERS. >> YOU CAN'T ORDER A SALAD AS A HOLD THE GREEN PEPPERS. >> YOU CAN'T ORDER A SALAD AS A MAIN COURSE.

>> YOU CAN'T ORDER A SALAD AS A MAIN COURSE. >> WHY NOT?

MAIN COURSE. >> WHY NOT? >> IT'S NOT MANLY.

>> WHY NOT? >> IT'S NOT MANLY. >> [ SCOFFS ]

>> IT'S NOT MANLY. >> [ SCOFFS ] I'LL KEEP THAT IN MIND.

>> [ SCOFFS ] I'LL KEEP THAT IN MIND. >> JAMES...

I'LL KEEP THAT IN MIND. >> JAMES... I'D LIKE TO ASK YOU A QUESTION.

>> JAMES... I'D LIKE TO ASK YOU A QUESTION. >> I DON'T HAVE SUFFICIENT I'D LIKE TO ASK YOU A QUESTION. >> I DON'T HAVE SUFFICIENT ENERGY TO STOP YOU.

>> I DON'T HAVE SUFFICIENT ENERGY TO STOP YOU. >> [ CHUCKLES ]

ENERGY TO STOP YOU. >> [ CHUCKLES ] I'M SERIOUS.

>> [ CHUCKLES ] I'M SERIOUS. Are...

I'M SERIOUS. Are... Are you gay?

Are... Are you gay? >> BECAUSE I ORDERED SALAD?

Are you gay? >> BECAUSE I ORDERED SALAD? >> NO. I JUST WANT TO KNOW.

>> BECAUSE I ORDERED SALAD? >> NO. I JUST WANT TO KNOW. >> WHY?

>> NO. I JUST WANT TO KNOW. >> WHY? TO GET AN EXTRA DEDUCTION ON

>> WHY? TO GET AN EXTRA DEDUCTION ON YOUR TAXES IF YOU HAVE A GAY TO GET AN EXTRA DEDUCTION ON YOUR TAXES IF YOU HAVE A GAY SON?

YOUR TAXES IF YOU HAVE A GAY SON? >> [ CHUCKLES ]

SON? >> [ CHUCKLES ] THAT'S VERY FUNNY.

>> [ CHUCKLES ] THAT'S VERY FUNNY. >> NO. IT'S JUST YOU JUST NEVER THAT'S VERY FUNNY. >> NO. IT'S JUST YOU JUST NEVER SAID ANYTHING ABOUT IT.

>> NO. IT'S JUST YOU JUST NEVER SAID ANYTHING ABOUT IT. >> WHY SHOULD I?

SAID ANYTHING ABOUT IT. >> WHY SHOULD I? DID YOU TALK ABOUT IT WITH YOUR

>> WHY SHOULD I? DID YOU TALK ABOUT IT WITH YOUR PARENTS?

DID YOU TALK ABOUT IT WITH YOUR PARENTS? >> I'M STRAIGHT.

PARENTS? >> I'M STRAIGHT. >> SO WHAT, IF YOU'RE -- IF

>> I'M STRAIGHT. >> SO WHAT, IF YOU'RE -- IF YOU'RE GAY, YOU HAVE A MORAL

>> SO WHAT, IF YOU'RE -- IF YOU'RE GAY, YOU HAVE A MORAL OBLIGATION TO INFORM YOUR YOU'RE GAY, YOU HAVE A MORAL OBLIGATION TO INFORM YOUR PARENTS?

OBLIGATION TO INFORM YOUR PARENTS? IF YOU'RE STRAIGHT, YOU DON'T?

PARENTS? IF YOU'RE STRAIGHT, YOU DON'T? >> SO YOU'RE NOT GONNA TELL ME, IF YOU'RE STRAIGHT, YOU DON'T? >> SO YOU'RE NOT GONNA TELL ME, ARE YOU?

>> SO YOU'RE NOT GONNA TELL ME, ARE YOU? >> NOT GONNA TELL YOU WHAT?

ARE YOU? >> NOT GONNA TELL YOU WHAT? >> WHETHER OR NOT...

>> NOT GONNA TELL YOU WHAT? >> WHETHER OR NOT... CONGRATULATIONS, ROBERT.

>> WHETHER OR NOT... CONGRATULATIONS, ROBERT. IT'S PRACTICALLY MOVING.

Whether or not you're gay. >> NO. >> NO?

>> NO. >> NO? >> NO.

>> NO? >> NO. >> I'M GLAD ABOUT THAT.

>> NO. >> I'M GLAD ABOUT THAT. >> NO, NO MEANS I'M NOT GONNA

>> I'M GLAD ABOUT THAT. >> NO, NO MEANS I'M NOT GONNA TELL YOU.

>> NO, NO MEANS I'M NOT GONNA TELL YOU. >> OH, OH.

TELL YOU. >> OH, OH. I'M -- I'M SORRY.

>> OH, OH. I'M -- I'M SORRY. I'M JUST TRYING TO HELP.

I'M -- I'M SORRY. I'M JUST TRYING TO HELP. LOOK, IT'S -- I MEAN, LET'S FACE I'M JUST TRYING TO HELP. LOOK, IT'S -- I MEAN, LET'S FACE IT, YOU -- YOU'RE NOT THE MOST LOOK, IT'S -- I MEAN, LET'S FACE IT, YOU -- YOU'RE NOT THE MOST NORMAL OF ALL KIDS.

IT, YOU -- YOU'RE NOT THE MOST NORMAL OF ALL KIDS. >> I'M NOT NORMAL?

NORMAL OF ALL KIDS. >> I'M NOT NORMAL? >> WELL, YOU CAN'T SAY WHAT YOU

>> I'M NOT NORMAL? >> WELL, YOU CAN'T SAY WHAT YOU DID IN D.C. WAS NORMAL.

>> WELL, YOU CAN'T SAY WHAT YOU DID IN D.C. WAS NORMAL. OKAY, OKAY. FORGET IT.

DID IN D.C. WAS NORMAL. OKAY, OKAY. FORGET IT. FORGET IT, FORGET IT, FORGET IT.

OKAY, OKAY. FORGET IT. FORGET IT, FORGET IT, FORGET IT. FORGET I EVEN BROUGHT IT UP.

FORGET IT, FORGET IT, FORGET IT. FORGET I EVEN BROUGHT IT UP. JUST FORGET IT.

FORGET I EVEN BROUGHT IT UP. JUST FORGET IT. >> WHAT ARE YOU DOING THIS JUST FORGET IT. >> WHAT ARE YOU DOING THIS WEEKEND?

>> WHAT ARE YOU DOING THIS WEEKEND? ARE YOU GOING TO THE BEACH WEEKEND? ARE YOU GOING TO THE BEACH HOUSE?

ARE YOU GOING TO THE BEACH HOUSE? >> NO. I'M STAYING IN TOWN, HOUSE? >> NO. I'M STAYING IN TOWN, HAVING SOME MINOR SURGERY.

>> NO. I'M STAYING IN TOWN, HAVING SOME MINOR SURGERY. >> SURGERY? WHAT'S WRONG?

HAVING SOME MINOR SURGERY. >> SURGERY? WHAT'S WRONG? >> NOTHING.

>> SURGERY? WHAT'S WRONG? >> NOTHING. >> THEN WHY ARE YOU HAVING

>> NOTHING. >> THEN WHY ARE YOU HAVING SURGERY?

>> THEN WHY ARE YOU HAVING SURGERY? >> OH, IT'S OUTPATIENT SURGERY.

SURGERY? >> OH, IT'S OUTPATIENT SURGERY. IT'S NOTHING TO WORRY ABOUT.

>> OH, IT'S OUTPATIENT SURGERY. IT'S NOTHING TO WORRY ABOUT. >> THEN WHAT ARE YOU HAVING?

IT'S NOTHING TO WORRY ABOUT. >> THEN WHAT ARE YOU HAVING? >> WELL, I WON'T BE IN

>> THEN WHAT ARE YOU HAVING? >> WELL, I WON'T BE IN EAST HAMPTON, SO YOU CAN TELL

>> WELL, I WON'T BE IN EAST HAMPTON, SO YOU CAN TELL YOUR SISTER THAT IF SHE WANTS TO EAST HAMPTON, SO YOU CAN TELL YOUR SISTER THAT IF SHE WANTS TO USE THE HOUSE, SHE CAN.

YOUR SISTER THAT IF SHE WANTS TO USE THE HOUSE, SHE CAN. NOW, IS SHE STILL GOING OUT WITH USE THE HOUSE, SHE CAN. NOW, IS SHE STILL GOING OUT WITH THAT POLISH PROFESSOR WHO'S OLD NOW, IS SHE STILL GOING OUT WITH THAT POLISH PROFESSOR WHO'S OLD ENOUGH TO BE HER FATHER?

THAT POLISH PROFESSOR WHO'S OLD ENOUGH TO BE HER FATHER? >> POT CALLING THE KETTLE BLACK.

ENOUGH TO BE HER FATHER? >> POT CALLING THE KETTLE BLACK. >> WHAT?

>> POT CALLING THE KETTLE BLACK. >> WHAT? >> NOTHING, NOTHING.

>> WHAT? >> NOTHING, NOTHING. ARE YOU HAVING PLASTIC SURGERY?

>> NOTHING, NOTHING. ARE YOU HAVING PLASTIC SURGERY? >> NO!

ARE YOU HAVING PLASTIC SURGERY? >> NO! >> GOOD.

>> NO! >> GOOD. >> WHY GOOD?

>> GOOD. >> WHY GOOD? >> I'D JUST FEEL WEIRD IF MY

>> WHY GOOD? >> I'D JUST FEEL WEIRD IF MY FATHER ALTERED HIS APPEARANCE

>> I'D JUST FEEL WEIRD IF MY FATHER ALTERED HIS APPEARANCE FOR THE SAKE OF VANITY.

FATHER ALTERED HIS APPEARANCE FOR THE SAKE OF VANITY. >> Please, keep your voice down.

FOR THE SAKE OF VANITY. >> Please, keep your voice down. >> [ CHUCKLES ]

YOU LOOK FINE, DAD. >> [ CHUCKLES ] >> MAYBE IF YOU DIDN'T DATE

>> [ CHUCKLES ] >> MAYBE IF YOU DIDN'T DATE WOMEN WHO ARE YOUNG ENOUGH TO BE

>> MAYBE IF YOU DIDN'T DATE WOMEN WHO ARE YOUNG ENOUGH TO BE YOUR DAUGHTER, THEN YOU WOULDN'T WOMEN WHO ARE YOUNG ENOUGH TO BE YOUR DAUGHTER, THEN YOU WOULDN'T BE SO SELF-CONSCIOUS.

YOUR DAUGHTER, THEN YOU WOULDN'T BE SO SELF-CONSCIOUS. >> OH, I'M NOT SELF-CONSCIOUS.

BE SO SELF-CONSCIOUS. >> OH, I'M NOT SELF-CONSCIOUS. >> THEN WHY ARE YOU HAVING

>> OH, I'M NOT SELF-CONSCIOUS. >> THEN WHY ARE YOU HAVING PLASTIC SURGERY?

>> THEN WHY ARE YOU HAVING PLASTIC SURGERY? >> It's not called plastic PLASTIC SURGERY? >> It's not called plastic surgery.

>> It's not called plastic surgery. It's now called elective surgery. It's now called elective cosmetic surgery.

It's now called elective cosmetic surgery. >> Fine. Why are you having cosmetic surgery. >> Fine. Why are you having elective cosmetic surgery?

>> Fine. Why are you having elective cosmetic surgery? >> Oh, can we please not talk elective cosmetic surgery? >> Oh, can we please not talk about this now.

>> Oh, can we please not talk about this now. >> Dad, um, can I, uh... about this now. >> Dad, um, can I, uh... Can I ask you something?

>> Dad, um, can I, uh... Can I ask you something? >> What?

Can I ask you something? >> What? >> Are you gay?

>> YOU KNOW, I THINK JOHNNY DEPP'S THE SEXIEST MAN ALIVE.

JOHNNY DEPP'S THE SEXIEST MAN ALIVE. >> AND YOU, JAMES?

ALIVE. >> AND YOU, JAMES? WHAT DID YOU THINK?

>> AND YOU, JAMES? WHAT DID YOU THINK? YOU KNOW, I'D LIKE TO WRITE A WHAT DID YOU THINK? YOU KNOW, I'D LIKE TO WRITE A PAPER ABOUT JOHNNY DEPP'S CAREER YOU KNOW, I'D LIKE TO WRITE A PAPER ABOUT JOHNNY DEPP'S CAREER OF SUBVERSION OF THE ROMANTIC PAPER ABOUT JOHNNY DEPP'S CAREER OF SUBVERSION OF THE ROMANTIC LEADING MAN.

OF SUBVERSION OF THE ROMANTIC LEADING MAN. >> IT SEEMS THAT EVERYONE ELSE LEADING MAN. >> IT SEEMS THAT EVERYONE ELSE CAN MATE AND FIT THEIR PARTS

>> IT SEEMS THAT EVERYONE ELSE CAN MATE AND FIT THEIR PARTS TOGETHER IN A PRODUCTIVE WAY.

CAN MATE AND FIT THEIR PARTS TOGETHER IN A PRODUCTIVE WAY. NOT FOR ME.

TOGETHER IN A PRODUCTIVE WAY. NOT FOR ME. >> THE REBELS, THE LONERS --

NOT FOR ME. >> THE REBELS, THE LONERS -- >> YEAH, YEAH.

>> THE REBELS, THE LONERS -- >> YEAH, YEAH. JAMES, ARE YOU GETTING THIS?

>> YEAH, YEAH. JAMES, ARE YOU GETTING THIS? >> WHY?

JAMES, ARE YOU GETTING THIS? >> WHY? SHOULD I BE PAYING EXTRA-SPECIAL

>> WHY? SHOULD I BE PAYING EXTRA-SPECIAL ATTENTION?

SHOULD I BE PAYING EXTRA-SPECIAL ATTENTION? >> WELL, YEAH.

ATTENTION? >> WELL, YEAH. IT SHOULD MAKE PERFECT SENSE TO

>> WELL, YEAH. IT SHOULD MAKE PERFECT SENSE TO YOU.

IT SHOULD MAKE PERFECT SENSE TO YOU. YOU'RE A LONER.

YOU. YOU'RE A LONER. YOU KNOW JAMES DOESN'T EVEN YOU'RE A LONER. YOU KNOW JAMES DOESN'T EVEN WANT TO GO TO COLLEGE NEXT YEAR?

YOU KNOW JAMES DOESN'T EVEN WANT TO GO TO COLLEGE NEXT YEAR? BET YOUR MOM AND DAD'LL BE WANT TO GO TO COLLEGE NEXT YEAR? BET YOUR MOM AND DAD'LL BE PLEASED TO HEAR THAT.

BET YOUR MOM AND DAD'LL BE PLEASED TO HEAR THAT. >> I AGREE WITH YOU.

PLEASED TO HEAR THAT. >> I AGREE WITH YOU. THE COLLEGE EXPERIENCE IN THE

>> I AGREE WITH YOU. THE COLLEGE EXPERIENCE IN THE UNITED STATES IS A COMPLETE THE COLLEGE EXPERIENCE IN THE UNITED STATES IS A COMPLETE FARCE.

UNITED STATES IS A COMPLETE FARCE. >> YOU AGREE WITH IT?

FARCE. >> YOU AGREE WITH IT? YOU TEACH IN AN AMERICAN

>> YOU AGREE WITH IT? YOU TEACH IN AN AMERICAN COLLEGE.

YOU TEACH IN AN AMERICAN COLLEGE. >> [ LAUGHS ]

COLLEGE. >> [ LAUGHS ] IF ANYONE HAD TO BELIEVE IN WHAT

>> [ LAUGHS ] IF ANYONE HAD TO BELIEVE IN WHAT THEY DID, VERY LITTLE WOULD GET IF ANYONE HAD TO BELIEVE IN WHAT THEY DID, VERY LITTLE WOULD GET DONE IN THE WORLD.

THEY DID, VERY LITTLE WOULD GET DONE IN THE WORLD. >> WELL, SINCE MY DAD ISN'T DONE IN THE WORLD. >> WELL, SINCE MY DAD ISN'T TAKING HIS BIMBO GIRLFRIEND UP

>> WELL, SINCE MY DAD ISN'T TAKING HIS BIMBO GIRLFRIEND UP TO THE BEACH HOUSE, IT'LL BE TAKING HIS BIMBO GIRLFRIEND UP TO THE BEACH HOUSE, IT'LL BE EMPTY.

TO THE BEACH HOUSE, IT'LL BE EMPTY. WHAT DO YOU SAY WE GO TO THE EMPTY. WHAT DO YOU SAY WE GO TO THE HAMPTONS THIS WEEKEND?

WHAT DO YOU SAY WE GO TO THE HAMPTONS THIS WEEKEND? HUH, HONEY BUNNY?

HAMPTONS THIS WEEKEND? HUH, HONEY BUNNY? >> UH, I DON'T THINK MY WIFE HUH, HONEY BUNNY? >> UH, I DON'T THINK MY WIFE WOULD LIKE THAT.

>> UH, I DON'T THINK MY WIFE WOULD LIKE THAT. >> WELL, ISN'T YOUR WIFE WOULD LIKE THAT. >> WELL, ISN'T YOUR WIFE SUPPOSED TO BE WORKING ON HER

>> WELL, ISN'T YOUR WIFE SUPPOSED TO BE WORKING ON HER BOOK OR SOMETHING?

SUPPOSED TO BE WORKING ON HER BOOK OR SOMETHING? >> CORRECT.

BOOK OR SOMETHING? >> CORRECT. THE MAIN CHARACTER IS A

>> CORRECT. THE MAIN CHARACTER IS A TRANSSEXUAL DETECTIVE.

THE MAIN CHARACTER IS A TRANSSEXUAL DETECTIVE. AND IN ORDER TO GATHER FURTHER TRANSSEXUAL DETECTIVE. AND IN ORDER TO GATHER FURTHER UNDERSTANDING, MY WIFE'S NOW AND IN ORDER TO GATHER FURTHER UNDERSTANDING, MY WIFE'S NOW DATING A FORMER PSYCHOANALYST.

UNDERSTANDING, MY WIFE'S NOW DATING A FORMER PSYCHOANALYST. >> WELL, AT LEAST THAT'S ONE WAY DATING A FORMER PSYCHOANALYST. >> WELL, AT LEAST THAT'S ONE WAY TO GET YOUR RESEARCH DONE.

>> WELL, AT LEAST THAT'S ONE WAY TO GET YOUR RESEARCH DONE. >> YOU KNOW, WE HAVE -- WE HAVE TO GET YOUR RESEARCH DONE. >> YOU KNOW, WE HAVE -- WE HAVE AN OPEN MARRIAGE.

>> YOU KNOW, WE HAVE -- WE HAVE AN OPEN MARRIAGE. >> YEAH, WELL, IF YOUR MARRIAGE AN OPEN MARRIAGE. >> YEAH, WELL, IF YOUR MARRIAGE IS SO OPEN, THEN SHE SHOULDN'T

>> YEAH, WELL, IF YOUR MARRIAGE IS SO OPEN, THEN SHE SHOULDN'T HAVE A PROBLEM WITH YOU GOING TO IS SO OPEN, THEN SHE SHOULDN'T HAVE A PROBLEM WITH YOU GOING TO THE HAMPTONS?

HAVE A PROBLEM WITH YOU GOING TO THE HAMPTONS? >> WELL, IT'S, UH -- IT'S THE HAMPTONS? >> WELL, IT'S, UH -- IT'S GETTING LATE.

>> WELL, IT'S, UH -- IT'S GETTING LATE. [ SIGHS ]

GETTING LATE. [ SIGHS ] SO, UH --

[ SIGHS ] SO, UH -- >> IT'S THE MIDDLE OF THE DAY, SO, UH -- >> IT'S THE MIDDLE OF THE DAY, JAMES.

>> IT'S THE MIDDLE OF THE DAY, JAMES. >> I'M GOING TO THE COUNTRY IN JAMES. >> I'M GOING TO THE COUNTRY IN THE MORNING.

>> I'M GOING TO THE COUNTRY IN THE MORNING. >> AGAIN?

THE MORNING. >> AGAIN? >> YOU SHOULD TRY GOING ONCE IN

>> AGAIN? >> YOU SHOULD TRY GOING ONCE IN A WHILE.

>> YOU SHOULD TRY GOING ONCE IN A WHILE. SHE'S YOUR GRANDMOTHER, TOO.

A WHILE. SHE'S YOUR GRANDMOTHER, TOO. I'LL SEE YOU GUYS.

SHE'S YOUR GRANDMOTHER, TOO. I'LL SEE YOU GUYS. >> BYE, JAMES.

I'LL SEE YOU GUYS. >> BYE, JAMES. I DON'T KNOW WHAT'S WRONG WITH

>> BYE, JAMES. I DON'T KNOW WHAT'S WRONG WITH HIM.

I DON'T KNOW WHAT'S WRONG WITH HIM. [ BOING! ]

HIM. [ BOING! ] [ EERIE NOISES PLAY ]

[ BOING! ] [ EERIE NOISES PLAY ] >> [ LAUGHS ]

[ EERIE NOISES PLAY ] >> [ LAUGHS ] [ ZAP! ZAP! ZAP! ]

>> [ LAUGHS ] [ ZAP! ZAP! ZAP! ] >> [ CHANTING IN FOREIGN

[ ZAP! ZAP! ZAP! ] >> [ CHANTING IN FOREIGN LANGUAGE ]

>> [ CHANTING IN FOREIGN LANGUAGE ] [ FLUTE PLAYS ]

LANGUAGE ] [ FLUTE PLAYS ] >> FUNNY. VERY FUNNY.

[ FLUTE PLAYS ] >> FUNNY. VERY FUNNY. WHAT IS THE NAME OF THE ARTIST?

>> FUNNY. VERY FUNNY. WHAT IS THE NAME OF THE ARTIST? >> HE/SHE/IT HAS NO NAME.

WHAT IS THE NAME OF THE ARTIST? >> HE/SHE/IT HAS NO NAME. [ BEEP! BEEP! BEEP! ]

>> HE/SHE/IT HAS NO NAME. [ BEEP! BEEP! BEEP! ] [ BOING! ]

[ BEEP! BEEP! BEEP! ] [ BOING! ] HE/SHE/IT DOES, BUT HE/SHE/IT, [ BOING! ] HE/SHE/IT DOES, BUT HE/SHE/IT, UH, DOES NOT SELF-IDENTIFY.

HE/SHE/IT DOES, BUT HE/SHE/IT, UH, DOES NOT SELF-IDENTIFY. >> AND WHY IS THIS?

UH, DOES NOT SELF-IDENTIFY. >> AND WHY IS THIS? >> IT'S FASCINATING.

>> AND WHY IS THIS? >> IT'S FASCINATING. HE/SHE/IT CLAIMS THAT IDENTITY

>> IT'S FASCINATING. HE/SHE/IT CLAIMS THAT IDENTITY IS FLUID AND SHOULD NOT BE HE/SHE/IT CLAIMS THAT IDENTITY IS FLUID AND SHOULD NOT BE CONSTRAINED BY SOMETHING AS IS FLUID AND SHOULD NOT BE CONSTRAINED BY SOMETHING AS FIXED AS A NAME.

CONSTRAINED BY SOMETHING AS FIXED AS A NAME. YOU SEE, HE/SHE/IT BELIEVES THAT FIXED AS A NAME. YOU SEE, HE/SHE/IT BELIEVES THAT IF AN ARTIST HAS A NAME, THEN YOU SEE, HE/SHE/IT BELIEVES THAT IF AN ARTIST HAS A NAME, THEN PEOPLE PAY FOR THAT NAME RATHER IF AN ARTIST HAS A NAME, THEN PEOPLE PAY FOR THAT NAME RATHER THAN FOR THE ART.

PEOPLE PAY FOR THAT NAME RATHER THAN FOR THE ART. IT'S A WAY OF SEPARATING THE THAN FOR THE ART. IT'S A WAY OF SEPARATING THE ARTIST FROM THE ART.

IT'S A WAY OF SEPARATING THE ARTIST FROM THE ART. >> WHAT IS THE PRICE?

ARTIST FROM THE ART. >> WHAT IS THE PRICE? >> EACH PIECE IS $16,000.

>> WHAT IS THE PRICE? >> EACH PIECE IS $16,000. OF COURSE, HE/SHE/IT WOULD

>> EACH PIECE IS $16,000. OF COURSE, HE/SHE/IT WOULD PREFER IF ALL 10 PIECES REMAINED OF COURSE, HE/SHE/IT WOULD PREFER IF ALL 10 PIECES REMAINED TOGETHER.

PREFER IF ALL 10 PIECES REMAINED TOGETHER. PEOPLE LOVE TREATING THESE WORKS TOGETHER. PEOPLE LOVE TREATING THESE WORKS OF ART AS ORDINARY GARBAGE CANS, PEOPLE LOVE TREATING THESE WORKS OF ART AS ORDINARY GARBAGE CANS, BUT THEY'RE NOT.

OF ART AS ORDINARY GARBAGE CANS, BUT THEY'RE NOT. [ ZAP! WARBLE! ]

BUT THEY'RE NOT. [ ZAP! WARBLE! ] >> IF YOU HAVE ANY QUESTIONS, [ ZAP! WARBLE! ] >> IF YOU HAVE ANY QUESTIONS, PLEASE FEEL FREE TO GIVE US A

>> IF YOU HAVE ANY QUESTIONS, PLEASE FEEL FREE TO GIVE US A CALL.

PLEASE FEEL FREE TO GIVE US A CALL. >> VERY WELL. WE WILL CONSIDER.

CALL. >> VERY WELL. WE WILL CONSIDER. THANK YOU. GOODBYE.

>> VERY WELL. WE WILL CONSIDER. THANK YOU. GOODBYE. >> [ SNIFFLES ]

THANK YOU. GOODBYE. >> [ SNIFFLES ] [ EERIE NOISES PLAY ]

>> [ SNIFFLES ] [ EERIE NOISES PLAY ] >> GOOD JOB.

[ EERIE NOISES PLAY ] >> GOOD JOB. YOU'RE A NATURAL AT THIS.

>> GOOD JOB. YOU'RE A NATURAL AT THIS. >> [ CHUCKLES ]

YOU'RE A NATURAL AT THIS. >> [ CHUCKLES ] I DOUBT THEY'RE GONNA BUY.

>> [ CHUCKLES ] I DOUBT THEY'RE GONNA BUY. >> JAMES, YOU HAVE GOT TO STOP I DOUBT THEY'RE GONNA BUY. >> JAMES, YOU HAVE GOT TO STOP BEING SO NEGATIVE ALL THE TIME.

>> JAMES, YOU HAVE GOT TO STOP BEING SO NEGATIVE ALL THE TIME. [ KNOCKING AT DOOR ]

>> COME IN. IT'S OPEN. [ DOG BARKING ] >> IT'S ME, BARRY.

[ DOG BARKING ] >> IT'S ME, BARRY. [ BARKING CONTINUES ]

WHY DOES HE GROWL EVERY TIME HE SEES ME? >> MURO, CUT IT OUT.

SEES ME? >> MURO, CUT IT OUT. [ DOG WHINES ]

>> MURO, CUT IT OUT. [ DOG WHINES ] MR. ROGERS, HOW ARE YOU?

[ DOG WHINES ] MR. ROGERS, HOW ARE YOU? >> PLEASE DON'T CALL ME MR. ROGERS, HOW ARE YOU? >> PLEASE DON'T CALL ME MR. ROGERS.

>> PLEASE DON'T CALL ME MR. ROGERS. I HATE IT.

MR. ROGERS. I HATE IT. CALL ME BARRY.

I HATE IT. CALL ME BARRY. [ DOG GROWLS ]

CALL ME BARRY. [ DOG GROWLS ] >> MOM'S AT HER SHRINK.

[ DOG GROWLS ] >> MOM'S AT HER SHRINK. ONE OF THEIR LATE-NIGHT

>> MOM'S AT HER SHRINK. ONE OF THEIR LATE-NIGHT EMERGENCY SESSIONS.

ONE OF THEIR LATE-NIGHT EMERGENCY SESSIONS. >> [ SIGHS ]

EMERGENCY SESSIONS. >> [ SIGHS ] >> WELL, UH...

>> [ SIGHS ] >> WELL, UH... YOUR MOTHER ASKED ME TO REMOVE

>> WELL, UH... YOUR MOTHER ASKED ME TO REMOVE MY THINGS, SO I'LL -- DID, UM --

YOUR MOTHER ASKED ME TO REMOVE MY THINGS, SO I'LL -- DID, UM -- [ CLEARS THROAT ]

MY THINGS, SO I'LL -- DID, UM -- [ CLEARS THROAT ] DID MARJORIE SAY ANYTHING ABOUT

[ CLEARS THROAT ] DID MARJORIE SAY ANYTHING ABOUT US?

DID MARJORIE SAY ANYTHING ABOUT US? >> NO.

US? >> NO. OH, SHE DID MENTION, UM...

>> NO. OH, SHE DID MENTION, UM... CIGARS OR, UH, LAP DANCES AND, OH, SHE DID MENTION, UM... CIGARS OR, UH, LAP DANCES AND, UH, YOU STOLE HER ATM CARDS.

CIGARS OR, UH, LAP DANCES AND, UH, YOU STOLE HER ATM CARDS. >> WHOA!

UH, YOU STOLE HER ATM CARDS. >> WHOA! I DIDN'T STEAL ANYTHING.

>> WHOA! I DIDN'T STEAL ANYTHING. UNH-UNH.

I DIDN'T STEAL ANYTHING. UNH-UNH. WE'RE MARRIED.

UNH-UNH. WE'RE MARRIED. HAVE YOU NEVER HEARD OF JOINT WE'RE MARRIED. HAVE YOU NEVER HEARD OF JOINT PROPERTY?

HAVE YOU NEVER HEARD OF JOINT PROPERTY? EH, I WAS HOPING TO WIN BIG.

PROPERTY? EH, I WAS HOPING TO WIN BIG. I WAS GONNA TAKE HER OUT FOR A-A EH, I WAS HOPING TO WIN BIG. I WAS GONNA TAKE HER OUT FOR A-A GREAT DINNER.

I WAS GONNA TAKE HER OUT FOR A-A GREAT DINNER. WE WERE GONNA BE DRINKING GREAT DINNER. WE WERE GONNA BE DRINKING CHAMPAGNE AND EATING FISH EGGS.

WE WERE GONNA BE DRINKING CHAMPAGNE AND EATING FISH EGGS. OH!

CHAMPAGNE AND EATING FISH EGGS. OH! >> YOU MEAN CAVIAR.

OH! >> YOU MEAN CAVIAR. >> THAT'S NOT FISH EGGS?

>> YOU MEAN CAVIAR. >> THAT'S NOT FISH EGGS? >> MOST PEOPLE SAY CAVIAR.

>> THAT'S NOT FISH EGGS? >> MOST PEOPLE SAY CAVIAR. >> I SAY FISH EGGS.

>> MOST PEOPLE SAY CAVIAR. >> I SAY FISH EGGS. WHAT'S THE BIG DEAL?

>> I SAY FISH EGGS. WHAT'S THE BIG DEAL? I SEE.

WHAT'S THE BIG DEAL? I SEE. YOU THINK YOU'RE BETTER THAN ME I SEE. YOU THINK YOU'RE BETTER THAN ME BECAUSE YOU SAY "CAVIAR."

YOU THINK YOU'RE BETTER THAN ME BECAUSE YOU SAY "CAVIAR." YOU NEVER DID LIKE ME.

BECAUSE YOU SAY "CAVIAR." YOU NEVER DID LIKE ME. YOU'RE A SMUG LITTLE BASTARD, YOU NEVER DID LIKE ME. YOU'RE A SMUG LITTLE BASTARD, AIN'T YA?

YOU'RE A SMUG LITTLE BASTARD, AIN'T YA? >> YOUR WEIRD EXERCISE MACHINE AIN'T YA? >> YOUR WEIRD EXERCISE MACHINE IS HERE IF YOU WANT IT.

>> YOUR WEIRD EXERCISE MACHINE IS HERE IF YOU WANT IT. >> [ GROANS ]

IS HERE IF YOU WANT IT. >> [ GROANS ] I'M -- I'M LEAVING THAT -- THAT

>> [ GROANS ] I'M -- I'M LEAVING THAT -- THAT STUPID ANTIGRAVITY TEETER-TOTTER I'M -- I'M LEAVING THAT -- THAT STUPID ANTIGRAVITY TEETER-TOTTER THING.

STUPID ANTIGRAVITY TEETER-TOTTER THING. THROW IT OUT THE WINDOW.

THING. THROW IT OUT THE WINDOW. I DON'T CARE.

THROW IT OUT THE WINDOW. I DON'T CARE. HEY, HEY, HEY, HEY!

I DON'T CARE. HEY, HEY, HEY, HEY! SCRAM, POOCH!

HEY, HEY, HEY, HEY! SCRAM, POOCH! GO ON!

SCRAM, POOCH! GO ON! GET OUT OF HERE!

GO ON! GET OUT OF HERE! >> MURO.

GET OUT OF HERE! >> MURO. >> OH, NO!

>> MURO. >> OH, NO! OH! OH, GOD!

>> OH, NO! OH! OH, GOD! [ SIGHS ]

OH! OH, GOD! [ SIGHS ] [ GROANS ]

[ Voice breaking ] OH, GOD. I AM SUCH AN IDIOT -- A COMPLETE IDIOT.

I AM SUCH AN IDIOT -- A COMPLETE IDIOT. >> IS THIS WHAT LOVE DOES?

IDIOT. >> IS THIS WHAT LOVE DOES? IT TURNS YOU INTO A MARIONETTE?

>> IS THIS WHAT LOVE DOES? IT TURNS YOU INTO A MARIONETTE? IT'S LIKE TRYING TO HAVE A IT TURNS YOU INTO A MARIONETTE? IT'S LIKE TRYING TO HAVE A CONVERSATION WITH A PARROT OR

IT'S LIKE TRYING TO HAVE A CONVERSATION WITH A PARROT OR SOMEONE WHO'S BEEN LOBOTOMIZED.

CONVERSATION WITH A PARROT OR SOMEONE WHO'S BEEN LOBOTOMIZED. >> TELL ME THAT YOU KNOW THAT SOMEONE WHO'S BEEN LOBOTOMIZED. >> TELL ME THAT YOU KNOW THAT I'M NOT A BAD PERSON, JAMES.

>> TELL ME THAT YOU KNOW THAT I'M NOT A BAD PERSON, JAMES. >> YOU'RE NOT A BAD PERSON.

I'M NOT A BAD PERSON, JAMES. >> YOU'RE NOT A BAD PERSON. >> THANK YOU.

>> YOU'RE NOT A BAD PERSON. >> THANK YOU. ALL I WANT IS JUST ONE MORE

>> THANK YOU. ALL I WANT IS JUST ONE MORE CHANCE WITH YOUR MOTHER.

ALL I WANT IS JUST ONE MORE CHANCE WITH YOUR MOTHER. I MEAN, SHE IS AN AMAZING WOMAN.

CHANCE WITH YOUR MOTHER. I MEAN, SHE IS AN AMAZING WOMAN. I MEAN, YOU KNOW THAT.

I MEAN, SHE IS AN AMAZING WOMAN. I MEAN, YOU KNOW THAT. OH, HERE.

I MEAN, YOU KNOW THAT. OH, HERE. WILL YOU GIVE THIS TO HER WHEN OH, HERE. WILL YOU GIVE THIS TO HER WHEN YOU SEE HER, HUH?

WILL YOU GIVE THIS TO HER WHEN YOU SEE HER, HUH? ALL RIGHT?

YOU SEE HER, HUH? ALL RIGHT? >> SURE.

ALL RIGHT? >> SURE. >> THANKS.

>> SURE. >> THANKS. >> HEY, YOU, UH, FORGOT YOUR

>> THANKS. >> HEY, YOU, UH, FORGOT YOUR RACKET.

>> HEY, YOU, UH, FORGOT YOUR RACKET. >> OH, NO, NO, NO.

RACKET. >> OH, NO, NO, NO. THAT'S MY GIFT TO YOU.

>> OH, NO, NO, NO. THAT'S MY GIFT TO YOU. I STINK AT TENNIS ANYWAY.

THAT'S MY GIFT TO YOU. I STINK AT TENNIS ANYWAY. [ DOOR CLOSES ]

I STINK AT TENNIS ANYWAY. [ DOOR CLOSES ] [ DOG WHINES ]

>> HI, HONEY. >> HI. >> I BROUGHT YOU SOME TEA.

>> HI. >> I BROUGHT YOU SOME TEA. >> I DON'T WANT IT.

>> I SAW BARRY'S NOTE. I'M SORRY IF THAT WAS AWKWARD FOR YOU.

I'M SORRY IF THAT WAS AWKWARD FOR YOU. >> IT WAS FINE.

FOR YOU. >> IT WAS FINE. >> YOU NEVER REALLY LIKED HIM, >> IT WAS FINE. >> YOU NEVER REALLY LIKED HIM, DID YOU?

>> YOU NEVER REALLY LIKED HIM, DID YOU? >> I WASN'T CRAZY ABOUT HIM.

DID YOU? >> I WASN'T CRAZY ABOUT HIM. >> WELL, MAYBE THAT IS THE LAST

>> I WASN'T CRAZY ABOUT HIM. >> WELL, MAYBE THAT IS THE LAST THAT YOU'LL EVER SEE OF HIM.

>> WELL, MAYBE THAT IS THE LAST THAT YOU'LL EVER SEE OF HIM. >> WHY DID YOU MARRY HIM?

>> BECAUSE [CHUCKLES] I WAS LONELY, EVEN WITH YOU AND GILLIAN AND -- AND THE GALLERY LONELY, EVEN WITH YOU AND GILLIAN AND -- AND THE GALLERY AND BRUNCHES AND THE DINNERS AND GILLIAN AND -- AND THE GALLERY AND BRUNCHES AND THE DINNERS AND THE LUNCHES.

AND BRUNCHES AND THE DINNERS AND THE LUNCHES. IT WAS JUST SO, SO LOVELY TO THE LUNCHES. IT WAS JUST SO, SO LOVELY TO HAVE SOMEONE TO HOLD ME AT IT WAS JUST SO, SO LOVELY TO HAVE SOMEONE TO HOLD ME AT NIGHT.

HAVE SOMEONE TO HOLD ME AT NIGHT. [ SIGHS ] GOD, I SHOULDN'T BE NIGHT. [ SIGHS ] GOD, I SHOULDN'T BE TELLING YOU ANY OF THIS.

[ SIGHS ] GOD, I SHOULDN'T BE TELLING YOU ANY OF THIS. I'M JUST GONNA PASS ALL MY TELLING YOU ANY OF THIS. I'M JUST GONNA PASS ALL MY BITTERNESS RIGHT INTO YOU AND --

I'M JUST GONNA PASS ALL MY BITTERNESS RIGHT INTO YOU AND -- AND MAKE IT IMPOSSIBLE FOR YOU BITTERNESS RIGHT INTO YOU AND -- AND MAKE IT IMPOSSIBLE FOR YOU TO EVER BELIEVE IN LOVE.

AND MAKE IT IMPOSSIBLE FOR YOU TO EVER BELIEVE IN LOVE. >> I ALREADY DON'T BELIEVE IN TO EVER BELIEVE IN LOVE. >> I ALREADY DON'T BELIEVE IN LOVE.

>> I ALREADY DON'T BELIEVE IN LOVE. >> THAT'S JUST BECAUSE YOU'VE LOVE. >> THAT'S JUST BECAUSE YOU'VE NEVER BEEN IN LOVE.

>> THAT'S JUST BECAUSE YOU'VE NEVER BEEN IN LOVE. OR HAVE YOU?

NEVER BEEN IN LOVE. OR HAVE YOU? >> NO.

OR HAVE YOU? >> NO. >> HAVE YOU BEEN IN LOVE?

>> NO. >> HAVE YOU BEEN IN LOVE? >> NO!

>> HAVE YOU BEEN IN LOVE? >> NO! >> [ CHUCKLES ]

>> NO! >> [ CHUCKLES ] WELL, DON'T WORRY.

>> [ CHUCKLES ] WELL, DON'T WORRY. YOU WILL, YOU WILL.

WELL, DON'T WORRY. YOU WILL, YOU WILL. YOU'RE TOO SWEET NOT TO FALL IN YOU WILL, YOU WILL. YOU'RE TOO SWEET NOT TO FALL IN LOVE.

YOU'RE TOO SWEET NOT TO FALL IN LOVE. >> I'M NOT SWEET.

LOVE. >> I'M NOT SWEET. >> OH, YES, YOU ARE.

>> I'M NOT SWEET. >> OH, YES, YOU ARE. YOU'RE SWEET, SWEET, SWEET.

>> OH, YES, YOU ARE. YOU'RE SWEET, SWEET, SWEET. YOU'RE A SWEETHEART.

YOU'RE SWEET, SWEET, SWEET. YOU'RE A SWEETHEART. >> GOOD NIGHT, MOM.

YOU'RE A SWEETHEART. >> GOOD NIGHT, MOM. >> GOOD NIGHT, JAMES.

>> GOOD NIGHT, MOM. >> GOOD NIGHT, JAMES. YOU KNOW WHAT YOU HAVE TO DO

>> GOOD NIGHT, JAMES. YOU KNOW WHAT YOU HAVE TO DO TOMORROW, DON'T YOU?

YOU KNOW WHAT YOU HAVE TO DO TOMORROW, DON'T YOU? >> YES.

TOMORROW, DON'T YOU? >> YES. >> OKAY. GOOD.

>> YES. >> OKAY. GOOD. LOVELY TALKING TO YOU.

>> OKAY. GOOD. LOVELY TALKING TO YOU. [ DOG WHINES ]

LOVELY TALKING TO YOU. [ DOG WHINES ] SORRY YOU HAD TO HEAR THAT.

PEOPLE ALWAYS THINK THAT IF THEY CAN PROVE THEY'RE RIGHT, YOU'LL CHANGE YOUR MIND.

CAN PROVE THEY'RE RIGHT, YOU'LL CHANGE YOUR MIND. AM I DISTURBED?

CHANGE YOUR MIND. AM I DISTURBED? I THOUGHT WHAT THE WORD MEANS --

AM I DISTURBED? I THOUGHT WHAT THE WORD MEANS -- WHAT IT REALLY MEANS TO BE I THOUGHT WHAT THE WORD MEANS -- WHAT IT REALLY MEANS TO BE DISTURBED.

[ DOORBELL RINGS ]


DON'T YOU THINK HOSTING SESSIONS IN YOUR KITCHEN IS KIND OF STRANGE?

IN YOUR KITCHEN IS KIND OF STRANGE? >> IF YOU THINK THIS IS STRANGE, STRANGE? >> IF YOU THINK THIS IS STRANGE, WAIT TILL YOU START SEEING ME

>> IF YOU THINK THIS IS STRANGE, WAIT TILL YOU START SEEING ME MORE REGULARLY.

SO, JAMES, IS THERE ANYTHING ELSE YOU WANT TO TALK ABOUT? >> LOOK, I'M JUST HUMORING MY ELSE YOU WANT TO TALK ABOUT? >> LOOK, I'M JUST HUMORING MY PARENTS.

>> LOOK, I'M JUST HUMORING MY PARENTS. MY MOTHER TOLD ME THAT YOU'RE PARENTS. MY MOTHER TOLD ME THAT YOU'RE A-A LIFE COACH.

MY MOTHER TOLD ME THAT YOU'RE A-A LIFE COACH. IS THAT WHAT YOU CALL YOURSELF?

A-A LIFE COACH. IS THAT WHAT YOU CALL YOURSELF? >> DO YOU THINK WHAT WE CALL IS THAT WHAT YOU CALL YOURSELF? >> DO YOU THINK WHAT WE CALL OURSELVES HAS ANYTHING TO DO

>> DO YOU THINK WHAT WE CALL OURSELVES HAS ANYTHING TO DO WITH WHO WE REALLY ARE?

OURSELVES HAS ANYTHING TO DO WITH WHO WE REALLY ARE? >> WHEN IT COMES TO PROFESSIONAL WITH WHO WE REALLY ARE? >> WHEN IT COMES TO PROFESSIONAL TITLES, YEAH.

>> WHEN IT COMES TO PROFESSIONAL TITLES, YEAH. AND PLEASE DON'T DO THAT.

TITLES, YEAH. AND PLEASE DON'T DO THAT. >> PLEASE DON'T DO WHAT?

AND PLEASE DON'T DO THAT. >> PLEASE DON'T DO WHAT? >> ANSWER MY QUESTIONS WITH MORE

>> PLEASE DON'T DO WHAT? >> ANSWER MY QUESTIONS WITH MORE QUESTIONS.

>> ANSWER MY QUESTIONS WITH MORE QUESTIONS. >> DOES THAT BOTHER YOU?

QUESTIONS. >> DOES THAT BOTHER YOU? >> IT DOES.

>> DOES THAT BOTHER YOU? >> IT DOES. >> YOU DON'T WANT A DRINK?

>> IT DOES. >> YOU DON'T WANT A DRINK? IS THIS WHAT LIFE COACHES DO?

>> YOU DON'T WANT A DRINK? IS THIS WHAT LIFE COACHES DO? UH, HOW DID THIS GO INTO JAMBA IS THIS WHAT LIFE COACHES DO? UH, HOW DID THIS GO INTO JAMBA JUICE?

UH, HOW DID THIS GO INTO JAMBA JUICE? >> ACTUALLY, JAMES, UM, I'M A JUICE? >> ACTUALLY, JAMES, UM, I'M A PSYCHOTHERAPIST.

>> ACTUALLY, JAMES, UM, I'M A PSYCHOTHERAPIST. I DO SOME LIFE COACHING, BUT PSYCHOTHERAPIST. I DO SOME LIFE COACHING, BUT MAYBE THAT'S NOT WHAT YOU NEED.

>> SO, WHAT ELSE DID MY MOTHER TELL YOU. >> WELL, YOUR MOTHER TOLD ME TELL YOU. >> WELL, YOUR MOTHER TOLD ME THAT SHE'S WORRIED ABOUT YOU AND

>> WELL, YOUR MOTHER TOLD ME THAT SHE'S WORRIED ABOUT YOU AND THAT CHIEFLY YOU'RE ANTISOCIAL THAT SHE'S WORRIED ABOUT YOU AND THAT CHIEFLY YOU'RE ANTISOCIAL AND LONELY.

THAT CHIEFLY YOU'RE ANTISOCIAL AND LONELY. >> JUST BECAUSE YOU'RE ALONE AND LONELY. >> JUST BECAUSE YOU'RE ALONE DOESN'T NECESSARILY MEAN YOU'RE

>> JUST BECAUSE YOU'RE ALONE DOESN'T NECESSARILY MEAN YOU'RE LONELY.

DOESN'T NECESSARILY MEAN YOU'RE LONELY. >> SHE ALSO MENTIONED THE LONELY. >> SHE ALSO MENTIONED THE INCIDENT IN D.C.

>> SHE ALSO MENTIONED THE INCIDENT IN D.C. >> WHAT DID SHE SAY ABOUT THAT?

INCIDENT IN D.C. >> WHAT DID SHE SAY ABOUT THAT? >> SHE SAID THAT YOU HAD SOME

>> WHAT DID SHE SAY ABOUT THAT? >> SHE SAID THAT YOU HAD SOME PROBLEMS DEALING WITH SOME

>> SHE SAID THAT YOU HAD SOME PROBLEMS DEALING WITH SOME CLASSMATES AND THAT YOU HAD AN PROBLEMS DEALING WITH SOME CLASSMATES AND THAT YOU HAD AN EPISODE OF PANIC.

CLASSMATES AND THAT YOU HAD AN EPISODE OF PANIC. >> "AN EPISODE OF PANIC"?

EPISODE OF PANIC. >> "AN EPISODE OF PANIC"? IS THAT WHAT SHE CALLED IT?

>> "AN EPISODE OF PANIC"? IS THAT WHAT SHE CALLED IT? >> THOSE WERE PROBABLY MY WORDS.

IS THAT WHAT SHE CALLED IT? >> THOSE WERE PROBABLY MY WORDS. ARE THEY WRONG?

>> THOSE WERE PROBABLY MY WORDS. ARE THEY WRONG? >> NO, NO.

ARE THEY WRONG? >> NO, NO. THAT JUST ABOUT SUMS IT UP.

>> NO, NO. THAT JUST ABOUT SUMS IT UP. I READ SOMEWHERE THAT AMERICANS THAT JUST ABOUT SUMS IT UP. I READ SOMEWHERE THAT AMERICANS COMPLETELY MISINTERPRETED FREUD I READ SOMEWHERE THAT AMERICANS COMPLETELY MISINTERPRETED FREUD 'CAUSE IT WAS MISTRANSLATED FROM COMPLETELY MISINTERPRETED FREUD 'CAUSE IT WAS MISTRANSLATED FROM THE ORIGINAL GERMAN.

'CAUSE IT WAS MISTRANSLATED FROM THE ORIGINAL GERMAN. >> YOU CAN SAY THE SAME THING THE ORIGINAL GERMAN. >> YOU CAN SAY THE SAME THING ABOUT THE BIBLE.

>> YOU CAN SAY THE SAME THING ABOUT THE BIBLE. ARE YOU INTERESTED IN ABOUT THE BIBLE. ARE YOU INTERESTED IN PSYCHOLOGY?

ARE YOU INTERESTED IN PSYCHOLOGY? >> I THINK IT'S A SELF-INDULGENT PSYCHOLOGY? >> I THINK IT'S A SELF-INDULGENT EXAMINATION OF ONE'S LIFE THAT

>> I THINK IT'S A SELF-INDULGENT EXAMINATION OF ONE'S LIFE THAT SUPERCEDES THE ACTUAL LIVING OF EXAMINATION OF ONE'S LIFE THAT SUPERCEDES THE ACTUAL LIVING OF SAID LIFE.

SUPERCEDES THE ACTUAL LIVING OF SAID LIFE. >> DID YOU SAY "SAD LIFE"?

SAID LIFE. >> DID YOU SAY "SAD LIFE"? >> NO, NO, NO. SAID LIFE.

>> DID YOU SAY "SAD LIFE"? >> NO, NO, NO. SAID LIFE. I-I THOUGHT YOU SAID "SAD LIFE."

>> NO, NO, NO. SAID LIFE. I-I THOUGHT YOU SAID "SAD LIFE." >> NO, I-I SAID "SAID."

I-I THOUGHT YOU SAID "SAD LIFE." >> NO, I-I SAID "SAID." >> I WAS ONLY SAYING THAT I

>> NO, I-I SAID "SAID." >> I WAS ONLY SAYING THAT I MISUNDERSTOOD WHAT YOU SAID?

>> I WAS ONLY SAYING THAT I MISUNDERSTOOD WHAT YOU SAID? I WASN'T TRYING TO IMPLY YOU MISUNDERSTOOD WHAT YOU SAID? I WASN'T TRYING TO IMPLY YOU HADN'T ACTUALLY SAID IT.

I WASN'T TRYING TO IMPLY YOU HADN'T ACTUALLY SAID IT. >> WELL, I'M GLAD THAT'S BEEN HADN'T ACTUALLY SAID IT. >> WELL, I'M GLAD THAT'S BEEN CLEARED UP.

>> WELL, I'M GLAD THAT'S BEEN CLEARED UP. ISN'T OUR TIME UP FOR THE DAY?

CLEARED UP. ISN'T OUR TIME UP FOR THE DAY? >> SO, JAMES -- AND DO YOU WANT ISN'T OUR TIME UP FOR THE DAY? >> SO, JAMES -- AND DO YOU WANT TO SCHEDULE ANOTHER SESSION?

>> SO, JAMES -- AND DO YOU WANT TO SCHEDULE ANOTHER SESSION? >> I DON'T THINK SO.

TO SCHEDULE ANOTHER SESSION? >> I DON'T THINK SO. >> OKAY.

>> I DON'T THINK SO. >> OKAY. >> WELL, IT WAS NICE MEETING

>> OKAY. >> WELL, IT WAS NICE MEETING YOU.

>> WELL, IT WAS NICE MEETING YOU. >> JAMES...

YOU. >> JAMES... IF YOU NEED ME, DON'T BE AFRAID

>> JAMES... IF YOU NEED ME, DON'T BE AFRAID TO CALL.

IF YOU NEED ME, DON'T BE AFRAID TO CALL. >> I WON'T BE.

TO CALL. >> I WON'T BE. [ DOG BARKS ]

>> I WON'T BE. [ DOG BARKS ] [ DOG GROWLS ]

[ DOG BARKS ] [ DOG GROWLS ] DON'T COMPLAIN.

[ DOG GROWLS ] DON'T COMPLAIN. IT'S FOR SAFETY.

DON'T COMPLAIN. IT'S FOR SAFETY. [ DOG BARKS, GROWLS ]

IT'S FOR SAFETY. [ DOG BARKS, GROWLS ] THERE WE GO.

[ DOG BARKS, GROWLS ] THERE WE GO. AND YOU LOOK GREAT.

THERE WE GO. AND YOU LOOK GREAT. [ DOG BARKING ]

[ JAZZ MUSIC PLAYS ] NANETTE?

NANETTE?

[ DOG BARKING ]

>> LISTEN TO THAT. OH, ISN'T IT MARVELOUS? THAT'S ONE OF CHESTER'S OH, ISN'T IT MARVELOUS? THAT'S ONE OF CHESTER'S FAVORITES.

THAT'S ONE OF CHESTER'S FAVORITES. I FOUND THESE RECORDS OF FAVORITES. I FOUND THESE RECORDS OF CHESTER'S THE OTHER DAY.

I FOUND THESE RECORDS OF CHESTER'S THE OTHER DAY. I'VE GOT SO MUCH OF YOUR CHESTER'S THE OTHER DAY. I'VE GOT SO MUCH OF YOUR GRANDFATHER'S STUFF IN THE I'VE GOT SO MUCH OF YOUR GRANDFATHER'S STUFF IN THE BASEMENT.

GRANDFATHER'S STUFF IN THE BASEMENT. I ALWAYS WANTED TO LEARN TO PLAY BASEMENT. I ALWAYS WANTED TO LEARN TO PLAY THE CLARINET.

I ALWAYS WANTED TO LEARN TO PLAY THE CLARINET. >> WHY DIDN'T YOU?

THE CLARINET. >> WHY DIDN'T YOU? >> MY MOTHER DIDN'T APPROVE OF

>> WHY DIDN'T YOU? >> MY MOTHER DIDN'T APPROVE OF LADIES PUTTING LONG, CYLINDRICAL

>> MY MOTHER DIDN'T APPROVE OF LADIES PUTTING LONG, CYLINDRICAL OBJECTS IN THEIR MOUTHS.

LADIES PUTTING LONG, CYLINDRICAL OBJECTS IN THEIR MOUTHS. [ LAUGHS ]

OBJECTS IN THEIR MOUTHS. [ LAUGHS ] DID YOU KNOW THAT NUNS HAVE TO

[ LAUGHS ] DID YOU KNOW THAT NUNS HAVE TO EAT THEIR BANANA WITH A KNIFE DID YOU KNOW THAT NUNS HAVE TO EAT THEIR BANANA WITH A KNIFE AND FORK?

EAT THEIR BANANA WITH A KNIFE AND FORK? IT'S TRUE.

AND FORK? IT'S TRUE. A NUN TOLD ME THAT.

IT'S TRUE. A NUN TOLD ME THAT. I HAD A FEELING I WAS GONNA SEE A NUN TOLD ME THAT. I HAD A FEELING I WAS GONNA SEE YOU TODAY.

I HAD A FEELING I WAS GONNA SEE YOU TODAY. >> SO, A TOAST?

YOU TODAY. >> SO, A TOAST? >> TO LIFE.

>> SO, A TOAST? >> TO LIFE. >> TO LIFE.

NANETTE? >> HMM? >> TELL ME ABOUT WHEN YOU MET

>> HMM? >> TELL ME ABOUT WHEN YOU MET CHESTER.

>> TELL ME ABOUT WHEN YOU MET CHESTER. AT COLLEGE, I MEAN.

CHESTER. AT COLLEGE, I MEAN. >> WHAT?

AT COLLEGE, I MEAN. >> WHAT? >> BECAUSE WAS IT, UH, A GOOD

>> WHAT? >> BECAUSE WAS IT, UH, A GOOD EXPERIENCE?

>> BECAUSE WAS IT, UH, A GOOD EXPERIENCE? >> COLLEGE OR YOUR GRANDFATHER?

WHY? ARE YOU THINKING OF NOT GOING? >> I JUST THINK I COULD DO OTHER ARE YOU THINKING OF NOT GOING? >> I JUST THINK I COULD DO OTHER THINGS WITH THE MONEY -- THINGS

>> I JUST THINK I COULD DO OTHER THINGS WITH THE MONEY -- THINGS THAT WOULD BE BETTER FOR ME.

THINGS WITH THE MONEY -- THINGS THAT WOULD BE BETTER FOR ME. >> SUCH AS?

>> ANTIQUE FARMHOUSE. THREE BEDROOMS, ONE BATH, BEAUTIFUL SCENERY.

THREE BEDROOMS, ONE BATH, BEAUTIFUL SCENERY. IT'S ONLY 98 GRAND.

BEAUTIFUL SCENERY. IT'S ONLY 98 GRAND. THAT'S MY DREAM.

IT'S ONLY 98 GRAND. THAT'S MY DREAM. [ CHUCKLES ]

THAT'S MY DREAM. [ CHUCKLES ] >> WELL, THAT'S CHARMING, BUT

[ CHUCKLES ] >> WELL, THAT'S CHARMING, BUT WHAT WOULD YOU DO IN THIS HOUSE?

>> WELL, THAT'S CHARMING, BUT WHAT WOULD YOU DO IN THIS HOUSE? >> I'D READ ALL THE BOOKS I WHAT WOULD YOU DO IN THIS HOUSE? >> I'D READ ALL THE BOOKS I WANTED TO READ, BUT HAVEN'T BEEN

>> I'D READ ALL THE BOOKS I WANTED TO READ, BUT HAVEN'T BEEN ABLE TO BECAUSE OF SCHOOL.

WANTED TO READ, BUT HAVEN'T BEEN ABLE TO BECAUSE OF SCHOOL. AND I'D LEARN CRAFTS, LIKE ABLE TO BECAUSE OF SCHOOL. AND I'D LEARN CRAFTS, LIKE BOOKBINDING OR WEAVING OR AND I'D LEARN CRAFTS, LIKE BOOKBINDING OR WEAVING OR CARPENTRY -- THE KIND OF THING BOOKBINDING OR WEAVING OR CARPENTRY -- THE KIND OF THING NOBODY KNOWS HOW TO DO ANYMORE.

CARPENTRY -- THE KIND OF THING NOBODY KNOWS HOW TO DO ANYMORE. >> OH, HONEY, I WANTED TO DO SO NOBODY KNOWS HOW TO DO ANYMORE. >> OH, HONEY, I WANTED TO DO SO MANY THINGS LIKE THAT WHEN I WAS

>> OH, HONEY, I WANTED TO DO SO MANY THINGS LIKE THAT WHEN I WAS YOUR AGE, AND I NEVER DID THEM.

MANY THINGS LIKE THAT WHEN I WAS YOUR AGE, AND I NEVER DID THEM. YOU HAVE TO PURSUE YOUR PASSION.

YOUR AGE, AND I NEVER DID THEM. YOU HAVE TO PURSUE YOUR PASSION. HAND ME THE TELEPHONE.

[ DIALING ] >> WHAT ARE YOU DOING? >> YES.

>> WHAT ARE YOU DOING? >> YES. I'M CALLING FOR MY GRANDSON.

>> YES. I'M CALLING FOR MY GRANDSON. HE WOULD LIKE TO SEE THE HOUSE I'M CALLING FOR MY GRANDSON. HE WOULD LIKE TO SEE THE HOUSE IN EDGE.

HE WOULD LIKE TO SEE THE HOUSE IN EDGE. YES. "S," "V" AS IN "VICTOR,"

IN EDGE. YES. "S," "V" AS IN "VICTOR," "E-C-K."

YES. "S," "V" AS IN "VICTOR," "E-C-K." SUNDAY?

"E-C-K." SUNDAY? OKAY. THANK YOU VERY MUCH.

SUNDAY? OKAY. THANK YOU VERY MUCH. HONEY, YOU GOT TO GO AFTER WHAT OKAY. THANK YOU VERY MUCH. HONEY, YOU GOT TO GO AFTER WHAT YOU WANT.

HONEY, YOU GOT TO GO AFTER WHAT YOU WANT. [ HORN HONKS ]

>> HI! >> HI. >> WELCOME TO EDGE, MR. SPECK.

>> HI. >> WELCOME TO EDGE, MR. SPECK. >> IT'S SVECK.

>> WELCOME TO EDGE, MR. SPECK. >> IT'S SVECK. IT'S JAMES SVECK.

>> IT'S SVECK. IT'S JAMES SVECK. >> OH, OKAY.

IT'S JAMES SVECK. >> OH, OKAY. WELL, I DIDN'T EXPECT YOU TO BE

>> OH, OKAY. WELL, I DIDN'T EXPECT YOU TO BE SO YOUNG.

WELL, I DIDN'T EXPECT YOU TO BE SO YOUNG. >> OH, DON'T WORRY ABOUT THE SO YOUNG. >> OH, DON'T WORRY ABOUT THE MONEY.

>> OH, DON'T WORRY ABOUT THE MONEY. >> NO, I DIDN'T MEAN IT LIKE MONEY. >> NO, I DIDN'T MEAN IT LIKE THAT.

>> NO, I DIDN'T MEAN IT LIKE THAT. OKAY, COME ON.

THAT. OKAY, COME ON. COME ON NOW. THIS IS ME.

UH, I KNOW. I-I GOT IN A LITTLE FENDER BENDER, BUT IT'S REALLY NOTHING I-I GOT IN A LITTLE FENDER BENDER, BUT IT'S REALLY NOTHING TO WORRY ABOUT.

BENDER, BUT IT'S REALLY NOTHING TO WORRY ABOUT. MY MOTHER'S WAITING FOR US AT TO WORRY ABOUT. MY MOTHER'S WAITING FOR US AT THE HOUSE.

MY MOTHER'S WAITING FOR US AT THE HOUSE. YOU CAN GET IT. IT'S OPEN.

[ SHOUTS INDISTINCTLY ] WHOA! [ LAUGHS ]

WHOA! [ LAUGHS ] [ HUMMING ]

[ LAUGHS ] [ HUMMING ] >> SHOULD YOU BE DRIVING WITH

[ HUMMING ] >> SHOULD YOU BE DRIVING WITH THAT -- THAT ARM?

>> SHOULD YOU BE DRIVING WITH THAT -- THAT ARM? >> OH, YEAH.

THAT -- THAT ARM? >> OH, YEAH. UH, YEAH. MY ARM'S FINE.

>> OH, YEAH. UH, YEAH. MY ARM'S FINE. IT'S NOT MY ARM YOU SHOULD WORRY UH, YEAH. MY ARM'S FINE. IT'S NOT MY ARM YOU SHOULD WORRY ABOUT.

IT'S NOT MY ARM YOU SHOULD WORRY ABOUT. IT'S REALLY MY EYES.

ABOUT. IT'S REALLY MY EYES. >> SO, THIS IS EDGE?

IT'S REALLY MY EYES. >> SO, THIS IS EDGE? >> THIS IS EDGE.

>> SO, THIS IS EDGE? >> THIS IS EDGE. IT WAS VOTED THE SEVENTH-BEST

>> THIS IS EDGE. IT WAS VOTED THE SEVENTH-BEST MEDIUM-SIZED SMALL TOWN IN IT WAS VOTED THE SEVENTH-BEST MEDIUM-SIZED SMALL TOWN IN TIOGA COUNTY.

MEDIUM-SIZED SMALL TOWN IN TIOGA COUNTY. >> [ CHUCKLES ]

TIOGA COUNTY. >> [ CHUCKLES ] >> SO... [ CHUCKLES ]

>> [ CHUCKLES ] >> SO... [ CHUCKLES ] >> WHY'S IT CALLED EDGE?

>> SO... [ CHUCKLES ] >> WHY'S IT CALLED EDGE? >> OH, IT'S JUST A NAME.

>> WHY'S IT CALLED EDGE? >> OH, IT'S JUST A NAME. >> IT'S A STRANGE NAME.

>> OH, IT'S JUST A NAME. >> IT'S A STRANGE NAME. >> I DON'T THINK IT'S STRANGE AT

>> IT'S A STRANGE NAME. >> I DON'T THINK IT'S STRANGE AT ALL.

>> I DON'T THINK IT'S STRANGE AT ALL. AND WHO'S THAT GUY THAT SAID, ALL. AND WHO'S THAT GUY THAT SAID, UM, WHAT'S IN A NAME THAT BY AND WHO'S THAT GUY THAT SAID, UM, WHAT'S IN A NAME THAT BY WHICH ANY OTHER NAME A ROSE UM, WHAT'S IN A NAME THAT BY WHICH ANY OTHER NAME A ROSE COULD SMELL AS SWEET, BUT --

WHICH ANY OTHER NAME A ROSE COULD SMELL AS SWEET, BUT -- >> SHAKES-- SHAKESPEARE.

COULD SMELL AS SWEET, BUT -- >> SHAKES-- SHAKESPEARE. >> SHAKESPEARE. [ LAUGHS ]

>> SHAKES-- SHAKESPEARE. >> SHAKESPEARE. [ LAUGHS ] THERE'S NOTHING LIKE A GOOD

>> SHAKESPEARE. [ LAUGHS ] THERE'S NOTHING LIKE A GOOD POEM.

THERE'S NOTHING LIKE A GOOD POEM. YOU KNOW THAT POEM CALLED POEM. YOU KNOW THAT POEM CALLED "HIAWATHA"?

YOU KNOW THAT POEM CALLED "HIAWATHA"? >> NO.

"HIAWATHA"? >> NO. >> ♪ ON THE SHORES OF

>> NO. >> ♪ ON THE SHORES OF GITCHE GUMEE ♪

>> ♪ ON THE SHORES OF GITCHE GUMEE ♪ ♪ WHERE THE BUFFALO DID WANDER ♪ GITCHE GUMEE ♪ ♪ WHERE THE BUFFALO DID WANDER ♪ ♪ LIVED A GIRL NAMED

♪ WHERE THE BUFFALO DID WANDER ♪ ♪ LIVED A GIRL NAMED POCAHONTAS ♪

♪ LIVED A GIRL NAMED POCAHONTAS ♪ [ CHUCKLES ]

POCAHONTAS ♪ [ CHUCKLES ] SOMETHING LIKE THAT.

[ CHUCKLES ] SOMETHING LIKE THAT. >> SURE ARE, UH, A LOT OF BIRDS.

SOMETHING LIKE THAT. >> SURE ARE, UH, A LOT OF BIRDS. >> OH, YEAH.

>> SURE ARE, UH, A LOT OF BIRDS. >> OH, YEAH. THEY, UH -- THEY LOVE IT HERE.

>> OH, YEAH. THEY, UH -- THEY LOVE IT HERE. OKAY, NOW CLOSE YOUR EYES.

THEY, UH -- THEY LOVE IT HERE. OKAY, NOW CLOSE YOUR EYES. >> WHY?

OKAY, NOW CLOSE YOUR EYES. >> WHY? >> UH, I WANT THE HOUSE TO BE A

>> WHY? >> UH, I WANT THE HOUSE TO BE A COMPLETE SURPRISE.

>> UH, I WANT THE HOUSE TO BE A COMPLETE SURPRISE. SO CLOSE YOUR EYES NOW, AND COMPLETE SURPRISE. SO CLOSE YOUR EYES NOW, AND DON'T OPEN THEM UNTIL I TELL YOU SO CLOSE YOUR EYES NOW, AND DON'T OPEN THEM UNTIL I TELL YOU TO.

DON'T OPEN THEM UNTIL I TELL YOU TO. >> O-OKAY.

TO. >> O-OKAY. >> [ WHISTLES ]

>> O-OKAY. >> [ WHISTLES ] >> OH, ARE WE CLOSE BY?

>> [ WHISTLES ] >> OH, ARE WE CLOSE BY? >> NO.

>> OH, ARE WE CLOSE BY? >> NO. WE'VE GOT ABOUT 10 MORE MINUTES.

>> NO. WE'VE GOT ABOUT 10 MORE MINUTES. [ WHISTLING ]

WE'VE GOT ABOUT 10 MORE MINUTES. [ WHISTLING ] [ THUNDER CRASHES ]

[ BIRDS CAWING ] >> WELCOME, MR. SPECK. >> SVECK.

>> WELCOME, MR. SPECK. >> SVECK. IT'S, UH, JAMES SVECK.

WHERE'S THE HOUSE? >> SO, WHAT DO YOU THINK? DON'T YOU JUST LOVE IT?

>> THIS IS A DUMP. >> NO. THIS IS A TRANSFER STATION.

>> NO. THIS IS A TRANSFER STATION. >> A TRANSFER STATION?

THIS IS A TRANSFER STATION. >> A TRANSFER STATION? >> YEAH. IT'S WHERE YOU BRING

>> A TRANSFER STATION? >> YEAH. IT'S WHERE YOU BRING YOUR REFUSE AND YOUR

>> YEAH. IT'S WHERE YOU BRING YOUR REFUSE AND YOUR RECYCLABLES.

YOUR REFUSE AND YOUR RECYCLABLES. THEY GOT A KIT AND CABOODLE RECYCLABLES. THEY GOT A KIT AND CABOODLE HERE, TOO.

THEY GOT A KIT AND CABOODLE HERE, TOO. >> SORRY. A-A KIT AND CABOOGLE?

HERE, TOO. >> SORRY. A-A KIT AND CABOOGLE? >> CABOODLE. KIT AND CABOODLE.

>> SORRY. A-A KIT AND CABOOGLE? >> CABOODLE. KIT AND CABOODLE. >> YEAH. IF YOU HAVE SOMETHING

>> CABOODLE. KIT AND CABOODLE. >> YEAH. IF YOU HAVE SOMETHING YOU DON'T WANT ANYMORE THAT

>> YEAH. IF YOU HAVE SOMETHING YOU DON'T WANT ANYMORE THAT SOMEONE ELSE MIGHT LIKE, YOU YOU DON'T WANT ANYMORE THAT SOMEONE ELSE MIGHT LIKE, YOU BRING IT OVER, LIKE A --

SOMEONE ELSE MIGHT LIKE, YOU BRING IT OVER, LIKE A -- >> LIKE A TOASTER THAT DOESN'T BRING IT OVER, LIKE A -- >> LIKE A TOASTER THAT DOESN'T WORK.

>> LIKE A TOASTER THAT DOESN'T WORK. >> YEAH, OR A BROKEN CHAIR, WORK. >> YEAH, OR A BROKEN CHAIR, SOMETHING.

>> YEAH, OR A BROKEN CHAIR, SOMETHING. >> YEAH. PEOPLE JUST COME TO THE SOMETHING. >> YEAH. PEOPLE JUST COME TO THE KIT AND CABOODLE, AND THEY'LL

>> YEAH. PEOPLE JUST COME TO THE KIT AND CABOODLE, AND THEY'LL TAKE IT HOME WITH THEM.

KIT AND CABOODLE, AND THEY'LL TAKE IT HOME WITH THEM. >> YEAH. LIVING SO CLOSE BY TAKE IT HOME WITH THEM. >> YEAH. LIVING SO CLOSE BY HERE, YOU CAN GET FIRST DIBS ON

>> YEAH. LIVING SO CLOSE BY HERE, YOU CAN GET FIRST DIBS ON ALL THE GOOD STUFF.

HERE, YOU CAN GET FIRST DIBS ON ALL THE GOOD STUFF. YOU KNOW WHAT I'M SAYING?

ALL THE GOOD STUFF. YOU KNOW WHAT I'M SAYING? >> I-I WASN'T AWARE THAT THE YOU KNOW WHAT I'M SAYING? >> I-I WASN'T AWARE THAT THE HOUSE WAS SO CLOSE TO A DUMP.

>> I-I WASN'T AWARE THAT THE HOUSE WAS SO CLOSE TO A DUMP. UH, IN THE PICTURE, IT LOOKS HOUSE WAS SO CLOSE TO A DUMP. UH, IN THE PICTURE, IT LOOKS LIKE IT'S SURROUNDED BY GRASSY UH, IN THE PICTURE, IT LOOKS LIKE IT'S SURROUNDED BY GRASSY HILLS.

LIKE IT'S SURROUNDED BY GRASSY HILLS. >> YEAH, WELL, THAT -- THAT'S AN HILLS. >> YEAH, WELL, THAT -- THAT'S AN OLD PICTURE.

>> YEAH, WELL, THAT -- THAT'S AN OLD PICTURE. >> AND THIS IS A TRANSFER OLD PICTURE. >> AND THIS IS A TRANSFER STATION.

>> AND THIS IS A TRANSFER STATION. >> RIGHT. NOT A DUMP.

STATION. >> RIGHT. NOT A DUMP. >> YEAH, AND THEY'RE GONNA BUILD

>> RIGHT. NOT A DUMP. >> YEAH, AND THEY'RE GONNA BUILD A 10-FOOT BEAUTIFICATION WALL

>> YEAH, AND THEY'RE GONNA BUILD A 10-FOOT BEAUTIFICATION WALL AROUND IT, SO IT'S NOT EVEN A 10-FOOT BEAUTIFICATION WALL AROUND IT, SO IT'S NOT EVEN GONNA --

AROUND IT, SO IT'S NOT EVEN GONNA -- >> YEAH. SO WHEN ALL IS SAID AND GONNA -- >> YEAH. SO WHEN ALL IS SAID AND DONE, YOU -- YOU WON'T EVEN KNOW

>> YEAH. SO WHEN ALL IS SAID AND DONE, YOU -- YOU WON'T EVEN KNOW IT'S HERE.

DONE, YOU -- YOU WON'T EVEN KNOW IT'S HERE. >> YEAH. SO WHY DON'T WE GO IT'S HERE. >> YEAH. SO WHY DON'T WE GO INSIDE AND TAKE A LOOK.

>> YEAH. SO WHY DON'T WE GO INSIDE AND TAKE A LOOK. >> UH, NO, NO, NO, THANKS.

INSIDE AND TAKE A LOOK. >> UH, NO, NO, NO, THANKS. >> YOU DON'T WANT TO LOOK INSIDE

>> UH, NO, NO, NO, THANKS. >> YOU DON'T WANT TO LOOK INSIDE THE HOUSE?

>> YOU DON'T WANT TO LOOK INSIDE THE HOUSE? >> NO.

THE HOUSE? >> NO. >> YOU DIDN'T COME ALL THIS WAY

>> NO. >> YOU DIDN'T COME ALL THIS WAY NOT TO TAKE A PEEK INSIDE THE

>> YOU DIDN'T COME ALL THIS WAY NOT TO TAKE A PEEK INSIDE THE HOUSE.

NOT TO TAKE A PEEK INSIDE THE HOUSE. >> CAN YOU JUST STOP AND TAKE ME HOUSE. >> CAN YOU JUST STOP AND TAKE ME BACK TO THE BUS STATION?

>> CAN YOU JUST STOP AND TAKE ME BACK TO THE BUS STATION? >> MR. SPECK, I THINK THAT BACK TO THE BUS STATION? >> MR. SPECK, I THINK THAT YOU'LL FIND THE PRICE IS

>> MR. SPECK, I THINK THAT YOU'LL FIND THE PRICE IS NEGOTIABLE.

YOU'LL FIND THE PRICE IS NEGOTIABLE. RIGHT?

NEGOTIABLE. RIGHT? >> ABSOLUTELY. WE CAN WORK YOU A RIGHT? >> ABSOLUTELY. WE CAN WORK YOU A GOOD DEAL ON THIS PLACE.

>> ABSOLUTELY. WE CAN WORK YOU A GOOD DEAL ON THIS PLACE. >> I'M NOT INTERESTED.

GOOD DEAL ON THIS PLACE. >> I'M NOT INTERESTED. >> HOW ABOUT I KNOCK OFF 20%

>> I'M NOT INTERESTED. >> HOW ABOUT I KNOCK OFF 20% JUST BECAUSE IT'S YOU?

>> HOW ABOUT I KNOCK OFF 20% JUST BECAUSE IT'S YOU? >> YEAH. YOU SHOULD JUST TAKE A JUST BECAUSE IT'S YOU? >> YEAH. YOU SHOULD JUST TAKE A PEEK INSIDE.

>> YEAH. YOU SHOULD JUST TAKE A PEEK INSIDE. I SWEAR, IF YOU DON'T FALL IN PEEK INSIDE. I SWEAR, IF YOU DON'T FALL IN LOVE WITH IT, I'LL JUST EAT MY I SWEAR, IF YOU DON'T FALL IN LOVE WITH IT, I'LL JUST EAT MY HAT.

LOVE WITH IT, I'LL JUST EAT MY HAT. >> LET ME GO!

HAT. >> LET ME GO! LET ME GO.

>> WHAT A FREAK. >> THAT'S WHY WE DON'T LIVE IN NEW YORK.

>> THAT'S WHY WE DON'T LIVE IN NEW YORK. >> COMING UP, YOU'LL HAVE 60 NEW YORK. >> COMING UP, YOU'LL HAVE 60 MINUTES OF NONSTOP MUSIC.

>> COMING UP, YOU'LL HAVE 60 MINUTES OF NONSTOP MUSIC. >> JAMES?

MINUTES OF NONSTOP MUSIC. >> JAMES? YOU'RE BACK.

>> JAMES? YOU'RE BACK. HOW DO YOU SPELL FACSIMILE?

YOU'RE BACK. HOW DO YOU SPELL FACSIMILE? >> USE YOUR SPELL CHECK.

HOW DO YOU SPELL FACSIMILE? >> USE YOUR SPELL CHECK. >> I ALREADY DID, BUT IT'S NOT

>> USE YOUR SPELL CHECK. >> I ALREADY DID, BUT IT'S NOT WORKING 'CAUSE I'M SO FAR OFF.

>> I ALREADY DID, BUT IT'S NOT WORKING 'CAUSE I'M SO FAR OFF. >> F-A-C-S-I-M-I-L-E.

WORKING 'CAUSE I'M SO FAR OFF. >> F-A-C-S-I-M-I-L-E. >> THERE'S NO "X"?

>> F-A-C-S-I-M-I-L-E. >> THERE'S NO "X"? >> NO.

>> THERE'S NO "X"? >> NO. >> WELL, THEN, WHY IS "FAX" WITH

>> NO. >> WELL, THEN, WHY IS "FAX" WITH AN "X"?

>> WELL, THEN, WHY IS "FAX" WITH AN "X"? >> BECAUSE IT'S A CRUEL, AN "X"? >> BECAUSE IT'S A CRUEL, SENSELESS WORLD.

>> BECAUSE IT'S A CRUEL, SENSELESS WORLD. YOU WANT TO EXPLAIN YOUR FACE?

SENSELESS WORLD. YOU WANT TO EXPLAIN YOUR FACE? >> I'M ENVISIONING THE COVER OF YOU WANT TO EXPLAIN YOUR FACE? >> I'M ENVISIONING THE COVER OF MY MEMOIR.

>> I'M ENVISIONING THE COVER OF MY MEMOIR. >> THAT'S THE MOST IMPORTANT MY MEMOIR. >> THAT'S THE MOST IMPORTANT PART OF ANY BOOK -- THE COVER.

>> THAT'S THE MOST IMPORTANT PART OF ANY BOOK -- THE COVER. >> STATISTICS ACTUALLY SAY THAT PART OF ANY BOOK -- THE COVER. >> STATISTICS ACTUALLY SAY THAT PEOPLE ARE THREE TIMES MORE

>> STATISTICS ACTUALLY SAY THAT PEOPLE ARE THREE TIMES MORE LIKELY TO BUY A BOOK BASED ON PEOPLE ARE THREE TIMES MORE LIKELY TO BUY A BOOK BASED ON ITS COVER RATHER THAN ITS LIKELY TO BUY A BOOK BASED ON ITS COVER RATHER THAN ITS CONTENT.

ITS COVER RATHER THAN ITS CONTENT. SO DON'T KNOCK IT.

CONTENT. SO DON'T KNOCK IT. >> AREN'T YOU A LITTLE BIT YOUNG SO DON'T KNOCK IT. >> AREN'T YOU A LITTLE BIT YOUNG TO BE WRITING A MEMOIR?

>> AREN'T YOU A LITTLE BIT YOUNG TO BE WRITING A MEMOIR? >> WELL, I'M TAKING A TO BE WRITING A MEMOIR? >> WELL, I'M TAKING A MEMOIR-WRITING CLASS NEXT YEAR.

>> WELL, I'M TAKING A MEMOIR-WRITING CLASS NEXT YEAR. BESIDES, AMANDA GOSHEN ALREADY MEMOIR-WRITING CLASS NEXT YEAR. BESIDES, AMANDA GOSHEN ALREADY SOLD HERS.

BESIDES, AMANDA GOSHEN ALREADY SOLD HERS. >> WHO'S AMANDA GOSHEN?

SOLD HERS. >> WHO'S AMANDA GOSHEN? >> THE GIRL WHO TOOK IT LAST

>> WHO'S AMANDA GOSHEN? >> THE GIRL WHO TOOK IT LAST YEAR.

>> THE GIRL WHO TOOK IT LAST YEAR. SHE JUST SOLD HER MEMOIR FOR YEAR. SHE JUST SOLD HER MEMOIR FOR 600 GRAND.

SHE JUST SOLD HER MEMOIR FOR 600 GRAND. >> $600,000?

600 GRAND. >> $600,000? >> YEAH. SHE'S SO LUCKY.

>> $600,000? >> YEAH. SHE'S SO LUCKY. AND SHE HAS ALL THE BEST THINGS

>> YEAH. SHE'S SO LUCKY. AND SHE HAS ALL THE BEST THINGS WRONG WITH HER, LIKE INCEST AND AND SHE HAS ALL THE BEST THINGS WRONG WITH HER, LIKE INCEST AND INSANITY, DRUG ADDICTION, UM, WRONG WITH HER, LIKE INCEST AND INSANITY, DRUG ADDICTION, UM, BULIMIA, ALOPECIA.

INSANITY, DRUG ADDICTION, UM, BULIMIA, ALOPECIA. [ CAMERA SHUTTER CLICKS ]

BULIMIA, ALOPECIA. [ CAMERA SHUTTER CLICKS ] >> WHAT'S ALOPECIA?

[ CAMERA SHUTTER CLICKS ] >> WHAT'S ALOPECIA? >> HAIR LOSS.

>> WHAT'S ALOPECIA? >> HAIR LOSS. SHE SUFFERED TRAUMATIC BALDING

>> HAIR LOSS. SHE SUFFERED TRAUMATIC BALDING AFTER HER UNCLE RAPED HER.

SHE SUFFERED TRAUMATIC BALDING AFTER HER UNCLE RAPED HER. [ CAMERA SHUTTER CLICKING ]

AFTER HER UNCLE RAPED HER. [ CAMERA SHUTTER CLICKING ] >> ♪ LISTEN TO ME, LISTEN TO ME, [ CAMERA SHUTTER CLICKING ] >> ♪ LISTEN TO ME, LISTEN TO ME, LISTEN TO ME NOW ♪

>> ♪ LISTEN TO ME, LISTEN TO ME, LISTEN TO ME NOW ♪ ♪ LISTEN TO ME, LISTEN TO ME, LISTEN TO ME NOW ♪ ♪ LISTEN TO ME, LISTEN TO ME, LISTEN TO ME NOW ♪

♪ LISTEN TO ME, LISTEN TO ME, LISTEN TO ME NOW ♪ >> CHECK THIS OUT.

LISTEN TO ME NOW ♪ >> CHECK THIS OUT. >> ♪ LISTEN TO ME NOW ♪

>> CHECK THIS OUT. >> ♪ LISTEN TO ME NOW ♪ >> SHE IS NOW BALD FROM HEAD TO

>> ♪ LISTEN TO ME NOW ♪ >> SHE IS NOW BALD FROM HEAD TO TOE.

>> SHE IS NOW BALD FROM HEAD TO TOE. >> THAT'S PRETTY TOUGH TO TOE. >> THAT'S PRETTY TOUGH TO COMPETE WITH.

>> THAT'S PRETTY TOUGH TO COMPETE WITH. >> IT'S NOT A COMPETITION, COMPETE WITH. >> IT'S NOT A COMPETITION, JAMES.

>> IT'S NOT A COMPETITION, JAMES. MEMOIR WRITING'S AN ART.

JAMES. MEMOIR WRITING'S AN ART. HEY, MOM WANTS TO SEE YOU.

MEMOIR WRITING'S AN ART. HEY, MOM WANTS TO SEE YOU. >> WHY?

HEY, MOM WANTS TO SEE YOU. >> WHY? >> WHY DO YOU THINK?

>> WHY? >> WHY DO YOU THINK? WHEN ARE YOU JUST GONNA CUT THIS

>> WHY DO YOU THINK? WHEN ARE YOU JUST GONNA CUT THIS "I'M NOT GOING TO COLLEGE" CRAP?

WHEN ARE YOU JUST GONNA CUT THIS "I'M NOT GOING TO COLLEGE" CRAP? >> WHY DO YOU CARE IF I GO TO

"I'M NOT GOING TO COLLEGE" CRAP? >> WHY DO YOU CARE IF I GO TO COLLEGE OR NOT?

>> WHY DO YOU CARE IF I GO TO COLLEGE OR NOT? >> I DON'T REALLY CARE.

COLLEGE OR NOT? >> I DON'T REALLY CARE. BUT IF YOU DON'T GO, THEN MOM'S

>> I DON'T REALLY CARE. BUT IF YOU DON'T GO, THEN MOM'S NEVER GONNA SHUT UP ABOUT IT, BUT IF YOU DON'T GO, THEN MOM'S NEVER GONNA SHUT UP ABOUT IT, AND RIGHT NOW, I'M THE ONE THAT NEVER GONNA SHUT UP ABOUT IT, AND RIGHT NOW, I'M THE ONE THAT HAS TO DEAL WITH IT.

AND RIGHT NOW, I'M THE ONE THAT HAS TO DEAL WITH IT. SO WHY DON'T YOU JUST SUCK IT UP HAS TO DEAL WITH IT. SO WHY DON'T YOU JUST SUCK IT UP AND GO, AND THEN MOM WILL BE SO WHY DON'T YOU JUST SUCK IT UP AND GO, AND THEN MOM WILL BE HAPPY, DAD WILL BE HAPPY, AND AND GO, AND THEN MOM WILL BE HAPPY, DAD WILL BE HAPPY, AND I'LL BE HAPPY?

HAPPY, DAD WILL BE HAPPY, AND I'LL BE HAPPY? >> WHAT ABOUT ME?

I'LL BE HAPPY? >> WHAT ABOUT ME? >> YOU'RE NEVER HAPPY ANYWAYS.

>> WHAT ABOUT ME? >> YOU'RE NEVER HAPPY ANYWAYS. >> Thanks.

>> YOU'RE NEVER HAPPY ANYWAYS. >> Thanks. >> DON'T FORGET TO TALK TO MOM.

>> Thanks. >> DON'T FORGET TO TALK TO MOM. >> THE PAST DOES NOT CONTROL THE

>> DON'T FORGET TO TALK TO MOM. >> THE PAST DOES NOT CONTROL THE FUTURE.

>> THE PAST DOES NOT CONTROL THE FUTURE. >> I CAN DO MORE THAN I THINK I FUTURE. >> I CAN DO MORE THAN I THINK I CAN.

>> I CAN DO MORE THAN I THINK I CAN. >> I CAN DO MORE THAN I THINK I CAN. >> I CAN DO MORE THAN I THINK I CAN.

>> I CAN DO MORE THAN I THINK I CAN. >> LOVE IS NEVER WASTED.

CAN. >> LOVE IS NEVER WASTED. >> LOVE IS NEVER WASTED.

>> LOVE IS NEVER WASTED. >> LOVE IS NEVER WASTED. >> THE PAST DOES NOT CONTROL THE

>> LOVE IS NEVER WASTED. >> THE PAST DOES NOT CONTROL THE FUTURE.

>> THE PAST DOES NOT CONTROL THE FUTURE. >> [ HUMMING ]

FUTURE. >> [ HUMMING ] [ FLOORBOARDS CREAK ]

>> [ HUMMING ] [ FLOORBOARDS CREAK ] >> SORRY.

[ FLOORBOARDS CREAK ] >> SORRY. >> NO, NO, NO, NO, NO.

>> SORRY. >> NO, NO, NO, NO, NO. DON'T BE SORRY.

>> NO, NO, NO, NO, NO. DON'T BE SORRY. COME IN.

DON'T BE SORRY. COME IN. I HAVEN'T SEEN YOU.

COME IN. I HAVEN'T SEEN YOU. I WANT TO TALK TO YOU.

I HAVEN'T SEEN YOU. I WANT TO TALK TO YOU. HOW ARE YOU?

I WANT TO TALK TO YOU. HOW ARE YOU? [ CHUCKLES ]

HOW ARE YOU? [ CHUCKLES ] >> FINE.

[ CHUCKLES ] >> FINE. >> I SPOKE TO MARENA.

>> FINE. >> I SPOKE TO MARENA. >> GREAT.

>> I SPOKE TO MARENA. >> GREAT. >> SHE SAID SHE DOESN'T THINK

>> GREAT. >> SHE SAID SHE DOESN'T THINK YOU'RE COMING BACK.

>> SHE SAID SHE DOESN'T THINK YOU'RE COMING BACK. >> GOOD. I'M NOT.

YOU'RE COMING BACK. >> GOOD. I'M NOT. >> WHY NOT?

>> GOOD. I'M NOT. >> WHY NOT? >> WHY SHOULD I?

>> WHY NOT? >> WHY SHOULD I? >> WE'RE WORRIED ABOUT YOU.

>> WHY SHOULD I? >> WE'RE WORRIED ABOUT YOU. I'M WORRIED.

>> WE'RE WORRIED ABOUT YOU. I'M WORRIED. YOUR FATHER IS WORRIED.

I'M WORRIED. YOUR FATHER IS WORRIED. >> MAYBE YOU SHOULD BOTH WORRY YOUR FATHER IS WORRIED. >> MAYBE YOU SHOULD BOTH WORRY ABOUT YOURSELVES.

>> MAYBE YOU SHOULD BOTH WORRY ABOUT YOURSELVES. >> WE BOTH THINK THAT YOU'RE A ABOUT YOURSELVES. >> WE BOTH THINK THAT YOU'RE A VERY SMART YOUNG MAN, BUT --

>> WE BOTH THINK THAT YOU'RE A VERY SMART YOUNG MAN, BUT -- >> BUT?

VERY SMART YOUNG MAN, BUT -- >> BUT? >> BUT YOU SPEND ALL YOUR TIME

>> BUT? >> BUT YOU SPEND ALL YOUR TIME IN YOUR ROOM ALONE.

>> BUT YOU SPEND ALL YOUR TIME IN YOUR ROOM ALONE. YOU NEVER SOCIALIZE.

IN YOUR ROOM ALONE. YOU NEVER SOCIALIZE. YOU SUDDENLY DECIDE THAT YOU YOU NEVER SOCIALIZE. YOU SUDDENLY DECIDE THAT YOU DON'T WANT TO GO TO COLLEGE.

YOU SUDDENLY DECIDE THAT YOU DON'T WANT TO GO TO COLLEGE. AND WHEN YOU DO SEE ANYONE, IT'S DON'T WANT TO GO TO COLLEGE. AND WHEN YOU DO SEE ANYONE, IT'S YOUR GRANDMOTHER.

AND WHEN YOU DO SEE ANYONE, IT'S YOUR GRANDMOTHER. DO YOU THINK THAT'S NORMAL?

YOUR GRANDMOTHER. DO YOU THINK THAT'S NORMAL? >> WHAT'S THE BIG DEAL WITH DO YOU THINK THAT'S NORMAL? >> WHAT'S THE BIG DEAL WITH "NORMAL"?

>> WHAT'S THE BIG DEAL WITH "NORMAL"? >> WELL, AFTER WASHINGTON, "NORMAL"? >> WELL, AFTER WASHINGTON, D.C. --

>> WELL, AFTER WASHINGTON, D.C. -- >> I LIKE READING.

D.C. -- >> I LIKE READING. I GO TO THE MOVIES.

>> I LIKE READING. I GO TO THE MOVIES. >> WELL, THAT'S ALL FINE AND I GO TO THE MOVIES. >> WELL, THAT'S ALL FINE AND GOOD, JAMES, BUT HOW ABOUT

>> WELL, THAT'S ALL FINE AND GOOD, JAMES, BUT HOW ABOUT LIKING SOMETHING REAL?

GOOD, JAMES, BUT HOW ABOUT LIKING SOMETHING REAL? >> YOU DON'T THINK NANETTE IS LIKING SOMETHING REAL? >> YOU DON'T THINK NANETTE IS REAL?

>> YOU DON'T THINK NANETTE IS REAL? JUST BECAUSE YOU DON'T LIKE HER REAL? JUST BECAUSE YOU DON'T LIKE HER DOESN'T MEAN SHE'S NOT REAL.

JUST BECAUSE YOU DON'T LIKE HER DOESN'T MEAN SHE'S NOT REAL. >> I DON'T NOT LIKE HER.

DOESN'T MEAN SHE'S NOT REAL. >> I DON'T NOT LIKE HER. SHE'S MY MOTHER.

>> I DON'T NOT LIKE HER. SHE'S MY MOTHER. >> YOU'RE ALWAYS MAKING FUN OF SHE'S MY MOTHER. >> YOU'RE ALWAYS MAKING FUN OF HER, SAYING MEAN THINGS ABOUT

>> YOU'RE ALWAYS MAKING FUN OF HER, SAYING MEAN THINGS ABOUT HER.

HER, SAYING MEAN THINGS ABOUT HER. >> JAMES, I'M THRILLED THAT YOU HER. >> JAMES, I'M THRILLED THAT YOU HAVE SUCH A CLOSE RELATIONSHIP

>> JAMES, I'M THRILLED THAT YOU HAVE SUCH A CLOSE RELATIONSHIP WITH HER, BUT YOU HAVE NO IDEA HAVE SUCH A CLOSE RELATIONSHIP WITH HER, BUT YOU HAVE NO IDEA WHAT IT'S LIKE TO GROW UP WITH WITH HER, BUT YOU HAVE NO IDEA WHAT IT'S LIKE TO GROW UP WITH SOMEONE LIKE NANETTE.

WHAT IT'S LIKE TO GROW UP WITH SOMEONE LIKE NANETTE. THIS IS NOT ABOUT ME.

SOMEONE LIKE NANETTE. THIS IS NOT ABOUT ME. THIS IS NOT ABOUT NANETTE.

THIS IS NOT ABOUT ME. THIS IS NOT ABOUT NANETTE. THIS IS ABOUT YOU.

THIS IS NOT ABOUT NANETTE. THIS IS ABOUT YOU. I WANT TO HELP YOU.

THIS IS ABOUT YOU. I WANT TO HELP YOU. YOU'RE MY SON.

I WANT TO HELP YOU. YOU'RE MY SON. >> YOU WANT TO HELP ME?

YOU'RE MY SON. >> YOU WANT TO HELP ME? LOOK AT YOURSELF.

>> YOU WANT TO HELP ME? LOOK AT YOURSELF. HOW LONG DID THIS MARRIAGE LAST?

LOOK AT YOURSELF. HOW LONG DID THIS MARRIAGE LAST? 48 HOURS?

HOW LONG DID THIS MARRIAGE LAST? 48 HOURS? >> WILL YOU PLEASE JUST MAKE

48 HOURS? >> WILL YOU PLEASE JUST MAKE ANOTHER APPOINTMENT WITH MARINA?

>> WILL YOU PLEASE JUST MAKE ANOTHER APPOINTMENT WITH MARINA? >> I-I HAVE A FATHER WHO'S ANOTHER APPOINTMENT WITH MARINA? >> I-I HAVE A FATHER WHO'S HAVING PLASTIC SURGERY AND A

>> I-I HAVE A FATHER WHO'S HAVING PLASTIC SURGERY AND A MOTHER WHOSE MARRIAGE LASTS HAVING PLASTIC SURGERY AND A MOTHER WHOSE MARRIAGE LASTS BARELY A WEEKEND, A SISTER --

MOTHER WHOSE MARRIAGE LASTS BARELY A WEEKEND, A SISTER -- SHE IS WRITING HER MEMOIRS AT BARELY A WEEKEND, A SISTER -- SHE IS WRITING HER MEMOIRS AT THE AGE OF 23!

SHE IS WRITING HER MEMOIRS AT THE AGE OF 23! AND YOU THINK I'M THE ONE WHO THE AGE OF 23! AND YOU THINK I'M THE ONE WHO NEEDS A SHRINK.

AND YOU THINK I'M THE ONE WHO NEEDS A SHRINK. >> SHE'S NOT A SHRINK.

[ HUMMING ] THE PAST DOES NOT CONTROL THE FUTURE.

THE PAST DOES NOT CONTROL THE FUTURE. [ BREATHES HEAVILY ]

FUTURE. [ BREATHES HEAVILY ] LOVE, LOVE, LOVE IS NEVER

[ BREATHES HEAVILY ] LOVE, LOVE, LOVE IS NEVER WASTED.

LOVE, LOVE, LOVE IS NEVER WASTED. >> ♪ THINK YOU'RE FREE, BUT WASTED. >> ♪ THINK YOU'RE FREE, BUT YOU'RE JUST WALKIN' ♪

>> ♪ THINK YOU'RE FREE, BUT YOU'RE JUST WALKIN' ♪ ♪ YOU THINK YOU'RE FREE ♪ YOU'RE JUST WALKIN' ♪ ♪ YOU THINK YOU'RE FREE ♪ ♪ AH, LISTEN TO ME NOW ♪

♪ YOU THINK YOU'RE FREE ♪ ♪ AH, LISTEN TO ME NOW ♪ ♪ NA, NA, NA, NA, NA, NA ♪

♪ AH, LISTEN TO ME NOW ♪ ♪ NA, NA, NA, NA, NA, NA ♪ >> REALLY?

♪ NA, NA, NA, NA, NA, NA ♪ >> REALLY? THAT'S VERY INTERESTING.

>> REALLY? THAT'S VERY INTERESTING. YOU KNOW I KNOW YOU'RE LYING.

THAT'S VERY INTERESTING. YOU KNOW I KNOW YOU'RE LYING. AND THESE ARE STUPID, YOU KNOW I KNOW YOU'RE LYING. AND THESE ARE STUPID, TIME-WASTING LIES.

AND THESE ARE STUPID, TIME-WASTING LIES. THEY'RE NOT EVEN INTERESTING TIME-WASTING LIES. THEY'RE NOT EVEN INTERESTING LIES.

THEY'RE NOT EVEN INTERESTING LIES. SO WHEN YOU'RE READY TO TALK TO LIES. SO WHEN YOU'RE READY TO TALK TO ME SENSIBLY, CALL BACK.

SO WHEN YOU'RE READY TO TALK TO ME SENSIBLY, CALL BACK. HELLO, JAMES.

ME SENSIBLY, CALL BACK. HELLO, JAMES. SO WHAT'S ON THE MENU FOR TODAY?

HELLO, JAMES. SO WHAT'S ON THE MENU FOR TODAY? AH. PASTA.

SO WHAT'S ON THE MENU FOR TODAY? AH. PASTA. >> AT LEAST IT'S NOT SALAD.

AH. PASTA. >> AT LEAST IT'S NOT SALAD. >> WHY IS IT EVERY TIME I CALL

>> AT LEAST IT'S NOT SALAD. >> WHY IS IT EVERY TIME I CALL YOU, YOUR PHONE IS OFF?

>> WHY IS IT EVERY TIME I CALL YOU, YOUR PHONE IS OFF? >> MAYBE I DON'T WANT TO BE YOU, YOUR PHONE IS OFF? >> MAYBE I DON'T WANT TO BE REACHED.

>> MAYBE I DON'T WANT TO BE REACHED. LISTEN, DAD, UH...

REACHED. LISTEN, DAD, UH... I'VE DECIDED I'M NOT GOING.

LISTEN, DAD, UH... I'VE DECIDED I'M NOT GOING. >> GOING WHERE?

I'VE DECIDED I'M NOT GOING. >> GOING WHERE? TO BROWN.

>> GOING WHERE? TO BROWN. >> OH, JAMES, I'VE ALREADY SENT TO BROWN. >> OH, JAMES, I'VE ALREADY SENT IN THE TUITION.

>> OH, JAMES, I'VE ALREADY SENT IN THE TUITION. I-I THINK IT'S TOO LATE TO IN THE TUITION. I-I THINK IT'S TOO LATE TO SWITCH SCHOOLS.

I-I THINK IT'S TOO LATE TO SWITCH SCHOOLS. >> I WASN'T THINKING OF SWITCH SCHOOLS. >> I WASN'T THINKING OF SWITCHING SCHOOLS.

>> I WASN'T THINKING OF SWITCHING SCHOOLS. >> OH, OKAY. GOOD.

SWITCHING SCHOOLS. >> OH, OKAY. GOOD. >> I'M -- I WAS THINKING OF NOT

>> OH, OKAY. GOOD. >> I'M -- I WAS THINKING OF NOT GOING TO COLLEGE AT ALL.

OH, MY GOD! DAD! >> OH, IT'S THE, UH, BLEFAROPLASTY.

>> OH, IT'S THE, UH, BLEFAROPLASTY. IT'S HEALING.

BLEFAROPLASTY. IT'S HEALING. NOW, WHAT DO YOU MEAN YOU --

IT'S HEALING. NOW, WHAT DO YOU MEAN YOU -- YOU'RE NOT GOING TO COLLEGE AT NOW, WHAT DO YOU MEAN YOU -- YOU'RE NOT GOING TO COLLEGE AT ALL?

YOU'RE NOT GOING TO COLLEGE AT ALL? >> I DON'T SEE THE POINT IN ALL? >> I DON'T SEE THE POINT IN LEARNING A LOT OF STUFF I'M NOT

>> I DON'T SEE THE POINT IN LEARNING A LOT OF STUFF I'M NOT PARTICULARLY INTERESTED IN AND LEARNING A LOT OF STUFF I'M NOT PARTICULARLY INTERESTED IN AND I'M BOUND TO FORGET.

PARTICULARLY INTERESTED IN AND I'M BOUND TO FORGET. AND BESIDES, I CAN'T STAND THE I'M BOUND TO FORGET. AND BESIDES, I CAN'T STAND THE IDEA OF SPENDING FOUR YEARS IN AND BESIDES, I CAN'T STAND THE IDEA OF SPENDING FOUR YEARS IN CLOSED QUARTERS WITH COLLEGE IDEA OF SPENDING FOUR YEARS IN CLOSED QUARTERS WITH COLLEGE STUDENTS.

CLOSED QUARTERS WITH COLLEGE STUDENTS. >> OH, WHAT'S SO BAD ABOUT STUDENTS. >> OH, WHAT'S SO BAD ABOUT COLLEGE STUDENTS?

>> OH, WHAT'S SO BAD ABOUT COLLEGE STUDENTS? >> DAD, THAT'S NOT THE POINT.

COLLEGE STUDENTS? >> DAD, THAT'S NOT THE POINT. >> OH, YOU'RE GOING TO COLLEGE.

>> DAD, THAT'S NOT THE POINT. >> OH, YOU'RE GOING TO COLLEGE. YOU'RE A VERY INTELLIGENT YOUNG

>> OH, YOU'RE GOING TO COLLEGE. YOU'RE A VERY INTELLIGENT YOUNG MAN.

YOU'RE A VERY INTELLIGENT YOUNG MAN. >> DAD, YOU DON'T GET IT.

MAN. >> DAD, YOU DON'T GET IT. I DON'T NEED A DEGREE.

>> DAD, YOU DON'T GET IT. I DON'T NEED A DEGREE. I DON'T WANT ONE.

I DON'T NEED A DEGREE. I DON'T WANT ONE. I DON'T WANT TO BE A BUSINESSMAN I DON'T WANT ONE. I DON'T WANT TO BE A BUSINESSMAN OR A LAWYER.

I DON'T WANT TO BE A BUSINESSMAN OR A LAWYER. >> WHAT IS IT EXACTLY YOU WANT OR A LAWYER. >> WHAT IS IT EXACTLY YOU WANT TO DO, THEN?

>> WHAT IS IT EXACTLY YOU WANT TO DO, THEN? >> I DON'T KNOW.

TO DO, THEN? >> I DON'T KNOW. I WAS -- I WAS THINKING OF BEING

>> I DON'T KNOW. I WAS -- I WAS THINKING OF BEING SOME SORT OF TRADESMAN.

I WAS -- I WAS THINKING OF BEING SOME SORT OF TRADESMAN. >> A TRADESMAN?

SOME SORT OF TRADESMAN. >> A TRADESMAN? WHAT THE HELL IS A TRADESMAN?

>> A TRADESMAN? WHAT THE HELL IS A TRADESMAN? ARE YOU GONNA MAKE SHOES?

WHAT THE HELL IS A TRADESMAN? ARE YOU GONNA MAKE SHOES? ARE YOU GONNA WEAR A LEATHER ARE YOU GONNA MAKE SHOES? ARE YOU GONNA WEAR A LEATHER APRON AND MAKE SHOES?

ARE YOU GONNA WEAR A LEATHER APRON AND MAKE SHOES? >> WHAT'S WRONG WITH THAT?

APRON AND MAKE SHOES? >> WHAT'S WRONG WITH THAT? AT LEAST IT'S HONEST.

>> WHAT'S WRONG WITH THAT? AT LEAST IT'S HONEST. IT'S MORE HONEST THAN BEING A AT LEAST IT'S HONEST. IT'S MORE HONEST THAN BEING A STOCKBROKER.

IT'S MORE HONEST THAN BEING A STOCKBROKER. BUT YOU'D PROBABLY PREFER THAT, STOCKBROKER. BUT YOU'D PROBABLY PREFER THAT, WOULDN'T YOU?

BUT YOU'D PROBABLY PREFER THAT, WOULDN'T YOU? >> NO. DON'T YOU THINK YOU'VE WOULDN'T YOU? >> NO. DON'T YOU THINK YOU'VE PUT US THROUGH ENOUGH WITH YOUR

>> NO. DON'T YOU THINK YOU'VE PUT US THROUGH ENOUGH WITH YOUR ANTICS?

PUT US THROUGH ENOUGH WITH YOUR ANTICS? YOUR MOTHER AND I AGREE ON SO ANTICS? YOUR MOTHER AND I AGREE ON SO VERY FEW THINGS, BUT THIS IS ONE YOUR MOTHER AND I AGREE ON SO VERY FEW THINGS, BUT THIS IS ONE OF THEM.

VERY FEW THINGS, BUT THIS IS ONE OF THEM. NOT ANOTHER WORD ABOUT IT.

OF THEM. NOT ANOTHER WORD ABOUT IT. YOU'RE GOING TO BROWN, AND NOT ANOTHER WORD ABOUT IT. YOU'RE GOING TO BROWN, AND THAT'S THAT.

YOU'RE GOING TO BROWN, AND THAT'S THAT. LET'S EAT.

THAT'S THAT. LET'S EAT. I MEAN, I LOVE SHOES AS MUCH AS LET'S EAT. I MEAN, I LOVE SHOES AS MUCH AS THE NEXT GUY.

>> JOHN? BREAKFAST IS SERVED. >> I'M IN THE BACK.

BREAKFAST IS SERVED. >> I'M IN THE BACK. >> "SUCCESSFUL, EDUCATED, >> I'M IN THE BACK. >> "SUCCESSFUL, EDUCATED, CULTURED, HANDSOME, >> "SUCCESSFUL, EDUCATED, CULTURED, HANDSOME, FIT...LOOKING FOR SMART AND FUN CULTURED, HANDSOME, FIT...LOOKING FOR SMART AND FUN MAN INTERESTED IN SEX AND FIT...LOOKING FOR SMART AND FUN MAN INTERESTED IN SEX AND SEMANTICS.

MAN INTERESTED IN SEX AND SEMANTICS. NICE PROFILE, JOHN."

SEMANTICS. NICE PROFILE, JOHN." [ CHUCKLES ]

NICE PROFILE, JOHN." [ CHUCKLES ] [ DOOR OPENS ]

>> MISSION ACCOMPLISHED? >> YES. BARLEY, COFFEE, AND A

>> YES. BARLEY, COFFEE, AND A DOUBLE-BERRY YOGURT MUFFIN.

BARLEY, COFFEE, AND A DOUBLE-BERRY YOGURT MUFFIN. >> GOOD JOB.

DOUBLE-BERRY YOGURT MUFFIN. >> GOOD JOB. THANK YOU VERY MUCH.

>> GOOD JOB. THANK YOU VERY MUCH. >> YOU WANT ME TO DO YOUR DRY THANK YOU VERY MUCH. >> YOU WANT ME TO DO YOUR DRY CLEANING, TOO, NOW?

>> YOU WANT ME TO DO YOUR DRY CLEANING, TOO, NOW? >> [ LAUGHS ]

CLEANING, TOO, NOW? >> [ LAUGHS ] VERY FUNNY, JAMES.

>> [ LAUGHS ] VERY FUNNY, JAMES. I HAVE AN EVENT, IF YOU MUST VERY FUNNY, JAMES. I HAVE AN EVENT, IF YOU MUST KNOW.

I HAVE AN EVENT, IF YOU MUST KNOW. >> WELL, LET ME KNOW IF YOU NEED KNOW. >> WELL, LET ME KNOW IF YOU NEED ANYTHING ELSE.

>> WELL, LET ME KNOW IF YOU NEED ANYTHING ELSE. >> THANK YOU, JAMES.

>> HELLO, BLACK NARCISSUS. NICE PROFILE.

>> DO YOU HAVE ONE?

>> HAVEN'T REGISTERED YET, BUT I'M 30, 6', 180, BLOND. I WORK IN THE CONTEMPORARY ART I'M 30, 6', 180, BLOND. I WORK IN THE CONTEMPORARY ART DEPARTMENT OF SOTHEBY'S.

I WORK IN THE CONTEMPORARY ART DEPARTMENT OF SOTHEBY'S. I GRADUATED FROM STANFORD AND DEPARTMENT OF SOTHEBY'S. I GRADUATED FROM STANFORD AND DID POSTGRADUATE WORK AT THE I GRADUATED FROM STANFORD AND DID POSTGRADUATE WORK AT THE SORBONNE.

DID POSTGRADUATE WORK AT THE SORBONNE. I LIVE IN CHELSEA.

SORBONNE. I LIVE IN CHELSEA. I HAVE TWO MAINE CATS.

>> DO YOU HAVE A PIC? >> NO. SORRY. >> IT'S OKAY.

>> NO. SORRY. >> IT'S OKAY. IT'S NOT OFTEN YOU MEET A SMART, >> IT'S OKAY. IT'S NOT OFTEN YOU MEET A SMART, INTERESTING MAN.

IT'S NOT OFTEN YOU MEET A SMART, INTERESTING MAN. >> [ CHUCKLES ]

INTERESTING MAN. >> [ CHUCKLES ] >> I'LL BE BACK IN A FEW

>> [ CHUCKLES ] >> I'LL BE BACK IN A FEW MINUTES.

>> I'LL BE BACK IN A FEW MINUTES. JAMES?

MINUTES. JAMES? CAN YOU CALL SOTHEBY'S AND GET JAMES? CAN YOU CALL SOTHEBY'S AND GET ME THE NAMES OF ALL THE PEOPLE CAN YOU CALL SOTHEBY'S AND GET ME THE NAMES OF ALL THE PEOPLE WHO WORK IN THE CONTEMPORARY ART ME THE NAMES OF ALL THE PEOPLE WHO WORK IN THE CONTEMPORARY ART DEPARTMENT?

WHO WORK IN THE CONTEMPORARY ART DEPARTMENT? >> SURE.

DEPARTMENT? >> SURE. >> BUT DON'T TELL WHERE YOU'RE

>> SURE. >> BUT DON'T TELL WHERE YOU'RE CALLING FROM, OKAY?

>> BUT DON'T TELL WHERE YOU'RE CALLING FROM, OKAY? >> OKAY. I'LL DO IT RIGHT NOW.

HERE'S THE SOTHEBY'S LIST. >> GOOD. HOW'D YOU GET IT?

>> GOOD. HOW'D YOU GET IT? I TOLD THEM I WAS A FACT CHECKER HOW'D YOU GET IT? I TOLD THEM I WAS A FACT CHECKER FROM THE NEW YORKER UPDATING OUR I TOLD THEM I WAS A FACT CHECKER FROM THE NEW YORKER UPDATING OUR RESEARCH DATABASE.

FROM THE NEW YORKER UPDATING OUR RESEARCH DATABASE. >> [ CHUCKLES ]

RESEARCH DATABASE. >> [ CHUCKLES ] THAT'S BRILLIANT, JAMES.

>> [ CHUCKLES ] THAT'S BRILLIANT, JAMES. YOU WILL GO VERY FAR.

THAT'S BRILLIANT, JAMES. YOU WILL GO VERY FAR. >> YOU NEED ANYTHING ELSE?

YOU WILL GO VERY FAR. >> YOU NEED ANYTHING ELSE? >> UH, NOT AT THE MOMENT, JAMES.

>> YOU NEED ANYTHING ELSE? >> UH, NOT AT THE MOMENT, JAMES. THANK YOU.

>> UH, NOT AT THE MOMENT, JAMES. THANK YOU. YOU STILL ONLINE?

THANK YOU. YOU STILL ONLINE? >> YES.

YOU STILL ONLINE? >> YES. >> WHAT ARE YOU DOING TONIGHT?

>> YES. >> WHAT ARE YOU DOING TONIGHT? >> TONIGHT?

>> WHAT ARE YOU DOING TONIGHT? >> TONIGHT? >> GOING TO A PARTY?

>> TONIGHT? >> GOING TO A PARTY? DO YOU WANT TO JOIN?

>> GOING TO A PARTY? DO YOU WANT TO JOIN? >> ♪ I WAS NAGGLING ♪ DO YOU WANT TO JOIN? >> ♪ I WAS NAGGLING ♪ ♪ DANG-DANG-DANGLING ♪

>> ♪ I WAS NAGGLING ♪ ♪ DANG-DANG-DANGLING ♪ >> SURE.

♪ DANG-DANG-DANGLING ♪ >> SURE. >> [ CHUCKLES ] GREAT.

>> SURE. >> [ CHUCKLES ] GREAT. JUST GIVE ME YOUR NAME, AND I'LL

>> [ CHUCKLES ] GREAT. JUST GIVE ME YOUR NAME, AND I'LL PUT YOU ON THE LIST.

JUST GIVE ME YOUR NAME, AND I'LL PUT YOU ON THE LIST. >> PHILIP BRAQUE.

PUT YOU ON THE LIST. >> PHILIP BRAQUE. >> BRAQUE.

>> PHILIP BRAQUE. >> BRAQUE. >> ♪ DANG-DANG-DANG-DANGLING ♪

>> BRAQUE. >> ♪ DANG-DANG-DANG-DANGLING ♪ >> GREAT.

>> ♪ DANG-DANG-DANG-DANGLING ♪ >> GREAT. BE THERE AT 6:30.

>> GREAT. BE THERE AT 6:30. I'LL BE EASY TO SPOT.

BE THERE AT 6:30. I'LL BE EASY TO SPOT. I'LL BE THE ONLY BLACK MAN I'LL BE EASY TO SPOT. I'LL BE THE ONLY BLACK MAN THERE.

I'LL BE THE ONLY BLACK MAN THERE. >> [ CHUCKLES ]

THERE. >> [ CHUCKLES ] [ SIGHING ]

>> [ CHUCKLES ] [ SIGHING ] [ TRUCK HORN BLARES ]

[ INDISTINCT CONVERSATIONS ]

>> ENJOY YOUR EVENING. >> THANK YOU. >> I'M SORRY.

>> THANK YOU. >> I'M SORRY. THIS SPACE IS CLOSED FOR A

>> I'M SORRY. THIS SPACE IS CLOSED FOR A PRIVATE EVENT.

THIS SPACE IS CLOSED FOR A PRIVATE EVENT. >> I KNOW.

PRIVATE EVENT. >> I KNOW. THAT'S, UH, THAT'S WHAT I'M HERE

>> I KNOW. THAT'S, UH, THAT'S WHAT I'M HERE FOR.

THAT'S, UH, THAT'S WHAT I'M HERE FOR. >> OH, I'M SO SORRY. YOUR NAME?

FOR. >> OH, I'M SO SORRY. YOUR NAME? >> IT'S, UH, BRAQ --

>> OH, I'M SO SORRY. YOUR NAME? >> IT'S, UH, BRAQ -- PHILIP BRAQ.

>> IT'S, UH, BRAQ -- PHILIP BRAQ. PHILIP BRAQ, SENIOR VICE PHILIP BRAQ. PHILIP BRAQ, SENIOR VICE PRESIDENT OF CONTEMPORARY ART AT PHILIP BRAQ, SENIOR VICE PRESIDENT OF CONTEMPORARY ART AT SOTHEBY'S?

PRESIDENT OF CONTEMPORARY ART AT SOTHEBY'S? >> THAT'S ME. VICE PRESIDENT.

SOTHEBY'S? >> THAT'S ME. VICE PRESIDENT. >> ENJOY YOUR EVENING, SIR.

[ MID-TEMPO MUSIC PLAYS ]

>> [ LAUGHS ] [ INDISTINCT CONVERSATIONS ]


>> JAMES? WHAT ARE YOU DOING HERE? WERE YOU INVITED?

WHAT ARE YOU DOING HERE? WERE YOU INVITED? >> YEAH.

WERE YOU INVITED? >> YEAH. IN A...A MANNER OF SPEAKING.

>> YEAH. IN A...A MANNER OF SPEAKING. >> AND WHAT MANNER OF SPEAKING IN A...A MANNER OF SPEAKING. >> AND WHAT MANNER OF SPEAKING WAS THAT, JAMES?

>> AND WHAT MANNER OF SPEAKING WAS THAT, JAMES? >> I WAS INVITED BUY A GUEST.

WAS THAT, JAMES? >> I WAS INVITED BUY A GUEST. >> WHO DO YOU KNOW HERE?

>> I WAS INVITED BUY A GUEST. >> WHO DO YOU KNOW HERE? >> YOU.

>> WHO DO YOU KNOW HERE? >> YOU. >> I KNOW YOU KNOW ME, JAMES.

>> YOU. >> I KNOW YOU KNOW ME, JAMES. BUT WHO INVITED YOU.

>> I KNOW YOU KNOW ME, JAMES. BUT WHO INVITED YOU. >> YOU DID.

BUT WHO INVITED YOU. >> YOU DID. >> I DIDN'T INVITE YOU.

>> YOU DID. >> I DIDN'T INVITE YOU. I INVITED SOMEONE ELSE.

>> I DIDN'T INVITE YOU. I INVITED SOMEONE ELSE. NOW, IF YOU'LL EXCUSE ME, I'LL I INVITED SOMEONE ELSE. NOW, IF YOU'LL EXCUSE ME, I'LL GO LOOK FOR HIM.

>> JOHN...

HE ISN'T HERE. >> CUT THE CRAP, JAMES. YOU'RE NOT BEING FUNNY.

>> CUT THE CRAP, JAMES. YOU'RE NOT BEING FUNNY. >> IT'S ME.

YOU'RE NOT BEING FUNNY. >> IT'S ME. >> WHAT THE FUCK DO YOU MEAN?

>> IT'S ME. >> WHAT THE FUCK DO YOU MEAN? >> PHILIP BRAQ IS ME.

>> I WAS CHATTING WITH YOU THIS MORNING? >> YEP.

>> YOU'RE EXTREMELY FUCKED UP, JAMES. FUCK YOU.

>> JOHN! JOHN! JOHN!

JOHN! JOHN! JOHN, PLEASE WAIT.

JOHN! JOHN, PLEASE WAIT. JOHN!

JOHN, PLEASE WAIT. JOHN! >> "JOHN" WHAT?

JOHN! >> "JOHN" WHAT? JUST SHUT UP.

>> "JOHN" WHAT? JUST SHUT UP. >> I'M SORRY.

JUST SHUT UP. >> I'M SORRY. >> GODDAMN IT, JAMES.

>> I'M SORRY. >> GODDAMN IT, JAMES. I DON'T EVEN KNOW WHAT TO SAY TO

>> GODDAMN IT, JAMES. I DON'T EVEN KNOW WHAT TO SAY TO YOU RIGHT NOW.

I DON'T EVEN KNOW WHAT TO SAY TO YOU RIGHT NOW. I-I CAN'T EVEN LOOK AT YOU.

>> I'M -- I'M REALLY, REALLY SORRY.

I RESPECT YOU. YOU'RE MY FRIEND. >> FRIEND?

YOU'RE MY FRIEND. >> FRIEND? YOU CALL THAT FRIENDSHIP?

>> I WOULD NEVER HURT YOU. >> WELL, YOU JUST DID, JAMES. DON'T SAY ANOTHER WORD, AND

>> WELL, YOU JUST DID, JAMES. DON'T SAY ANOTHER WORD, AND DON'T YOU DARE FOLLOW ME.

DON'T SAY ANOTHER WORD, AND DON'T YOU DARE FOLLOW ME. I'M DONE WITH YOU.

[ DOG WHIMPERS ]

>> I WISH I WAS A DOG. [ DOG WHINES ] DUMB DOG LIKE YOU, MIRO.

[ DOG WHINES ] DUMB DOG LIKE YOU, MIRO. THINGS WOULD BE SO MUCH EASIER DUMB DOG LIKE YOU, MIRO. THINGS WOULD BE SO MUCH EASIER IF I WAS A DOG.

THINGS WOULD BE SO MUCH EASIER IF I WAS A DOG. WHAT THE FUCK AM I SAYING?

IF I WAS A DOG. WHAT THE FUCK AM I SAYING? YOU'RE A DOG.

WHAT THE FUCK AM I SAYING? YOU'RE A DOG. YOU DON'T HAVE A PASSPORT.

YOU'RE A DOG. YOU DON'T HAVE A PASSPORT. YOU CAN'T EVEN OPEN DOORS.

YOU DON'T HAVE A PASSPORT. YOU CAN'T EVEN OPEN DOORS. [ DOG WHINES ]

YOU CAN'T EVEN OPEN DOORS. [ DOG WHINES ] WHY DON'T YOU SEE WHAT IT'S

[ DOG WHINES ] WHY DON'T YOU SEE WHAT IT'S LIKE?

WHY DON'T YOU SEE WHAT IT'S LIKE? CUT YOUR HAIR, PUT SOME SHOES LIKE? CUT YOUR HAIR, PUT SOME SHOES ON, AND TRY BEING A HUMAN BEING.

A FUCKING HUMAN BEING LIKE ME. >> ♪ OOH ♪ ♪ OOH-OOH-OOH ♪

>> ♪ OOH ♪ ♪ OOH-OOH-OOH ♪ ♪ OOH ♪

♪ OOH-OOH-OOH ♪ ♪ OOH ♪ ♪ OOH-OOH-OOH-OOH ♪

♪ OOH ♪ ♪ OOH-OOH-OOH-OOH ♪ >> JOHN?

♪ OOH-OOH-OOH-OOH ♪ >> JOHN? BREAKFAST IS SERVED.

>> JOHN? BREAKFAST IS SERVED. JOHN?

BREAKFAST IS SERVED. JOHN? JOHN?

[ DOOR CLOSES ] [ FOOTSTEPS APPROACH ]

>> IT NEEDS MORE SMOKE. >> WHAT ARE YOU DOING HERE SO EARLY?

>> WHAT ARE YOU DOING HERE SO EARLY? ARE YOU GOING SKYDIVING DRESSED EARLY? ARE YOU GOING SKYDIVING DRESSED LIKE THAT?

>> THAT'S IT, JAMES. >> WHAT? WHAT DID I DO?

>> WHAT? WHAT DID I DO? >> WEREN'T YOU WONDERING WHY WHAT DID I DO? >> WEREN'T YOU WONDERING WHY JOHN WASN'T HERE THIS MORNING?

>> WEREN'T YOU WONDERING WHY JOHN WASN'T HERE THIS MORNING? >> WHY?

JOHN WASN'T HERE THIS MORNING? >> WHY? >> YOU NEED TO ASK WHY?

>> WHY? >> YOU NEED TO ASK WHY? HE JUST CALLED ME TO TELL ME

>> YOU NEED TO ASK WHY? HE JUST CALLED ME TO TELL ME WHAT YOU DID TO HIM LAST NIGHT.

HE JUST CALLED ME TO TELL ME WHAT YOU DID TO HIM LAST NIGHT. >> I TOLD HIM I WAS SORRY.

WHAT YOU DID TO HIM LAST NIGHT. >> I TOLD HIM I WAS SORRY. >> THAT'S ALL YOU HAVE TO SAY?

>> I TOLD HIM I WAS SORRY. >> THAT'S ALL YOU HAVE TO SAY? IF I LOSE JOHN, IT IS THE END OF

>> THAT'S ALL YOU HAVE TO SAY? IF I LOSE JOHN, IT IS THE END OF THIS GALLERY.

IF I LOSE JOHN, IT IS THE END OF THIS GALLERY. YOU MAY THINK THAT THIS IS ALL THIS GALLERY. YOU MAY THINK THAT THIS IS ALL SOME BIG GAME, JAMES -- MY LIFE, YOU MAY THINK THAT THIS IS ALL SOME BIG GAME, JAMES -- MY LIFE, THE GALLERY, JOHN'S LIFE.

SOME BIG GAME, JAMES -- MY LIFE, THE GALLERY, JOHN'S LIFE. BUT IT ISN'T.

IS YOUR LIFE A GAME, JAMES? >> NO. >> DO YOU HAVE ANY IDEA WHAT

>> NO. >> DO YOU HAVE ANY IDEA WHAT SEXUAL HARASSMENT IS?

>> DO YOU HAVE ANY IDEA WHAT SEXUAL HARASSMENT IS? >> YES.

SEXUAL HARASSMENT IS? >> YES. >> DID IT EVER OCCUR TO YOU THAT

>> YES. >> DID IT EVER OCCUR TO YOU THAT YOU'RE NOT SUPPOSED TO PUT YOUR

>> DID IT EVER OCCUR TO YOU THAT YOU'RE NOT SUPPOSED TO PUT YOUR CO-WORKERS IN EMBARRASSING YOU'RE NOT SUPPOSED TO PUT YOUR CO-WORKERS IN EMBARRASSING SEXUAL SITUATIONS?

CO-WORKERS IN EMBARRASSING SEXUAL SITUATIONS? >> IT WAS SORT OF A JOKE.

SEXUAL SITUATIONS? >> IT WAS SORT OF A JOKE. >> YOU THINK MISLEADING SOMEONE

>> IT WAS SORT OF A JOKE. >> YOU THINK MISLEADING SOMEONE AND PLAYING A MEAN-SPIRITED

>> YOU THINK MISLEADING SOMEONE AND PLAYING A MEAN-SPIRITED PRANK ON THEM IS A JOKE?

AND PLAYING A MEAN-SPIRITED PRANK ON THEM IS A JOKE? >> HE'S MY FRIEND.

PRANK ON THEM IS A JOKE? >> HE'S MY FRIEND. >> HE'S NOT YOUR FRIEND.

>> HE'S MY FRIEND. >> HE'S NOT YOUR FRIEND. HE WASN'T BEFORE, AND HE'S

>> HE'S NOT YOUR FRIEND. HE WASN'T BEFORE, AND HE'S CERTAINLY NOT NOW.

HE WASN'T BEFORE, AND HE'S CERTAINLY NOT NOW. HE IS THE MANAGER OF THIS CERTAINLY NOT NOW. HE IS THE MANAGER OF THIS GALLERY.

HE IS THE MANAGER OF THIS GALLERY. AND IT'S EVEN WORSE IF YOU WOULD GALLERY. AND IT'S EVEN WORSE IF YOU WOULD DO SOMETHING LIKE THAT TO AND IT'S EVEN WORSE IF YOU WOULD DO SOMETHING LIKE THAT TO SOMEONE YOU THOUGHT WAS YOUR DO SOMETHING LIKE THAT TO SOMEONE YOU THOUGHT WAS YOUR FRIEND.

SOMEONE YOU THOUGHT WAS YOUR FRIEND. >> I'M REALLY SORRY.

FRIEND. >> I'M REALLY SORRY. >> YOU'RE SORRY.

>> I'M REALLY SORRY. >> YOU'RE SORRY. YOU'RE SORRY.

>> YOU'RE SORRY. YOU'RE SORRY. WELL, I'M SORRY, TOO.

YOU'RE SORRY. WELL, I'M SORRY, TOO. YOU'RE FIRED.

WELL, I'M SORRY, TOO. YOU'RE FIRED. >> ♪ CAN'T END LAST NIGHT ♪ YOU'RE FIRED. >> ♪ CAN'T END LAST NIGHT ♪ ♪ NO DAWN IN SIGHT ♪

>> ♪ CAN'T END LAST NIGHT ♪ ♪ NO DAWN IN SIGHT ♪ ♪ SLEEP IS OUT OF REACH ♪

♪ NO DAWN IN SIGHT ♪ ♪ SLEEP IS OUT OF REACH ♪ ♪ BUT YOUR DREAMS ARE DE-E-EP ♪

♪ SLEEP IS OUT OF REACH ♪ ♪ BUT YOUR DREAMS ARE DE-E-EP ♪ ♪ NOW YOUR TEARS ♪

♪ BUT YOUR DREAMS ARE DE-E-EP ♪ ♪ NOW YOUR TEARS ♪ ♪ THEY HAVE DRIED ♪

♪ NOW YOUR TEARS ♪ ♪ THEY HAVE DRIED ♪ ♪ AND YOU FEEL ♪

♪ THEY HAVE DRIED ♪ ♪ AND YOU FEEL ♪ ♪ CLAD YOURSELF IN FLAME AND

♪ AND YOU FEEL ♪ ♪ CLAD YOURSELF IN FLAME AND STEEL ♪

♪ CLAD YOURSELF IN FLAME AND STEEL ♪ ♪ THE MOMENT'S NIGH ♪ STEEL ♪ ♪ THE MOMENT'S NIGH ♪ ♪ YOU'RE OUT TO TRY ♪

♪ THE MOMENT'S NIGH ♪ ♪ YOU'RE OUT TO TRY ♪ ♪ YOU FEEL... ♪

♪ YOU'RE OUT TO TRY ♪ ♪ YOU FEEL... ♪ >> I FEEL LIKE AN EMPTY PLASTIC

♪ YOU FEEL... ♪ >> I FEEL LIKE AN EMPTY PLASTIC BOTTLE IN THE MIDDLE OF THE

>> I FEEL LIKE AN EMPTY PLASTIC BOTTLE IN THE MIDDLE OF THE OCEAN WITH NO CAP, SO THE WATER BOTTLE IN THE MIDDLE OF THE OCEAN WITH NO CAP, SO THE WATER COULD EASILY COME IN.

OCEAN WITH NO CAP, SO THE WATER COULD EASILY COME IN. SOON I'LL BE FULL, AND THEN --

COULD EASILY COME IN. SOON I'LL BE FULL, AND THEN -- AND THEN I'LL BE SINKING.

>> HAVE YOU THOUGHT ABOUT WHAT YOU'RE GONNA DO WITH JOHN? >> NO.

YOU'RE GONNA DO WITH JOHN? >> NO. EVERYONE'S ALL PISSED OFF AT ME

>> NO. EVERYONE'S ALL PISSED OFF AT ME NOW.

EVERYONE'S ALL PISSED OFF AT ME NOW. >> WELL, YOU DID ACT KIND OF NOW. >> WELL, YOU DID ACT KIND OF STUPIDLY AND INCONSIDERATELY.

>> WELL, YOU DID ACT KIND OF STUPIDLY AND INCONSIDERATELY. AND YOU CERTAINLY MADE A MESS OF STUPIDLY AND INCONSIDERATELY. AND YOU CERTAINLY MADE A MESS OF THINGS.

AND YOU CERTAINLY MADE A MESS OF THINGS. >> BUT I DON'T KNOW.

THINGS. >> BUT I DON'T KNOW. I FIND THE WHOLE THING RATHER

>> BUT I DON'T KNOW. I FIND THE WHOLE THING RATHER HEARTENING.

I FIND THE WHOLE THING RATHER HEARTENING. >> HEARTENING?

HEARTENING. >> HEARTENING? >> YEAH.

>> HEARTENING? >> YEAH. YOU PRETENDED YOU WERE SOMEONE

>> YEAH. YOU PRETENDED YOU WERE SOMEONE ELSE BECAUSE YOU WANT TO BE YOU PRETENDED YOU WERE SOMEONE ELSE BECAUSE YOU WANT TO BE SOMEONE ELSE, SOMEONE ELSE BECAUSE YOU WANT TO BE SOMEONE ELSE, SOMEONE BETTER-EDUCATED, MORE SOMEONE ELSE, SOMEONE BETTER-EDUCATED, MORE INTERESTING, MORE CULTURED.

BETTER-EDUCATED, MORE INTERESTING, MORE CULTURED. BESIDES, IF THIS JOHN PERSON IS INTERESTING, MORE CULTURED. BESIDES, IF THIS JOHN PERSON IS ANY KIND OF A HUMAN BEING, HE'LL BESIDES, IF THIS JOHN PERSON IS ANY KIND OF A HUMAN BEING, HE'LL REALIZE THAT WHAT YOU DID, ANY KIND OF A HUMAN BEING, HE'LL REALIZE THAT WHAT YOU DID, ALTHOUGH SOMEWHAT CHILDISH, WAS REALIZE THAT WHAT YOU DID, ALTHOUGH SOMEWHAT CHILDISH, WAS REALLY RATHER FLATTERING AND ALTHOUGH SOMEWHAT CHILDISH, WAS REALLY RATHER FLATTERING AND SWEET.

REALLY RATHER FLATTERING AND SWEET. WHY DON'T YOU TALK TO HIM?

SWEET. WHY DON'T YOU TALK TO HIM? TELL HIM HOW YOU'RE FEELING.

WHY DON'T YOU TALK TO HIM? TELL HIM HOW YOU'RE FEELING. >> WHAT AM I SUPPOSED TO SAY TO TELL HIM HOW YOU'RE FEELING. >> WHAT AM I SUPPOSED TO SAY TO HIM, "SORRY I WAS SUCH AN

>> WHAT AM I SUPPOSED TO SAY TO HIM, "SORRY I WAS SUCH AN IDIOT"?

HIM, "SORRY I WAS SUCH AN IDIOT"? >> WELL, I DON'T KNOW.

IDIOT"? >> WELL, I DON'T KNOW. THAT'S GOT TO COME FROM YOU.

>> WELL, I DON'T KNOW. THAT'S GOT TO COME FROM YOU. YOU HAVE TO LEARN HOW TO BE THE THAT'S GOT TO COME FROM YOU. YOU HAVE TO LEARN HOW TO BE THE GENERAL IN YOUR OWN LIFE -- NOT YOU HAVE TO LEARN HOW TO BE THE GENERAL IN YOUR OWN LIFE -- NOT JUST THE GENERAL, BUT THE WHOLE GENERAL IN YOUR OWN LIFE -- NOT JUST THE GENERAL, BUT THE WHOLE BATTLEFIELD.

JUST THE GENERAL, BUT THE WHOLE BATTLEFIELD. YOU'VE GOT WORK TO DO ON BATTLEFIELD. YOU'VE GOT WORK TO DO ON YOURSELF.

YOU'VE GOT WORK TO DO ON YOURSELF. WHAT ABOUT THAT THERAPIST YOUR YOURSELF. WHAT ABOUT THAT THERAPIST YOUR MOTHER SENT YOU TO?

WHAT ABOUT THAT THERAPIST YOUR MOTHER SENT YOU TO? >> SHE'S NOT A THERAPIST.

MOTHER SENT YOU TO? >> SHE'S NOT A THERAPIST. SHE'S A LIFE COACH.

>> SHE'S NOT A THERAPIST. SHE'S A LIFE COACH. >> AH.

SHE'S A LIFE COACH. >> AH. LIKE THOSE PEOPLE ON TV, THOSE

>> AH. LIKE THOSE PEOPLE ON TV, THOSE LATE-NIGHT INFOMERCIALS --

LIKE THOSE PEOPLE ON TV, THOSE LATE-NIGHT INFOMERCIALS -- HAPPY FACE AND SMILING AND LATE-NIGHT INFOMERCIALS -- HAPPY FACE AND SMILING AND POSITIVE.

HAPPY FACE AND SMILING AND POSITIVE. >> WELL, ACTUALLY, SHE WASN'T POSITIVE. >> WELL, ACTUALLY, SHE WASN'T THAT BAD.

>> WELL, ACTUALLY, SHE WASN'T THAT BAD. SHE WASN'T BAD AT ALL.

THAT BAD. SHE WASN'T BAD AT ALL. >> WELL, GOOD.

SHE WASN'T BAD AT ALL. >> WELL, GOOD. TALK TO HER.

>> WELL, GOOD. TALK TO HER. MOTHER'S NOT ALWAYS WRONG, YOU TALK TO HER. MOTHER'S NOT ALWAYS WRONG, YOU KNOW.

MOTHER'S NOT ALWAYS WRONG, YOU KNOW. >> HI. THIS IS ROWENA.

KNOW. >> HI. THIS IS ROWENA. >> HI, ROWENA.

>> HI. THIS IS ROWENA. >> HI, ROWENA. THIS IS JAMES SVECK.

>> HI, ROWENA. THIS IS JAMES SVECK. >> OH, HEY, JAMES. HOW ARE YOU?

THIS IS JAMES SVECK. >> OH, HEY, JAMES. HOW ARE YOU? >> GOOD.

>> OH, HEY, JAMES. HOW ARE YOU? >> GOOD. UH, I WAS WONDERING IF...

>> GOOD. UH, I WAS WONDERING IF... IF MAYBE WE COULD SET UP ANOTHER UH, I WAS WONDERING IF... IF MAYBE WE COULD SET UP ANOTHER SESSION.

IF MAYBE WE COULD SET UP ANOTHER SESSION. >> YEAH, SURE.

SESSION. >> YEAH, SURE. UM, WHEN ARE YOU AVAILABLE?

>> YEAH, SURE. UM, WHEN ARE YOU AVAILABLE? >> I'M UNEMPLOYED, SO...

UM, WHEN ARE YOU AVAILABLE? >> I'M UNEMPLOYED, SO... I'M PRETTY MUCH ONE BIG BUNDLE

>> I'M UNEMPLOYED, SO... I'M PRETTY MUCH ONE BIG BUNDLE OF AVAILABLE.

I'M PRETTY MUCH ONE BIG BUNDLE OF AVAILABLE. >> [ CHUCKLES ]

OF AVAILABLE. >> [ CHUCKLES ] OKAY, WHAT ABOUT FRIDAY?

>> [ CHUCKLES ] OKAY, WHAT ABOUT FRIDAY? >> SAME BAT PLACE, SAME BAT OKAY, WHAT ABOUT FRIDAY? >> SAME BAT PLACE, SAME BAT TIME?

>> SAME BAT PLACE, SAME BAT TIME? >> UH, DO YOU HAVE ANY WORKOUT TIME? >> UH, DO YOU HAVE ANY WORKOUT CLOTHES?

>> UH, DO YOU HAVE ANY WORKOUT CLOTHES? >> UH, NO.

CLOTHES? >> UH, NO. >> WHAT ABOUT SHORTS AND A

>> UH, NO. >> WHAT ABOUT SHORTS AND A T-SHIRT?

>> WHAT ABOUT SHORTS AND A T-SHIRT? >> YEAH. I'LL SEE.

T-SHIRT? >> YEAH. I'LL SEE. >> OKAY. GREAT. SEE YOU THEN.

>> I LIKE HER. >> ♪ I DON'T KN-O-O-O-OW ♪ ♪ I HEARD MY TIME IS GOING BY ♪

>> ♪ I DON'T KN-O-O-O-OW ♪ ♪ I HEARD MY TIME IS GOING BY ♪ ♪ DON'T KNOW WHAT I'M GONNA

♪ I HEARD MY TIME IS GOING BY ♪ ♪ DON'T KNOW WHAT I'M GONNA LEAVE ♪

♪ DON'T KNOW WHAT I'M GONNA LEAVE ♪ ♪ THEY SAID I-I-I-IT ♪ LEAVE ♪ ♪ THEY SAID I-I-I-IT ♪ ♪ WOULD ALL BE OVER SOON ♪

♪ THEY SAID I-I-I-IT ♪ ♪ WOULD ALL BE OVER SOON ♪ ♪ I DIDN'T KNOW HOW FAST SOON

♪ WOULD ALL BE OVER SOON ♪ ♪ I DIDN'T KNOW HOW FAST SOON WOULD COME ♪

>> [ Breathlessly ] CAN WE TAKE A BREAK, PLEASE? >> SURE.

A BREAK, PLEASE? >> SURE. LET'S JUST WALK.

>> SURE. LET'S JUST WALK. WE CAN COOL OFF, OKAY?

LET'S JUST WALK. WE CAN COOL OFF, OKAY? >> [ BREATHING HEAVILY ]

WE CAN COOL OFF, OKAY? >> [ BREATHING HEAVILY ] >> SO, UH, YOU WERE SAYING HOW

>> [ BREATHING HEAVILY ] >> SO, UH, YOU WERE SAYING HOW EVERYBODY WAS TELLING YOU HOW

>> SO, UH, YOU WERE SAYING HOW EVERYBODY WAS TELLING YOU HOW NOT NORMAL YOU WERE.

EVERYBODY WAS TELLING YOU HOW NOT NORMAL YOU WERE. >> THE THING IS, I DON'T NOT NORMAL YOU WERE. >> THE THING IS, I DON'T ENTIRELY DISAGREE WITH THEM.

>> THE THING IS, I DON'T ENTIRELY DISAGREE WITH THEM. >> SO YOU THINK YOU'RE NOT ENTIRELY DISAGREE WITH THEM. >> SO YOU THINK YOU'RE NOT NORMAL.

>> SO YOU THINK YOU'RE NOT NORMAL. >> I DON'T THINK I KNOW WHAT NORMAL. >> I DON'T THINK I KNOW WHAT NORMAL IS.

>> I DON'T THINK I KNOW WHAT NORMAL IS. NEW YORK IS A FUNNY PLACE TO BE NORMAL IS. NEW YORK IS A FUNNY PLACE TO BE LONELY.

NEW YORK IS A FUNNY PLACE TO BE LONELY. >> HOW SO?

LONELY. >> HOW SO? >> THERE'S PEOPLE EVERYWHERE.

>> HOW SO? >> THERE'S PEOPLE EVERYWHERE. EVERYONE'S GOT A RHYTHM OF THEIR

>> THERE'S PEOPLE EVERYWHERE. EVERYONE'S GOT A RHYTHM OF THEIR OWN.

EVERYONE'S GOT A RHYTHM OF THEIR OWN. I DON'T HAVE ONE.

OWN. I DON'T HAVE ONE. I CAN SEE EVERYONE MOVING TO I DON'T HAVE ONE. I CAN SEE EVERYONE MOVING TO THAT BEAT, YOU KNOW.

I CAN SEE EVERYONE MOVING TO THAT BEAT, YOU KNOW. GOTTA GO NOW.

THAT BEAT, YOU KNOW. GOTTA GO NOW. GOTTA GET THERE, HERE.

GOTTA GO NOW. GOTTA GET THERE, HERE. LAUGHING, DANCING, WHATEVER.

GOTTA GET THERE, HERE. LAUGHING, DANCING, WHATEVER. ALL I HEAR IS SILENCE.

LAUGHING, DANCING, WHATEVER. ALL I HEAR IS SILENCE. LIKE THERE'S SOMETHING WAY DOWN ALL I HEAR IS SILENCE. LIKE THERE'S SOMETHING WAY DOWN DEEP INSIDE OF ME, SOME MINOR LIKE THERE'S SOMETHING WAY DOWN DEEP INSIDE OF ME, SOME MINOR DEFECT IN THE MOST HIDDEN DEEP INSIDE OF ME, SOME MINOR DEFECT IN THE MOST HIDDEN RECESSES OF THE SECOND DEFECT IN THE MOST HIDDEN RECESSES OF THE SECOND CHROMOSOME IN MY DNA THAT MAKES RECESSES OF THE SECOND CHROMOSOME IN MY DNA THAT MAKES ME DIFFERENT.

CHROMOSOME IN MY DNA THAT MAKES ME DIFFERENT. >> CAN YOU REMEMBER WHEN YOU ME DIFFERENT. >> CAN YOU REMEMBER WHEN YOU FIRST STARTED FEELING THIS WAY?

>> I GUESS I'VE ALWAYS FELT THIS WAY. BUT IT WAS WORSE WHEN I WAS IN WAY. BUT IT WAS WORSE WHEN I WAS IN WASHINGTON.

BUT IT WAS WORSE WHEN I WAS IN WASHINGTON. >> [ LAUGHS ]

WASHINGTON. >> [ LAUGHS ] >> THAT WAS THE AMERICAN

>> [ LAUGHS ] >> THAT WAS THE AMERICAN CLASSROOM.

>> THAT WAS THE AMERICAN CLASSROOM. >> GETTING IN WAS SUPPOSEDLY A CLASSROOM. >> GETTING IN WAS SUPPOSEDLY A VERY BIG DEAL.

>> GETTING IN WAS SUPPOSEDLY A VERY BIG DEAL. MY PARENTS THOUGHT IT WOULD HELP VERY BIG DEAL. MY PARENTS THOUGHT IT WOULD HELP ME GET INTO HARVARD.

MY PARENTS THOUGHT IT WOULD HELP ME GET INTO HARVARD. IT DIDN'T.

ME GET INTO HARVARD. IT DIDN'T. >> I AM SUSAN POWELL WRIGHT, IT DIDN'T. >> I AM SUSAN POWELL WRIGHT, WIFE OF SENATOR

>> I AM SUSAN POWELL WRIGHT, WIFE OF SENATOR LYNDON FREDERICK WRIGHT.

WIFE OF SENATOR LYNDON FREDERICK WRIGHT. >> MIND IF I SIT HERE?

LYNDON FREDERICK WRIGHT. >> MIND IF I SIT HERE? >> WELCOME TO WASHINGTON, D.C., >> MIND IF I SIT HERE? >> WELCOME TO WASHINGTON, D.C., THE CAPITAL CITY OF OUR

>> WELCOME TO WASHINGTON, D.C., THE CAPITAL CITY OF OUR BELOVED AND GLORIOUS THE CAPITAL CITY OF OUR BELOVED AND GLORIOUS UNITED STATES OF AMERICA.

BELOVED AND GLORIOUS UNITED STATES OF AMERICA. NOW, BEFORE WE LEAVE, I'M GOING UNITED STATES OF AMERICA. NOW, BEFORE WE LEAVE, I'M GOING TO PASS OUT ALL YOUR NAME TAGS.

>> THIS IS THE MOST EXCITING THING I'VE EVER DONE IN MY LIFE. WHAT'S YOUR NAME?

THING I'VE EVER DONE IN MY LIFE. WHAT'S YOUR NAME? >> JAMES SVECK.

WHAT'S YOUR NAME? >> JAMES SVECK. >> I'M SUE KENNEY, FROM

>> JAMES SVECK. >> I'M SUE KENNEY, FROM SOUTH DAKOTA.

>> I'M SUE KENNEY, FROM SOUTH DAKOTA. YOU?

SOUTH DAKOTA. YOU? >> NEW YORK.

YOU? >> NEW YORK. >> NEW YORK! WOW!

>> NEW YORK. >> NEW YORK! WOW! WHERE?

>> NEW YORK! WOW! WHERE? >> NEW YORK CITY.

WHERE? >> NEW YORK CITY. >> WOW! NEW YORK CITY?

>> NEW YORK CITY. >> WOW! NEW YORK CITY? >> WHY "WOW"?

>> WOW! NEW YORK CITY? >> WHY "WOW"? >> I ALWAYS SAY "WOW" WHEN I

>> WHY "WOW"? >> I ALWAYS SAY "WOW" WHEN I THINK OF NEW YORK CITY.

>> I ALWAYS SAY "WOW" WHEN I THINK OF NEW YORK CITY. OH, WE'RE GOING!

THINK OF NEW YORK CITY. OH, WE'RE GOING! YOU'RE NOT GONNA WEAR IT?

OH, WE'RE GOING! YOU'RE NOT GONNA WEAR IT? >> NO, IT'S FINE. I'LL DO IT.

YOU'RE NOT GONNA WEAR IT? >> NO, IT'S FINE. I'LL DO IT. THANK YOU.

>> NO, IT'S FINE. I'LL DO IT. THANK YOU. I HOPE THEY GIVE ME A NEW ONE.

THANK YOU. I HOPE THEY GIVE ME A NEW ONE. I MESSED THIS ONE UP.

I HOPE THEY GIVE ME A NEW ONE. I MESSED THIS ONE UP. I JUST DON'T WANT PEOPLE I MESSED THIS ONE UP. I JUST DON'T WANT PEOPLE THINKING I COME FROM I JUST DON'T WANT PEOPLE THINKING I COME FROM NORTH DAKOTA.

THINKING I COME FROM NORTH DAKOTA. I MEAN, THERE'S A BIG DIFFERENCE NORTH DAKOTA. I MEAN, THERE'S A BIG DIFFERENCE BETWEEN NORTH AND SOUTH DAKOTA.

I MEAN, THERE'S A BIG DIFFERENCE BETWEEN NORTH AND SOUTH DAKOTA. IT'S LIKE THE DIFFERENCE BETWEEN BETWEEN NORTH AND SOUTH DAKOTA. IT'S LIKE THE DIFFERENCE BETWEEN NORTH AND SOUTH KOREA.

IT'S LIKE THE DIFFERENCE BETWEEN NORTH AND SOUTH KOREA. WELL, NOT THAT NORTH DAKOTA IS NORTH AND SOUTH KOREA. WELL, NOT THAT NORTH DAKOTA IS COMMUNIST.

WELL, NOT THAT NORTH DAKOTA IS COMMUNIST. I MEAN --

COMMUNIST. I MEAN -- >> OH, THERE'S THE CAPITOL!

I MEAN -- >> OH, THERE'S THE CAPITOL! >> OOH!

>> OH, THERE'S THE CAPITOL! >> OOH! [ APPLAUSE ]

>> OOH! [ APPLAUSE ] >> All: ♪ OH, BEAUTIFUL FOR

[ APPLAUSE ] >> All: ♪ OH, BEAUTIFUL FOR SPACIOUS SKIES ♪

>> All: ♪ OH, BEAUTIFUL FOR SPACIOUS SKIES ♪ ♪ FOR AMBER WAVES OF GRAIN ♪ SPACIOUS SKIES ♪ ♪ FOR AMBER WAVES OF GRAIN ♪ ♪ FOR PURPLE MOUNTAIN

♪ FOR AMBER WAVES OF GRAIN ♪ ♪ FOR PURPLE MOUNTAIN MAJESTIES ♪

♪ FOR PURPLE MOUNTAIN MAJESTIES ♪ ♪ ABOVE THE FRUITED PLAIN ♪ MAJESTIES ♪ ♪ ABOVE THE FRUITED PLAIN ♪ >> WHY AREN'T YOU SINGING?

♪ ABOVE THE FRUITED PLAIN ♪ >> WHY AREN'T YOU SINGING? >> I'M JUST ABOUT TO.

>> WHY AREN'T YOU SINGING? >> I'M JUST ABOUT TO. >> All: ♪ AMERICA! AMERICA! ♪

>> I'M JUST ABOUT TO. >> All: ♪ AMERICA! AMERICA! ♪ >> SO, WHAT ABOUT THIS SUE?

>> All: ♪ AMERICA! AMERICA! ♪ >> SO, WHAT ABOUT THIS SUE? IS THAT SOMEONE YOU COULD HAVE

>> SO, WHAT ABOUT THIS SUE? IS THAT SOMEONE YOU COULD HAVE BEEN FRIENDS WITH?

IS THAT SOMEONE YOU COULD HAVE BEEN FRIENDS WITH? >> IF YOU'D MET HER, YOU BEEN FRIENDS WITH? >> IF YOU'D MET HER, YOU WOULDN'T ASK ME THAT.

>> IF YOU'D MET HER, YOU WOULDN'T ASK ME THAT. >> All: ♪ AND CROWN THY GOOD WOULDN'T ASK ME THAT. >> All: ♪ AND CROWN THY GOOD WITH BROTHERHOOD ♪

>> All: ♪ AND CROWN THY GOOD WITH BROTHERHOOD ♪ >> OH, SHIT.

WITH BROTHERHOOD ♪ >> OH, SHIT. MAN, THANK GOD.

>> OH, SHIT. MAN, THANK GOD. I THOUGHT YOU WERE THE PROCTOR, MAN, THANK GOD. I THOUGHT YOU WERE THE PROCTOR, MAN.

I THOUGHT YOU WERE THE PROCTOR, MAN. ARE YOU RETARDED?

MAN. ARE YOU RETARDED? CLOSE THE FUCKING DOOR, MAN.

HEY, MM, SORRY, DUDE. FIRST COME, FIRST SERVE. LOOKS LIKE YOU GOT THE COT, MAN.

FIRST COME, FIRST SERVE. LOOKS LIKE YOU GOT THE COT, MAN. >> OH, THAT'S OKAY.

LOOKS LIKE YOU GOT THE COT, MAN. >> OH, THAT'S OKAY. WELL, I-I'M JAMES.

>> OH, THAT'S OKAY. WELL, I-I'M JAMES. >> DAKIN.

WELL, I-I'M JAMES. >> DAKIN. THAT'S RHONDA.

>> DAKIN. THAT'S RHONDA. >> I'M THOM.

THAT'S RHONDA. >> I'M THOM. >> HI.

>> I'M THOM. >> HI. >> WANNA GET HIGH?

>> HI. >> WANNA GET HIGH? >> OH, NO THANKS.

>> WANNA GET HIGH? >> OH, NO THANKS. I'M FINE.

>> OH, NO THANKS. I'M FINE. THANK YOU, THOUGH.

I'M FINE. THANK YOU, THOUGH. >> OH, SHIT.

THANK YOU, THOUGH. >> OH, SHIT. DAKIN, LOOK, MAN.

>> OH, SHIT. DAKIN, LOOK, MAN. WE GOT A TEACHER'S PET.

DAKIN, LOOK, MAN. WE GOT A TEACHER'S PET. >> UH, NO, NO, NO.

WE GOT A TEACHER'S PET. >> UH, NO, NO, NO. I'M NOT.

>> UH, NO, NO, NO. I'M NOT. >> HEY, I'M FROM NEW YORK, TOO.

I'M NOT. >> HEY, I'M FROM NEW YORK, TOO. >> OH, YEAH?

>> HEY, I'M FROM NEW YORK, TOO. >> OH, YEAH? >> YEAH, I'M GOING TO PARSONS

>> OH, YEAH? >> YEAH, I'M GOING TO PARSONS IN THE FALL.

>> YEAH, I'M GOING TO PARSONS IN THE FALL. I'M GOING TO BE A FASHION IN THE FALL. I'M GOING TO BE A FASHION DESIGNER.

I'M GOING TO BE A FASHION DESIGNER. WHERE ARE YOU GOING?

DESIGNER. WHERE ARE YOU GOING? >> WELL, I'M SUPPOSED TO BE WHERE ARE YOU GOING? >> WELL, I'M SUPPOSED TO BE GOING TO HARVARD.

>> WELL, I'M SUPPOSED TO BE GOING TO HARVARD. >> "SUPPOSED TO BE"?

GOING TO HARVARD. >> "SUPPOSED TO BE"? >> THING IS, I DON'T KNOW IF I'M

>> "SUPPOSED TO BE"? >> THING IS, I DON'T KNOW IF I'M ACTUALLY GONNA GO YET.

>> THING IS, I DON'T KNOW IF I'M ACTUALLY GONNA GO YET. [ CLANG ]

ACTUALLY GONNA GO YET. [ CLANG ] [ LAUGHTER ]

[ CLANG ] [ LAUGHTER ] >> HEY, DON'T BE AFRAID OF THE

[ LAUGHTER ] >> HEY, DON'T BE AFRAID OF THE COT, MAN.

>> HEY, DON'T BE AFRAID OF THE COT, MAN. IT'S NOT GONNA EAT YOU.

COT, MAN. IT'S NOT GONNA EAT YOU. >> OH, GOD.

IT'S NOT GONNA EAT YOU. >> OH, GOD. >> IT WAS ALL DOWNHILL FROM

>> OH, GOD. >> IT WAS ALL DOWNHILL FROM THERE.

>> IT WAS ALL DOWNHILL FROM THERE. >> YOU MEAN IT GOT WORSE.

THERE. >> YOU MEAN IT GOT WORSE. >> A LOT WORSE.

>> YOU MEAN IT GOT WORSE. >> A LOT WORSE. [ BREATHING HEAVILY ]

>> A LOT WORSE. [ BREATHING HEAVILY ] >> DO YOU WANT TO TELL ME ABOUT

[ BREATHING HEAVILY ] >> DO YOU WANT TO TELL ME ABOUT IT NEXT WEEK?

>> DO YOU WANT TO TELL ME ABOUT IT NEXT WEEK? >> FIXING THE MIND AND TUNING UP IT NEXT WEEK? >> FIXING THE MIND AND TUNING UP THE BODY?

>> FIXING THE MIND AND TUNING UP THE BODY? YOU SHOULD GET PAID DOUBLE.

THE BODY? YOU SHOULD GET PAID DOUBLE. I'M GONNA BE BUFF AND SANE.

YOU SHOULD GET PAID DOUBLE. I'M GONNA BE BUFF AND SANE. >> [ EXHALES ]

I'M GONNA BE BUFF AND SANE. >> [ EXHALES ] >> HOW DO YOU EVEN KNOW I WANT

>> [ EXHALES ] >> HOW DO YOU EVEN KNOW I WANT ANOTHER SESSION?

>> HOW DO YOU EVEN KNOW I WANT ANOTHER SESSION? >> WELL, THAT'S UP TO YOU.

>> MR. ROG-- UH... BARRY. >> HELLO, JAMES.

BARRY. >> HELLO, JAMES. >> WHAT ARE YOU DOING HERE?

>> HELLO, JAMES. >> WHAT ARE YOU DOING HERE? >> STOOPS ARE PLACES OF PUBLIC

>> WHAT ARE YOU DOING HERE? >> STOOPS ARE PLACES OF PUBLIC ACCOMMODATION -- NEW YORK CITY

>> STOOPS ARE PLACES OF PUBLIC ACCOMMODATION -- NEW YORK CITY CODE 456-12.

ACCOMMODATION -- NEW YORK CITY CODE 456-12. >> WELL, HAVE A NICE DAY.

CODE 456-12. >> WELL, HAVE A NICE DAY. >> WAIT, UH...

>> WELL, HAVE A NICE DAY. >> WAIT, UH... [ SIGHS ]

>> WAIT, UH... [ SIGHS ] I CAME TO SEE YOUR MOTHER.

[ SIGHS ] I CAME TO SEE YOUR MOTHER. LOOK, I JUST -- I WANT TO REPAY I CAME TO SEE YOUR MOTHER. LOOK, I JUST -- I WANT TO REPAY HER THE MONEY THAT I OWE HER, LOOK, I JUST -- I WANT TO REPAY HER THE MONEY THAT I OWE HER, BUT SHE WON'T LET ME IN, AND HER THE MONEY THAT I OWE HER, BUT SHE WON'T LET ME IN, AND SHE WON'T COME DOWN.

BUT SHE WON'T LET ME IN, AND SHE WON'T COME DOWN. >> WELL, GIVE IT TO ME, AND I'LL SHE WON'T COME DOWN. >> WELL, GIVE IT TO ME, AND I'LL GIVE IT TO HER.

>> WELL, GIVE IT TO ME, AND I'LL GIVE IT TO HER. >> NO.

GIVE IT TO HER. >> NO. NO, I WANT TO SEE HER, TALK TO

>> NO. NO, I WANT TO SEE HER, TALK TO HER.

NO, I WANT TO SEE HER, TALK TO HER. THIS IS VERY IMPORTANT.

HER. THIS IS VERY IMPORTANT. I NEED TO APOLOGIZE.

THIS IS VERY IMPORTANT. I NEED TO APOLOGIZE. >> CALL HER. ASK HER OUT.

I NEED TO APOLOGIZE. >> CALL HER. ASK HER OUT. >> I DID.

>> CALL HER. ASK HER OUT. >> I DID. LOOK, I EVEN, UH...

>> I DID. LOOK, I EVEN, UH... LOOK, I CHARTERED ONE OF THOSE LOOK, I EVEN, UH... LOOK, I CHARTERED ONE OF THOSE PRIVATE DINNER CRUISE BOATS FOR LOOK, I CHARTERED ONE OF THOSE PRIVATE DINNER CRUISE BOATS FOR TUESDAY NIGHT, BUT SHE SAID SHE PRIVATE DINNER CRUISE BOATS FOR TUESDAY NIGHT, BUT SHE SAID SHE CAN'T COME BECAUSE SHE GETS TUESDAY NIGHT, BUT SHE SAID SHE CAN'T COME BECAUSE SHE GETS SEASICK.

CAN'T COME BECAUSE SHE GETS SEASICK. IS THAT TRUE?

SEASICK. IS THAT TRUE? >> A LOT OF THINGS MAKE MY IS THAT TRUE? >> A LOT OF THINGS MAKE MY MOTHER SICK.

>> A LOT OF THINGS MAKE MY MOTHER SICK. >> WHAT AM I GONNA DO?

MOTHER SICK. >> WHAT AM I GONNA DO? JAMES, MAYBE YOU COULD...HELP

>> WHAT AM I GONNA DO? JAMES, MAYBE YOU COULD...HELP ME.

JAMES, MAYBE YOU COULD...HELP ME. LOOK, YOU MAY NOT BELIEVE IT, ME. LOOK, YOU MAY NOT BELIEVE IT, BUT I REALLY LOVE YOUR MOTHER.

LOOK, YOU MAY NOT BELIEVE IT, BUT I REALLY LOVE YOUR MOTHER. OKAY? I ADMIT IT.

BUT I REALLY LOVE YOUR MOTHER. OKAY? I ADMIT IT. I DO HAVE A LITTLE GAMBLING OKAY? I ADMIT IT. I DO HAVE A LITTLE GAMBLING PROBLEM.

I DO HAVE A LITTLE GAMBLING PROBLEM. BUT TELL HER I HAVE BEEN GOING PROBLEM. BUT TELL HER I HAVE BEEN GOING TO GAMBLERS ANONYMOUS, AND I BUT TELL HER I HAVE BEEN GOING TO GAMBLERS ANONYMOUS, AND I HAVE BEEN EVERY NIGHT SINCE SHE TO GAMBLERS ANONYMOUS, AND I HAVE BEEN EVERY NIGHT SINCE SHE LEFT, ALMOST.

HAVE BEEN EVERY NIGHT SINCE SHE LEFT, ALMOST. IT'S AN AWFUL THING TO LEFT, ALMOST. IT'S AN AWFUL THING TO DISAPPOINT SOMEONE YOU LOVE.

IT'S AN AWFUL THING TO DISAPPOINT SOMEONE YOU LOVE. DO YOU KNOW WHAT THAT'S LIKE, DISAPPOINT SOMEONE YOU LOVE. DO YOU KNOW WHAT THAT'S LIKE, HURTING SOMEONE YOU LOVE?

DO YOU KNOW WHAT THAT'S LIKE, HURTING SOMEONE YOU LOVE? EH.

HURTING SOMEONE YOU LOVE? EH. [ MUFFLED INDISTINCT SHOUTING ]

EH. [ MUFFLED INDISTINCT SHOUTING ] >> FUCKING BASTARD!

[ MUFFLED INDISTINCT SHOUTING ] >> FUCKING BASTARD! WHY DON'T YOU GO BACK?!

>> FUCKING BASTARD! WHY DON'T YOU GO BACK?! >> CALM DOWN.

WHY DON'T YOU GO BACK?! >> CALM DOWN. >> NO, I DON'T WANT TO!

>> CALM DOWN. >> NO, I DON'T WANT TO! DON'T TELL ME TO CALM DOWN!

>> NO, I DON'T WANT TO! DON'T TELL ME TO CALM DOWN! >> I'M A MARRIED MAN.

DON'T TELL ME TO CALM DOWN! >> I'M A MARRIED MAN. >> I DON'T CARE!

>> I'M A MARRIED MAN. >> I DON'T CARE! YOU WERE A MARRIED MAN

>> I DON'T CARE! YOU WERE A MARRIED MAN YESTERDAY!

YOU WERE A MARRIED MAN YESTERDAY! >> OH, GILLY.

YESTERDAY! >> OH, GILLY. >> GET OUT, OKAY?!

>> OH, GILLY. >> GET OUT, OKAY?! GET OUT!

>> GET OUT, OKAY?! GET OUT! >> I AM. I AM.

GET OUT! >> I AM. I AM. >> I'M GONNA KILL YOU, YOU

>> I AM. I AM. >> I'M GONNA KILL YOU, YOU FUCKING ASSHOLE!

>> I'M GONNA KILL YOU, YOU FUCKING ASSHOLE! >> WHAT'S UP?

FUCKING ASSHOLE! >> WHAT'S UP? >> I'M SORRY, JAMES.

>> WHAT'S UP? >> I'M SORRY, JAMES. >> OH, NO.

>> I'M SORRY, JAMES. >> OH, NO. >> IT'S NOT A BIG DEAL!

>> OH, NO. >> IT'S NOT A BIG DEAL! YES.

>> IT'S NOT A BIG DEAL! YES. >> I HATE YOU, YOU POLISH FREAK!

YES. >> I HATE YOU, YOU POLISH FREAK! JUST LEAVE ME ALONE!

>> I HATE YOU, YOU POLISH FREAK! JUST LEAVE ME ALONE! NO!

JUST LEAVE ME ALONE! NO! >> OH, GILLY.

NO! >> OH, GILLY. >> [ CRYING ]

>> OH, GILLY. >> [ CRYING ] >> Shh.

>> [ CRYING ] >> Shh. OH.

>> Shh. OH. Shh.

OH. Shh. >> WHAT'S WRONG?

Shh. >> WHAT'S WRONG? >> HE DUMPED ME.

>> WHAT'S WRONG? >> HE DUMPED ME. >> OH.

>> HE DUMPED ME. >> OH. >> THAT'S WHAT'S WRONG.

>> OH. >> THAT'S WHAT'S WRONG. >> HEINRICH MARIA?

>> THAT'S WHAT'S WRONG. >> HEINRICH MARIA? >> NO, JOHNNY DEPP!

>> HEINRICH MARIA? >> NO, JOHNNY DEPP! OF COURSE IT WAS HEINRICH MARIA.

>> NO, JOHNNY DEPP! OF COURSE IT WAS HEINRICH MARIA. WHAT DO YOU THINK?

OF COURSE IT WAS HEINRICH MARIA. WHAT DO YOU THINK? I HATE THAT FUCKING BASTARD.

WHAT DO YOU THINK? I HATE THAT FUCKING BASTARD. HIM AND THAT STUPID BITCH!

I HATE THAT FUCKING BASTARD. HIM AND THAT STUPID BITCH! >> YOU MEAN HIS WIFE, THE ONE HIM AND THAT STUPID BITCH! >> YOU MEAN HIS WIFE, THE ONE WHO INVENTED THE TRANSSEXUAL

>> YOU MEAN HIS WIFE, THE ONE WHO INVENTED THE TRANSSEXUAL DETECTIVE?

WHO INVENTED THE TRANSSEXUAL DETECTIVE? >> [ CRYING ]

DETECTIVE? >> [ CRYING ] JAMES.

>> [ CRYING ] JAMES. >> OH, NO, NO.

JAMES. >> OH, NO, NO. >> I'M SORRY.

>> OH, NO, NO. >> I'M SORRY. I'M SORRY.

>> I'M SORRY. I'M SORRY. HERE.

I'M SORRY. HERE. >> THANKS.

HERE. >> THANKS. >> COME ON, GILLY.

>> THANKS. >> COME ON, GILLY. >> HE AND HIS WIFE -- SHE GOT

>> COME ON, GILLY. >> HE AND HIS WIFE -- SHE GOT THIS GREAT JOB OUT IN

>> HE AND HIS WIFE -- SHE GOT THIS GREAT JOB OUT IN U.C. BERKELEY, SO NOW THEY'RE THIS GREAT JOB OUT IN U.C. BERKELEY, SO NOW THEY'RE BOTH GOING, AND THEY'RE JUST U.C. BERKELEY, SO NOW THEY'RE BOTH GOING, AND THEY'RE JUST GONNA, LIKE, RECONNECT AND TIE BOTH GOING, AND THEY'RE JUST GONNA, LIKE, RECONNECT AND TIE THE KNOT AND DO ALL THIS STUPID GONNA, LIKE, RECONNECT AND TIE THE KNOT AND DO ALL THIS STUPID SHIT THAT I DON'T EVEN WANT TO THE KNOT AND DO ALL THIS STUPID SHIT THAT I DON'T EVEN WANT TO TALK ABOUT.

SHIT THAT I DON'T EVEN WANT TO TALK ABOUT. >> WELL, HE'S NOT DUMPING YOU.

TALK ABOUT. >> WELL, HE'S NOT DUMPING YOU. >> [ SNIFFLES ]

>> WELL, HE'S NOT DUMPING YOU. >> [ SNIFFLES ] >> YEAH, HE'S LEAVING, BUT HE'S

>> [ SNIFFLES ] >> YEAH, HE'S LEAVING, BUT HE'S NOT DUMPING YOU, AND THERE'S A

>> YEAH, HE'S LEAVING, BUT HE'S NOT DUMPING YOU, AND THERE'S A BIG DIFFERENCE.

NOT DUMPING YOU, AND THERE'S A BIG DIFFERENCE. >> [ SNIFFLES ]

BIG DIFFERENCE. >> [ SNIFFLES ] THAT'S THE POINT HE TRIED TO

>> [ SNIFFLES ] THAT'S THE POINT HE TRIED TO MAKE, BUT I DON'T SEE THE THAT'S THE POINT HE TRIED TO MAKE, BUT I DON'T SEE THE DIFFERENCE, OKAY, BECAUSE IN THE MAKE, BUT I DON'T SEE THE DIFFERENCE, OKAY, BECAUSE IN THE END, I STILL END UP ALONE.

DIFFERENCE, OKAY, BECAUSE IN THE END, I STILL END UP ALONE. >> NO, GILLY. COME ON.

END, I STILL END UP ALONE. >> NO, GILLY. COME ON. >> I...I GUESS THAT'S WHAT YOU

>> NO, GILLY. COME ON. >> I...I GUESS THAT'S WHAT YOU GET FOR DATING A LANGUAGE

>> I...I GUESS THAT'S WHAT YOU GET FOR DATING A LANGUAGE THEORETICIAN, RIGHT?

GET FOR DATING A LANGUAGE THEORETICIAN, RIGHT? >> YEAH.

THEORETICIAN, RIGHT? >> YEAH. [ CHUCKLES ]

>> YEAH. [ CHUCKLES ] >> WELL, MAYBE IT'S FOR THE

[ CHUCKLES ] >> WELL, MAYBE IT'S FOR THE BEST.

>> WELL, MAYBE IT'S FOR THE BEST. I MEAN, I LIKED HEINRICH MARIA.

BEST. I MEAN, I LIKED HEINRICH MARIA. HE WAS A NICE GUY AND I MEAN, I LIKED HEINRICH MARIA. HE WAS A NICE GUY AND EVERYTHING, BUT HE WAS A LOT HE WAS A NICE GUY AND EVERYTHING, BUT HE WAS A LOT OLDER THAN YOU.

EVERYTHING, BUT HE WAS A LOT OLDER THAN YOU. >> [ SNIFFLES ]

OLDER THAN YOU. >> [ SNIFFLES ] >> AND MARRIED.

>> [ SNIFFLES ] >> AND MARRIED. >> YEAH, SO MAYBE NOW YOU'LL

>> AND MARRIED. >> YEAH, SO MAYBE NOW YOU'LL FIND SOMEONE MORE...APPROPRIATE.

>> YEAH, SO MAYBE NOW YOU'LL FIND SOMEONE MORE...APPROPRIATE. >> WHAT DO YOU MEAN BY "MORE FIND SOMEONE MORE...APPROPRIATE. >> WHAT DO YOU MEAN BY "MORE APPROPRIATE"?

>> WHAT DO YOU MEAN BY "MORE APPROPRIATE"? YOU GUYS...

APPROPRIATE"? YOU GUYS... NO, IT MEANT A LOT TO ME, AND YOU GUYS... NO, IT MEANT A LOT TO ME, AND YOU GUYS ARE TREATING IT LIKE I NO, IT MEANT A LOT TO ME, AND YOU GUYS ARE TREATING IT LIKE I DID SOMETHING WRONG!

YOU GUYS ARE TREATING IT LIKE I DID SOMETHING WRONG! WHY CAN'T YOU BE ON MY SIDE FOR DID SOMETHING WRONG! WHY CAN'T YOU BE ON MY SIDE FOR ONCE?!

WHY CAN'T YOU BE ON MY SIDE FOR ONCE?! I MEAN, JAMES, THE GUY'S A ONCE?! I MEAN, JAMES, THE GUY'S A PRICK!

I MEAN, JAMES, THE GUY'S A PRICK! I DON'T EVEN KNOW WHY I'M PRICK! I DON'T EVEN KNOW WHY I'M LISTENING TO YOU!

I DON'T EVEN KNOW WHY I'M LISTENING TO YOU! WHAT DO YOU POSSIBLY KNOW ABOUT LISTENING TO YOU! WHAT DO YOU POSSIBLY KNOW ABOUT LOVE?!

>> OW.

>> THE THING IS, MAYBE THEY'RE RIGHT. WHAT DO I KNOW ABOUT LOVE?

RIGHT. WHAT DO I KNOW ABOUT LOVE? >> ARE YOU SURE THEY'RE RIGHT?

WHAT DO I KNOW ABOUT LOVE? >> ARE YOU SURE THEY'RE RIGHT? >> I DON'T KNOW.

>> ARE YOU SURE THEY'RE RIGHT? >> I DON'T KNOW. >> HI!

>> I DON'T KNOW. >> HI! LIKE MY EVENING PAJAMAS?

>> HI! LIKE MY EVENING PAJAMAS? WHOO-HOO!

LIKE MY EVENING PAJAMAS? WHOO-HOO! >> WHAT ARE EVENING PAJAMAS?

WHOO-HOO! >> WHAT ARE EVENING PAJAMAS? >> I THOUGHT FOR SURE YOU'D

>> WHAT ARE EVENING PAJAMAS? >> I THOUGHT FOR SURE YOU'D KNOW, BEING FROM NEW YORK CITY

>> I THOUGHT FOR SURE YOU'D KNOW, BEING FROM NEW YORK CITY AND ALL!

KNOW, BEING FROM NEW YORK CITY AND ALL! THEY'RE A STYLISH ALTERNATIVE TO AND ALL! THEY'RE A STYLISH ALTERNATIVE TO AN EVENING DRESS, FROM FRANCE!

THEY'RE A STYLISH ALTERNATIVE TO AN EVENING DRESS, FROM FRANCE! >> ♪ WATCH ME FLOATING ♪ AN EVENING DRESS, FROM FRANCE! >> ♪ WATCH ME FLOATING ♪ ♪ DRIFTING ♪

>> ♪ WATCH ME FLOATING ♪ ♪ DRIFTING ♪ >> SO, TELL ME WHAT HAPPENED IN

♪ DRIFTING ♪ >> SO, TELL ME WHAT HAPPENED IN D.C.

>> SO, TELL ME WHAT HAPPENED IN D.C. >> MONDAY WAS CIA NIGHT.

D.C. >> MONDAY WAS CIA NIGHT. TUESDAY WAS THE FBI.

>> MONDAY WAS CIA NIGHT. TUESDAY WAS THE FBI. AND WEDNESDAY WAS "ON THE TUESDAY WAS THE FBI. AND WEDNESDAY WAS "ON THE GROUND, IN THE AIR, UNDERSEA AND WEDNESDAY WAS "ON THE GROUND, IN THE AIR, UNDERSEA ARMED FORCES" NIGHT.

GROUND, IN THE AIR, UNDERSEA ARMED FORCES" NIGHT. >> WHAT HAPPENED THURSDAY NIGHT?

ARMED FORCES" NIGHT. >> WHAT HAPPENED THURSDAY NIGHT? >> THURSDAY NIGHT WAS PARTY

>> WHAT HAPPENED THURSDAY NIGHT? >> THURSDAY NIGHT WAS PARTY NIGHT -- A DANCE.

>> THURSDAY NIGHT WAS PARTY NIGHT -- A DANCE. IT ALL STARTED WITH SUE KENNEY.

NIGHT -- A DANCE. IT ALL STARTED WITH SUE KENNEY. >> JAMES SVECK, WHAT ARE YOU IT ALL STARTED WITH SUE KENNEY. >> JAMES SVECK, WHAT ARE YOU DOING?

>> JAMES SVECK, WHAT ARE YOU DOING? >> I'M READING.

DOING? >> I'M READING. >> YOU KNOW WHAT MY TEACHER

>> I'M READING. >> YOU KNOW WHAT MY TEACHER SAYS?

>> YOU KNOW WHAT MY TEACHER SAYS? >> NOPE.

SAYS? >> NOPE. >> LEAVE. DON'T READ.

>> NOPE. >> LEAVE. DON'T READ. >> THAT'S A GREAT TEACHER.

>> LEAVE. DON'T READ. >> THAT'S A GREAT TEACHER. >> OH, COME ON!

>> THAT'S A GREAT TEACHER. >> OH, COME ON! WE'RE GONNA GO TO THE PARTY.

>> OH, COME ON! WE'RE GONNA GO TO THE PARTY. WE'RE GONNA BE DANCING, HAVING A WE'RE GONNA GO TO THE PARTY. WE'RE GONNA BE DANCING, HAVING A GOOD TIME.

WE'RE GONNA BE DANCING, HAVING A GOOD TIME. COME ON! IT'LL BE FUN!

GOOD TIME. COME ON! IT'LL BE FUN! I HEARD IT'S MANDATORY, UNLESS COME ON! IT'LL BE FUN! I HEARD IT'S MANDATORY, UNLESS YOU'RE MUSLIM OR SOMETHING.

I HEARD IT'S MANDATORY, UNLESS YOU'RE MUSLIM OR SOMETHING. >> I REALLY DON'T FEEL LIKE YOU'RE MUSLIM OR SOMETHING. >> I REALLY DON'T FEEL LIKE GOING.

>> I REALLY DON'T FEEL LIKE GOING. >> [ SIGHS ]

GOING. >> [ SIGHS ] WHERE ARE YOUR ROOMMATES?

>> [ SIGHS ] WHERE ARE YOUR ROOMMATES? >> THEY'RE NEXT DOOR, GETTING WHERE ARE YOUR ROOMMATES? >> THEY'RE NEXT DOOR, GETTING HIGH.

>> THEY'RE NEXT DOOR, GETTING HIGH. >> WELL, WE DON'T NEED DRUGS TO HIGH. >> WELL, WE DON'T NEED DRUGS TO BE HAPPY, DO WE?

>> WELL, WE DON'T NEED DRUGS TO BE HAPPY, DO WE? WE'RE HIGH ON LIFE!

BE HAPPY, DO WE? WE'RE HIGH ON LIFE! [ MID-TEMPO DANCE MUSIC PLAYS ]

WE'RE HIGH ON LIFE! [ MID-TEMPO DANCE MUSIC PLAYS ] >> THURSDAY NIGHT WAS THE WORST, [ MID-TEMPO DANCE MUSIC PLAYS ] >> THURSDAY NIGHT WAS THE WORST, THOUGH.

>> THURSDAY NIGHT WAS THE WORST, THOUGH. IT WAS REALLY AWFUL.

THOUGH. IT WAS REALLY AWFUL. AND I REALLY BEGAN TO WONDER IF IT WAS REALLY AWFUL. AND I REALLY BEGAN TO WONDER IF I WAS SOMEHOW GENETICALLY AND I REALLY BEGAN TO WONDER IF I WAS SOMEHOW GENETICALLY TWISTED.

>> YOU WANT TO COME OUTSIDE... FOR A JOINT? >> I DON'T THINK THIS KID'S FOR A JOINT? >> I DON'T THINK THIS KID'S SMOKING WITH US, MAN.

FUN WITH THE COOL KIDS, ALL RIGHT?

>> DO YOU WANT TO DANCE? >> NO. >> LATER? PROMISE?

>> NO. >> LATER? PROMISE? >> NO.

>> LATER? PROMISE? >> NO. >> I'M COMING BACK.

>> NO. >> I'M COMING BACK. >> ♪ ...I FOLLOW YOU AROUND ♪

>> I'M COMING BACK. >> ♪ ...I FOLLOW YOU AROUND ♪ ♪ I SHOW YOU HOW YOU BROUGHT ME

>> ♪ ...I FOLLOW YOU AROUND ♪ ♪ I SHOW YOU HOW YOU BROUGHT ME DOWN ♪

♪ I SHOW YOU HOW YOU BROUGHT ME DOWN ♪ ♪ SINK AND TWIST ♪ DOWN ♪ ♪ SINK AND TWIST ♪ ♪ DID YOU ALREADY KNOW? ♪

♪ SINK AND TWIST ♪ ♪ DID YOU ALREADY KNOW? ♪ ♪ WHY DON'T YOU TRY LOOKIN' DOWN

♪ DID YOU ALREADY KNOW? ♪ ♪ WHY DON'T YOU TRY LOOKIN' DOWN AT YOUR PHONE? ♪

♪ WHY DON'T YOU TRY LOOKIN' DOWN AT YOUR PHONE? ♪ >> YOU LIKE BEING ALONE?

AT YOUR PHONE? ♪ >> YOU LIKE BEING ALONE? >> YOU'RE A LOSER?

>> YOU LIKE BEING ALONE? >> YOU'RE A LOSER? >> WHAT?

>> YOU'RE A LOSER? >> WHAT? >> YOU'RE A LONER.

>> ♪ YOU'VE GOT A STRANGE WAY OF SHOWING ME HOW... ♪ >> IT'S COOL.

SHOWING ME HOW... ♪ >> IT'S COOL. SOME GIRLS LIKE LONERS.

YOU WANT TO DANCE? >> NO THANKS. >> OH, COME ON.

>> NO THANKS. >> OH, COME ON. IT'LL MAKE THE NIGHT GO BY

>> OH, COME ON. IT'LL MAKE THE NIGHT GO BY QUICKER.

IT'LL MAKE THE NIGHT GO BY QUICKER. >> ♪ GOT THAT BEAT, BEAT, BEAT, QUICKER. >> ♪ GOT THAT BEAT, BEAT, BEAT, BEAT, BEAT, BEAT ♪

>> ♪ GOT THAT BEAT, BEAT, BEAT, BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT ♪ BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT ♪ ♪ WE GOT THAT BEAT, MAKE YOU GET

♪ GOT THAT BEAT ♪ ♪ WE GOT THAT BEAT, MAKE YOU GET OUT YOUR SEATS ♪

♪ WE GOT THAT BEAT, MAKE YOU GET OUT YOUR SEATS ♪ ♪ WE GOT THAT, YEAH ♪ OUT YOUR SEATS ♪ ♪ WE GOT THAT, YEAH ♪ ♪ WE LIKE TO TAKE IT DOWN ♪

♪ WE GOT THAT, YEAH ♪ ♪ WE LIKE TO TAKE IT DOWN ♪ ♪ WE GOT THAT BEAT, GOT THAT

♪ WE LIKE TO TAKE IT DOWN ♪ ♪ WE GOT THAT BEAT, GOT THAT HOUSE, GOT THAT FUNKY SOUND ♪

♪ WE GOT THAT BEAT, GOT THAT HOUSE, GOT THAT FUNKY SOUND ♪ ♪ WE GOT THAT BEAT, BEAT, BEAT ♪ HOUSE, GOT THAT FUNKY SOUND ♪ ♪ WE GOT THAT BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT, BEAT, BEAT, ♪ WE GOT THAT BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT, BEAT, BEAT, BEAT, BEAT, BEAT ♪

♪ GOT THAT BEAT, BEAT, BEAT, BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT, BEAT, BEAT, BEAT, BEAT, BEAT ♪ ♪ GOT THAT BEAT, BEAT, BEAT, BEAT FROM THE STREETS ♪

♪ GOT THAT BEAT, BEAT, BEAT, BEAT FROM THE STREETS ♪ ♪ WE GOT THAT BEAT, MAKE YOU GET BEAT FROM THE STREETS ♪ ♪ WE GOT THAT BEAT, MAKE YOU GET OUT YOUR SEATS ♪

♪ WE GOT THAT BEAT, MAKE YOU GET OUT YOUR SEATS ♪ ♪ WE GOT THAT ♪

♪ YEAH, IT'S THE WEEKEND LIMIT ♪ ♪ RAVING GONNA GET... ♪ [ SLOW PIANO MUSIC PLAYING ]


>> [ BREATHING HEAVILY ] >> OH, SHIT. LOOK WHO FINALLY SHOWED UP, MAN!

>> OH, SHIT. LOOK WHO FINALLY SHOWED UP, MAN! >> HEY, SVECK, WHERE DO YOU LOOK WHO FINALLY SHOWED UP, MAN! >> HEY, SVECK, WHERE DO YOU THINK YOU'RE GOING?

>> HEY, SVECK, WHERE DO YOU THINK YOU'RE GOING? HEY, WE'RE ALL FRIENDS HERE.

THINK YOU'RE GOING? HEY, WE'RE ALL FRIENDS HERE. >> LOOK, IF YOU'RE -- IF YOU'RE HEY, WE'RE ALL FRIENDS HERE. >> LOOK, IF YOU'RE -- IF YOU'RE WORRIED, I'M NOT GONNA TELL

>> LOOK, IF YOU'RE -- IF YOU'RE WORRIED, I'M NOT GONNA TELL ANYONE ABOUT THE POT.

WORRIED, I'M NOT GONNA TELL ANYONE ABOUT THE POT. >> [ Echoing ] WHO SAID ANYTHING ANYONE ABOUT THE POT. >> [ Echoing ] WHO SAID ANYTHING ABOUT THE POT?

>> [ Echoing ] WHO SAID ANYTHING ABOUT THE POT? [ BOTH LAUGH ]

ABOUT THE POT? [ BOTH LAUGH ] >> I JUST NEED TO --

[ BOTH LAUGH ] >> I JUST NEED TO -- >> WHOA, WHOA, WHOA, WHOA.

>> I JUST NEED TO -- >> WHOA, WHOA, WHOA, WHOA. HEY, HEY, ARE YOU ALL RIGHT?

>> WHOA, WHOA, WHOA, WHOA. HEY, HEY, ARE YOU ALL RIGHT? YOU SEEM A LITTLE NERVOUS.

HEY, HEY, ARE YOU ALL RIGHT? YOU SEEM A LITTLE NERVOUS. ARE YOU OKAY?

YOU SEEM A LITTLE NERVOUS. ARE YOU OKAY? [ LAUGHS ]

ARE YOU OKAY? [ LAUGHS ] WHAT A FUCKING WEIRDO, MAN.

[ LAUGHS ] WHAT A FUCKING WEIRDO, MAN. LOOK AT YOU.

WHAT A FUCKING WEIRDO, MAN. LOOK AT YOU. >> HEY! DON'T!

LOOK AT YOU. >> HEY! DON'T! >> [ GRUNTS ]

>> HEY! DON'T! >> [ GRUNTS ] >> THOM, MAN.

>> [ GRUNTS ] >> THOM, MAN. >> YOU ALL RIGHT?

>> THOM, MAN. >> YOU ALL RIGHT? >> MY FREAKING BALLS, MAN.

>> YOU ALL RIGHT? >> MY FREAKING BALLS, MAN. >> [ GASPS ]

>> MY FREAKING BALLS, MAN. >> [ GASPS ] >> HEY, HE'S RUNNING.

>> [ GASPS ] >> HEY, HE'S RUNNING. >> HEY!

>> HEY, HE'S RUNNING. >> HEY! HEY, SVECK, YOU'RE GONNA HAVE TO

>> HEY! HEY, SVECK, YOU'RE GONNA HAVE TO COME BACK TO THE ROOM SOMETIME, HEY, SVECK, YOU'RE GONNA HAVE TO COME BACK TO THE ROOM SOMETIME, YOU...

COME BACK TO THE ROOM SOMETIME, YOU... >> NOW DO YOU UNDERSTAND WHY I YOU... >> NOW DO YOU UNDERSTAND WHY I DON'T WANT TO GO TO COLLEGE?

>> NOW DO YOU UNDERSTAND WHY I DON'T WANT TO GO TO COLLEGE? >> AND WHEN YOU DO, WE'RE GONNA DON'T WANT TO GO TO COLLEGE? >> AND WHEN YOU DO, WE'RE GONNA STOMP YOU!

>> AND WHEN YOU DO, WE'RE GONNA STOMP YOU! >> IT WAS JUST ONE INCIDENT, STOMP YOU! >> IT WAS JUST ONE INCIDENT, JAMES.

>> IT WAS JUST ONE INCIDENT, JAMES. YOU CAN'T DECIDE YOUR ENTIRE JAMES. YOU CAN'T DECIDE YOUR ENTIRE LIFE BASED ON ONE BAD YOU CAN'T DECIDE YOUR ENTIRE LIFE BASED ON ONE BAD EXPERIENCE, YOU KNOW.

LIFE BASED ON ONE BAD EXPERIENCE, YOU KNOW. >> THAT ONE INCIDENT WAS A EXPERIENCE, YOU KNOW. >> THAT ONE INCIDENT WAS A CULMINATION OF DOZENS OF SMALLER

>> THAT ONE INCIDENT WAS A CULMINATION OF DOZENS OF SMALLER INCIDENTS THAT HAVE OCCURRED CULMINATION OF DOZENS OF SMALLER INCIDENTS THAT HAVE OCCURRED THROUGHOUT MY WHOLE LIFE.

INCIDENTS THAT HAVE OCCURRED THROUGHOUT MY WHOLE LIFE. IT JUST MADE ME REALIZE I DON'T THROUGHOUT MY WHOLE LIFE. IT JUST MADE ME REALIZE I DON'T BELONG IN A COMMUNITY LIKE THAT.

>> DO YOU WANT TO TELL ME WHAT HAPPENED NEXT? IT'S OKAY IF YOU DON'T.

HAPPENED NEXT? IT'S OKAY IF YOU DON'T. >> I CHECKED IN TO A HOTEL.

IT'S OKAY IF YOU DON'T. >> I CHECKED IN TO A HOTEL. [ HORN HONKS ]

>> I CHECKED IN TO A HOTEL. [ HORN HONKS ] THEY ONLY HAD SUITES AVAILABLE

[ HORN HONKS ] THEY ONLY HAD SUITES AVAILABLE FOR $700.

THEY ONLY HAD SUITES AVAILABLE FOR $700. MY MOTHER GAVE ME HER CREDIT FOR $700. MY MOTHER GAVE ME HER CREDIT CARD FOR EMERGENCIES ONLY.

I FIGURED THIS QUALIFIED.

AND THEN AN AMAZING THING HAPPENED.

[ CLASSICAL MUSIC PLAYS ]

I WAS ALONE, FINALLY. BEAUTIFULLY ALONE.

WHEN I WOKE UP, I WAS STARVING. I HAD A LONG, RELAXING JACUZZI. AND I HAD A FACE MASK...

I HAD A LONG, RELAXING JACUZZI. AND I HAD A FACE MASK... SOMETHING THAT WOULD HAVE AND I HAD A FACE MASK... SOMETHING THAT WOULD HAVE DEFINITELY NOT IMPRESSED MY SOMETHING THAT WOULD HAVE DEFINITELY NOT IMPRESSED MY FATHER.

DEFINITELY NOT IMPRESSED MY FATHER. [ THUNDER RUMBLING ]

I WALKED AROUND TOWN A BIT, FOUND MYSELF AT A WAR MEMORIAL. HAVE YOU EVER BEEN TO ONE?

FOUND MYSELF AT A WAR MEMORIAL. HAVE YOU EVER BEEN TO ONE? THERE WERE SO MANY DEAD.

[ FILM PROJECTOR CLICKING ] I LIKE MUSEUMS BECAUSE THEY'RE ONE OF THE FEW PLACES LEFT IN I LIKE MUSEUMS BECAUSE THEY'RE ONE OF THE FEW PLACES LEFT IN THE WORLD WHERE NOBODY'S TRYING ONE OF THE FEW PLACES LEFT IN THE WORLD WHERE NOBODY'S TRYING TO SELL YOU ANYTHING.


THERE WAS A CHILD DRAPED ACROSS THE CANVASS.

MAYBE HE WAS SLEEPING. BUT TO ME, HE SEEMED DEAD.

[ BEEPING ] >> STAND BACK, PLEASE. DON'T TOUCH THE PAINTINGS.

>> I WANTED TO BE IN THAT PAINTING, WITH THAT CHILD, WITH ALL OF LIFE'S DANGERS AND PAINTING, WITH THAT CHILD, WITH ALL OF LIFE'S DANGERS AND TURBULENCE BEHIND ME, LIKE I WAS ALL OF LIFE'S DANGERS AND TURBULENCE BEHIND ME, LIKE I WAS BEING GUIDED AWAY FROM IT, TURBULENCE BEHIND ME, LIKE I WAS BEING GUIDED AWAY FROM IT, TOWARDS SOMETHING PEACEFUL.

[ BEEPING ]

>> YOU UNDERSTAND ENGLISH? I ASKED YOU NOT TO TOUCH IT. HEY, HEY, HEY!

I ASKED YOU NOT TO TOUCH IT. HEY, HEY, HEY! HEY!

HEY, HEY, HEY! HEY! [ SHOUTS INDISTINCTLY ]

AND THEY CALLED MY FATHER... WHO, AS IT TURNS OUT, WAS ALREADY ON HIS WAY TO D.C.

WHO, AS IT TURNS OUT, WAS ALREADY ON HIS WAY TO D.C. FOLLOWING A CALL FROM ALREADY ON HIS WAY TO D.C. FOLLOWING A CALL FROM THE AMERICAN CLASSROOM, TELLING FOLLOWING A CALL FROM THE AMERICAN CLASSROOM, TELLING MY PARENTS I WAS MISSING.

THE AMERICAN CLASSROOM, TELLING MY PARENTS I WAS MISSING. >> WHAT DID YOUR FATHER SAY?

MY PARENTS I WAS MISSING. >> WHAT DID YOUR FATHER SAY? >> AND HITTING A KID.

>> WHAT DID YOUR FATHER SAY? >> AND HITTING A KID. AND GETTING YOURSELF EXPELLED

>> AND HITTING A KID. AND GETTING YOURSELF EXPELLED FROM THE AMERICAN CLASSROOM, AND GETTING YOURSELF EXPELLED FROM THE AMERICAN CLASSROOM, IT'S -- IT'S LIKE I DON'T EVEN FROM THE AMERICAN CLASSROOM, IT'S -- IT'S LIKE I DON'T EVEN KNOW WHO YOU ARE.

IT'S -- IT'S LIKE I DON'T EVEN KNOW WHO YOU ARE. WHAT WERE YOU THINKING?

KNOW WHO YOU ARE. WHAT WERE YOU THINKING? WELL, YOU CAN'T JUST RUN AWAY WHAT WERE YOU THINKING? WELL, YOU CAN'T JUST RUN AWAY FROM THINGS YOU DON'T LIKE.

WELL, YOU CAN'T JUST RUN AWAY FROM THINGS YOU DON'T LIKE. THAT'S NOT HOW LIFE WORKS.

FROM THINGS YOU DON'T LIKE. THAT'S NOT HOW LIFE WORKS. WHAT THE HELL IS WRONG WITH YOU?

THAT'S NOT HOW LIFE WORKS. WHAT THE HELL IS WRONG WITH YOU? [ TRAIN WHISTLE BLOWS ]

>> I want to die. >> WHAT?

>> NOTHING. I'M THIRSTY. >> WOULD YOU LIKE A WATER?

>> ♪ OOH ♪ ♪ OOH-OOH-OOH ♪ ♪ OOH ♪

♪ OOH-OOH-OOH ♪ ♪ OOH ♪ ♪ OOH-OOH-OOH-OOH ♪

>> YOU WANTED TO DIE. WHY IS THAT, JAMES?

>> WHEN I WAS 13, RIGHT OUTSIDE THE BUILDING WHERE WE LIVED, THEY PUT UP A PLAQUE, THE MEMORY THE BUILDING WHERE WE LIVED, THEY PUT UP A PLAQUE, THE MEMORY OF A LITTLE BOY.

THEY PUT UP A PLAQUE, THE MEMORY OF A LITTLE BOY. HOWARD WAS HIS NAME.

OF A LITTLE BOY. HOWARD WAS HIS NAME. HE DIED SOME TRAGIC EARLY DEATH.

HOWARD WAS HIS NAME. HE DIED SOME TRAGIC EARLY DEATH. AND...

HE DIED SOME TRAGIC EARLY DEATH. AND... >> AND?

AND... >> AND? >> HE DIED AT APPROXIMATELY THE

>> AND? >> HE DIED AT APPROXIMATELY THE AGE I WAS THEN.

>> HE DIED AT APPROXIMATELY THE AGE I WAS THEN. I DON'T KNOW HOW TO EXPLAIN IT, AGE I WAS THEN. I DON'T KNOW HOW TO EXPLAIN IT, BUT I FELT VERY CLOSE TO HIM.

I DON'T KNOW HOW TO EXPLAIN IT, BUT I FELT VERY CLOSE TO HIM. LIKE IN SOME WAY, I WAS HIS BUT I FELT VERY CLOSE TO HIM. LIKE IN SOME WAY, I WAS HIS SUCCESSOR.

LIKE IN SOME WAY, I WAS HIS SUCCESSOR. I THOUGHT ABOUT THROWING MYSELF SUCCESSOR. I THOUGHT ABOUT THROWING MYSELF OFF OUR ROOF.

I THOUGHT ABOUT THROWING MYSELF OFF OUR ROOF. I'D LAND ON THE SIDEWALK.

OFF OUR ROOF. I'D LAND ON THE SIDEWALK. I'D GET MY OWN PLAQUE, RIGHT I'D LAND ON THE SIDEWALK. I'D GET MY OWN PLAQUE, RIGHT NEXT TO HOWARD'S.

>> WHY DIDN'T YOU TELL YOUR FATHER WHAT REALLY HAPPENED IN D.C., ABOUT THE PARTY NIGHT AND FATHER WHAT REALLY HAPPENED IN D.C., ABOUT THE PARTY NIGHT AND EVERYTHING ELSE?

D.C., ABOUT THE PARTY NIGHT AND EVERYTHING ELSE? >> I WAS EMBARRASSED.

EVERYTHING ELSE? >> I WAS EMBARRASSED. >> ABOUT WHAT?

>> I WAS EMBARRASSED. >> ABOUT WHAT? >> ABOUT DISAPPOINTING HIM, I

>> ABOUT WHAT? >> ABOUT DISAPPOINTING HIM, I GUESS.

>> ABOUT DISAPPOINTING HIM, I GUESS. HE'S ALWAYS WANTED TO THINK OF GUESS. HE'S ALWAYS WANTED TO THINK OF ME LIKE HE THINKS OF HIMSELF --

HE'S ALWAYS WANTED TO THINK OF ME LIKE HE THINKS OF HIMSELF -- ALL-AMERICAN.

ME LIKE HE THINKS OF HIMSELF -- ALL-AMERICAN. I'VE NEVER THOUGHT OF MYSELF ALL-AMERICAN. I'VE NEVER THOUGHT OF MYSELF THAT WAY.

I'VE NEVER THOUGHT OF MYSELF THAT WAY. IT'S VERY CONFUSING.

THAT WAY. IT'S VERY CONFUSING. >> IT'S -- IT'S OKAY TO BE IT'S VERY CONFUSING. >> IT'S -- IT'S OKAY TO BE CONFUSED.

>> IT'S -- IT'S OKAY TO BE CONFUSED. I MEAN, GOD, IF YOU ONLY KNEW CONFUSED. I MEAN, GOD, IF YOU ONLY KNEW HOW CONFUSING MY LIFE WAS.

>> REALLY? >> YEAH. >> ♪ I DON'T KN-O-O-O-OW ♪

>> YEAH. >> ♪ I DON'T KN-O-O-O-OW ♪ ♪ I HEARD MY TIME IS GOING BY ♪

>> ♪ I DON'T KN-O-O-O-OW ♪ ♪ I HEARD MY TIME IS GOING BY ♪ ♪ DON'T KNOW WHAT I'M GONNA

♪ I HEARD MY TIME IS GOING BY ♪ ♪ DON'T KNOW WHAT I'M GONNA LEAVE ♪

♪ DON'T KNOW WHAT I'M GONNA LEAVE ♪ ♪ THEY SAID I-I-I-IT ♪ LEAVE ♪ ♪ THEY SAID I-I-I-IT ♪ ♪ WOULD ALL BE OVER SOON ♪

♪ THEY SAID I-I-I-IT ♪ ♪ WOULD ALL BE OVER SOON ♪ ♪ I DIDN'T KNOW HOW FAST SOON

♪ WOULD ALL BE OVER SOON ♪ ♪ I DIDN'T KNOW HOW FAST SOON WOULD COME ♪

>> [ BREATHING HEAVILY ] >> JAMES, SLOW DOWN.

WE HAVE MORE TIME. [ SIGHS ] DO YOU WANT TO KNOW WHAT I THINK

[ SIGHS ] DO YOU WANT TO KNOW WHAT I THINK ABOUT YOU?

DO YOU WANT TO KNOW WHAT I THINK ABOUT YOU? >> GO ON. UH...

ABOUT YOU? >> GO ON. UH... SOCIOPATHIC?

>> GO ON. UH... SOCIOPATHIC? MALADJUSTED?

SOCIOPATHIC? MALADJUSTED? MANIC?

MALADJUSTED? MANIC? >> NO, I DON'T THINK THERE'S MANIC? >> NO, I DON'T THINK THERE'S ANYTHING REALLY WRONG WITH YOU.

>> NO, I DON'T THINK THERE'S ANYTHING REALLY WRONG WITH YOU. >> YOU DON'T?

ANYTHING REALLY WRONG WITH YOU. >> YOU DON'T? >> NO, I THINK YOU HAVE A LOT OF

>> YOU DON'T? >> NO, I THINK YOU HAVE A LOT OF UNRESOLVED PROBLEMS, LIKE THIS

>> NO, I THINK YOU HAVE A LOT OF UNRESOLVED PROBLEMS, LIKE THIS ISSUE WITH JOHN.

UNRESOLVED PROBLEMS, LIKE THIS ISSUE WITH JOHN. BUT EVERYONE HAS PROBLEMS, AND ISSUE WITH JOHN. BUT EVERYONE HAS PROBLEMS, AND YOU'RE GONNA WORK IT OUT.

BUT EVERYONE HAS PROBLEMS, AND YOU'RE GONNA WORK IT OUT. YOU'RE GONNA BE FINE.

YOU'RE GONNA WORK IT OUT. YOU'RE GONNA BE FINE. I THINK YOU'RE A VERY CLEVER YOU'RE GONNA BE FINE. I THINK YOU'RE A VERY CLEVER YOUNG MAN.

I THINK YOU'RE A VERY CLEVER YOUNG MAN. VERY DEEP AND VERY FEELING.

YOUNG MAN. VERY DEEP AND VERY FEELING. >> YOU THINK SO?

VERY DEEP AND VERY FEELING. >> YOU THINK SO? >> I DO.

>> YOU THINK SO? >> I DO. [ CHUCKLES ]

[ LIGHT JAZZ PLAYING ] >> YOU WON'T REMEMBER THIS, BUT YOUR SECOND-GRADE TEACHER SAID

>> YOU WON'T REMEMBER THIS, BUT YOUR SECOND-GRADE TEACHER SAID ALMOST THE SAME THING ABOUT YOU.

YOUR SECOND-GRADE TEACHER SAID ALMOST THE SAME THING ABOUT YOU. "JAMES IS VERY DEEP AND VERY ALMOST THE SAME THING ABOUT YOU. "JAMES IS VERY DEEP AND VERY FEELING."

I WANTED TO SHOW YOU SOMETHING. COME HERE. >> WOW.

COME HERE. >> WOW. >> YOU RECOGNIZE ME?

>> WOW. >> YOU RECOGNIZE ME? >> YEAH. OF COURSE.

>> YOU RECOGNIZE ME? >> YEAH. OF COURSE. I SEE YOU.

>> YEAH. OF COURSE. I SEE YOU. THE MOST ALIVE PICTURE I'VE EVER I SEE YOU. THE MOST ALIVE PICTURE I'VE EVER SEEN.

THE MOST ALIVE PICTURE I'VE EVER SEEN. >> IT'S WHEN I WAS DANCING WITH SEEN. >> IT'S WHEN I WAS DANCING WITH MARTHA GRAHAM.

>> IT'S WHEN I WAS DANCING WITH MARTHA GRAHAM. >> LOOK. YOU'VE GOT DARK HAIR.

MARTHA GRAHAM. >> LOOK. YOU'VE GOT DARK HAIR. >> YEAH.

>> LOOK. YOU'VE GOT DARK HAIR. >> YEAH. I DID HAVE DARK HAIR THEN.

>> YEAH. I DID HAVE DARK HAIR THEN. >> I THINK THAT WHEN YOU GET TO I DID HAVE DARK HAIR THEN. >> I THINK THAT WHEN YOU GET TO THE END OF YOUR LIFE, YOU HAVE

>> I THINK THAT WHEN YOU GET TO THE END OF YOUR LIFE, YOU HAVE TO ASK YOURSELF ONLY TWO THE END OF YOUR LIFE, YOU HAVE TO ASK YOURSELF ONLY TWO QUESTIONS.

TO ASK YOURSELF ONLY TWO QUESTIONS. DID I LIVE FULLY?

QUESTIONS. DID I LIVE FULLY? AND DID I LOVE WELL?

DID I LIVE FULLY? AND DID I LOVE WELL? AND IF YOU CAN SAY "YES" TO AND DID I LOVE WELL? AND IF YOU CAN SAY "YES" TO THOSE TWO THINGS, THEN YOU'RE AND IF YOU CAN SAY "YES" TO THOSE TWO THINGS, THEN YOU'RE HOME-FREE.

THOSE TWO THINGS, THEN YOU'RE HOME-FREE. >> WELL, TO BEING ALIVE.

HOME-FREE. >> WELL, TO BEING ALIVE. >> [ CHUCKLES ]

>> WELL, TO BEING ALIVE. >> [ CHUCKLES ] TO BEING ALIVE INDEED.

>> [ CHUCKLES ] TO BEING ALIVE INDEED. >> NANETTE, CAN I ASK YOU TO BEING ALIVE INDEED. >> NANETTE, CAN I ASK YOU SOMETHING?

>> NANETTE, CAN I ASK YOU SOMETHING? >> ANYTHING YOU WANT, HONEY.

SOMETHING? >> ANYTHING YOU WANT, HONEY. >> WERE YOU AND MY MOTHER EVER

>> ANYTHING YOU WANT, HONEY. >> WERE YOU AND MY MOTHER EVER CLOSE?

>> WERE YOU AND MY MOTHER EVER CLOSE? >> OH.

CLOSE? >> OH. YES.

>> OH. YES. TOO CLOSE, I'D SAY.

YES. TOO CLOSE, I'D SAY. [ CHUCKLES ]

TOO CLOSE, I'D SAY. [ CHUCKLES ] >> DO YOU THINK THAT YOU'LL EVER

[ CHUCKLES ] >> DO YOU THINK THAT YOU'LL EVER TALK TO HER AGAIN?

>> DO YOU THINK THAT YOU'LL EVER TALK TO HER AGAIN? >> OH, OF COURSE WE'LL TALK.

TALK TO HER AGAIN? >> OH, OF COURSE WE'LL TALK. YOU KNOW, JUST...

>> OH, OF COURSE WE'LL TALK. YOU KNOW, JUST... SOON AS SHE FIGURES OUT WHO SHE YOU KNOW, JUST... SOON AS SHE FIGURES OUT WHO SHE REALLY IS.

SOON AS SHE FIGURES OUT WHO SHE REALLY IS. BESIDES JUST BEING MY DAUGHTER.

REALLY IS. BESIDES JUST BEING MY DAUGHTER. [ SLOW JAZZ PLAYS ]

BESIDES JUST BEING MY DAUGHTER. [ SLOW JAZZ PLAYS ] LISTEN. OH.

[ SLOW JAZZ PLAYS ] LISTEN. OH. CHESTER AND I USED TO LOVE TO LISTEN. OH. CHESTER AND I USED TO LOVE TO DANCE TO THAT.

CHESTER AND I USED TO LOVE TO DANCE TO THAT. >> WOULD YOU LIKE TO DANCE NOW?

DANCE TO THAT. >> WOULD YOU LIKE TO DANCE NOW? >> WITH YOU?

>> WOULD YOU LIKE TO DANCE NOW? >> WITH YOU? >> YEAH.

>> WITH YOU? >> YEAH. >> DO YOU KNOW HOW TO DANCE?

>> YEAH. >> DO YOU KNOW HOW TO DANCE? >> NOPE.

>> DO YOU KNOW HOW TO DANCE? >> NOPE. >> WELL, THEN...

>> NOPE. >> WELL, THEN... OKAY.

>> WELL, THEN... OKAY. NOW, START WITH YOUR RIGHT FOOT OKAY. NOW, START WITH YOUR RIGHT FOOT AND COME TOWARD ME.

NOW, START WITH YOUR RIGHT FOOT AND COME TOWARD ME. THAT'S IT!

AND COME TOWARD ME. THAT'S IT! IT'S EASY, RIGHT?

THAT'S IT! IT'S EASY, RIGHT? [ CHUCKLES ]

IT'S EASY, RIGHT? [ CHUCKLES ] [ DOG WHIMPERS ]

>> [ SIGHS ]

>> WHAT ARE YOU DOING HERE, JAMES? >> I CAME HERE TO TELL YOU...

JAMES? >> I CAME HERE TO TELL YOU... YOU WERE RIGHT.

>> I CAME HERE TO TELL YOU... YOU WERE RIGHT. I WAS AN ASSHOLE TO DO WHAT I YOU WERE RIGHT. I WAS AN ASSHOLE TO DO WHAT I DID.

I WAS AN ASSHOLE TO DO WHAT I DID. AND I'VE BEEN THINKING ABOUT IT DID. AND I'VE BEEN THINKING ABOUT IT A LOT.

AND I'VE BEEN THINKING ABOUT IT A LOT. THE NIGHT OF THE PARTY, I NEVER A LOT. THE NIGHT OF THE PARTY, I NEVER GOT TO EXPLAIN.

THE NIGHT OF THE PARTY, I NEVER GOT TO EXPLAIN. >> THERE'S NOTHING TO EXPLAIN.

GOT TO EXPLAIN. >> THERE'S NOTHING TO EXPLAIN. >> YES, THERE IS.

>> THERE'S NOTHING TO EXPLAIN. >> YES, THERE IS. I THINK I ACTED THAT WAY TO...

>> YES, THERE IS. I THINK I ACTED THAT WAY TO... TO TRY AND IMPRESS YOU.

I THINK I ACTED THAT WAY TO... TO TRY AND IMPRESS YOU. >> WELL, YOU DID MAKE AN TO TRY AND IMPRESS YOU. >> WELL, YOU DID MAKE AN IMPRESSION.

>> I WANTED TO BE SOMEONE THAT MAYBE... MAYBE YOU LIKED.

MAYBE... MAYBE YOU LIKED. LIKE A -- LIKE A DIFFERENT MAYBE YOU LIKED. LIKE A -- LIKE A DIFFERENT PERSON.

LIKE A -- LIKE A DIFFERENT PERSON. >> BUT YOU'RE NOT A DIFFERENT PERSON. >> BUT YOU'RE NOT A DIFFERENT PERSON, JAMES.

>> BUT YOU'RE NOT A DIFFERENT PERSON, JAMES. YOU'RE YOU.

>> MAYBE I DON'T LIKE WHO I AM. I GUESS I WANT TO BE SOMEBODY ELSE.

I GUESS I WANT TO BE SOMEBODY ELSE. >> THEN GROW UP AND BECOME ELSE. >> THEN GROW UP AND BECOME SOMEONE ELSE!

[ DOOR OPENS ] [ DOOR CLOSES ] [ DOG WHINES ]

SIT DOWN.

YOU LOOK THIRSTY.

JAMES, IT'S ALL RIGHT WITH ME IF YOU COME BACK. >> I WAS FIRED.

YOU COME BACK. >> I WAS FIRED. >> I'M ON VERY GOOD TERMS WITH

>> I WAS FIRED. >> I'M ON VERY GOOD TERMS WITH YOUR BOSS.

>> I'M ON VERY GOOD TERMS WITH YOUR BOSS. I THINK I CAN GET YOU REHIRED.

>> THANKS. LOOKS LIKE SOMEONE ELSE HERE IS THIRSTY.

LOOKS LIKE SOMEONE ELSE HERE IS THIRSTY. [ DOG BARKS ]

>> JAMES! WHAT ARE YOU AND MIRO DOING HERE?

WHAT ARE YOU AND MIRO DOING HERE? >> UH, WE JUST HAD SOME BUSINESS HERE? >> UH, WE JUST HAD SOME BUSINESS TO TAKE CARE OF.

>> UH, WE JUST HAD SOME BUSINESS TO TAKE CARE OF. >> BUSINESS?

TO TAKE CARE OF. >> BUSINESS? WHAT KIND OF BUSINESS?

>> BUSINESS? WHAT KIND OF BUSINESS? >> PERSONAL BUSINESS.

WHAT KIND OF BUSINESS? >> PERSONAL BUSINESS. >> AH.

>> PERSONAL BUSINESS. >> AH. THIS IS OLIVIA.

>> AH. THIS IS OLIVIA. OLIVIA, THIS IS MY SON, JAMES.

THIS IS OLIVIA. OLIVIA, THIS IS MY SON, JAMES. >> HI, JAMES.

OLIVIA, THIS IS MY SON, JAMES. >> HI, JAMES. >> HI, OLIVIA.

>> HI, JAMES. >> HI, OLIVIA. HEY, WEREN'T YOU ON THE

>> HI, OLIVIA. HEY, WEREN'T YOU ON THE WASHINGTON-NEW YORK TRAIN A HEY, WEREN'T YOU ON THE WASHINGTON-NEW YORK TRAIN A COUPLE OF MONTHS AGO?

WASHINGTON-NEW YORK TRAIN A COUPLE OF MONTHS AGO? >> YEAH, I WAS.

COUPLE OF MONTHS AGO? >> YEAH, I WAS. >> WELL...

>> YEAH, I WAS. >> WELL... [ CHUCKLES ]

>> WELL... [ CHUCKLES ] HEY, YOUR EYES LOOK GREAT.

>> WHAT HAPPENED TO YOUR EYES? >> NOTHING. THEY'RE FINE. THANK YOU.

>> NOTHING. THEY'RE FINE. THANK YOU. WE'RE JUST GOING OUT TO THE THEY'RE FINE. THANK YOU. WE'RE JUST GOING OUT TO THE HOUSE.

WE'RE JUST GOING OUT TO THE HOUSE. YOU WANT TO COME WITH US?

HOUSE. YOU WANT TO COME WITH US? >> WELL, IT DOESN'T LOOK LIKE YOU WANT TO COME WITH US? >> WELL, IT DOESN'T LOOK LIKE THERE'S ROOM FOR ME AND MIRO IN

>> WELL, IT DOESN'T LOOK LIKE THERE'S ROOM FOR ME AND MIRO IN THE CAR.

THERE'S ROOM FOR ME AND MIRO IN THE CAR. HAVE A NICE WEEKEND.

THE CAR. HAVE A NICE WEEKEND. IT WAS NICE MEETING YOU, OLIVIA.

HAVE A NICE WEEKEND. IT WAS NICE MEETING YOU, OLIVIA. >> NICE TO MEET YOU, TOO, JAMES.

IT WAS NICE MEETING YOU, OLIVIA. >> NICE TO MEET YOU, TOO, JAMES. >> TAKE CARE OF YOURSELF.

>> NICE TO MEET YOU, TOO, JAMES. >> TAKE CARE OF YOURSELF. GOOD TO SEE YOU, SON.

>> TAKE CARE OF YOURSELF. GOOD TO SEE YOU, SON. >> BYE, DAD.

GOOD TO SEE YOU, SON. >> BYE, DAD. >> HAVE FUN, HUH.

>> BYE, DAD. >> HAVE FUN, HUH. >> YOU TOO.

>> HAVE FUN, HUH. >> YOU TOO. >> BYE. BYE, MIRO!

>> YOU TOO. >> BYE. BYE, MIRO! [ DOG BARKS ]

>> BYE. BYE, MIRO! [ DOG BARKS ] [ KNOCK ON DOOR ]

[ DOG BARKS ] [ KNOCK ON DOOR ] >> COME IN.

[ KNOCK ON DOOR ] >> COME IN. >> GUESS WHAT.

>> COME IN. >> GUESS WHAT. WE SOLD THREE GARBAGE CANS

>> GUESS WHAT. WE SOLD THREE GARBAGE CANS TODAY.

WE SOLD THREE GARBAGE CANS TODAY. >> THAT'S GREAT, MOM.

TODAY. >> THAT'S GREAT, MOM. >> IT WAS TO THE GERMANS THAT

>> THAT'S GREAT, MOM. >> IT WAS TO THE GERMANS THAT YOU SPOKE TO, SO YOU ARE PARTLY

>> IT WAS TO THE GERMANS THAT YOU SPOKE TO, SO YOU ARE PARTLY RESPONSIBLE.

YOU SPOKE TO, SO YOU ARE PARTLY RESPONSIBLE. AND I'M INVITING JOHN OUT TO RESPONSIBLE. AND I'M INVITING JOHN OUT TO DINNER TONIGHT TO CELEBRATE.

AND I'M INVITING JOHN OUT TO DINNER TONIGHT TO CELEBRATE. WHY DON'T YOU COME WITH US?

DINNER TONIGHT TO CELEBRATE. WHY DON'T YOU COME WITH US? >> ACTUALLY, I'M GOING TO SEE WHY DON'T YOU COME WITH US? >> ACTUALLY, I'M GOING TO SEE "LONG DAY'S JOURNEY INTO NIGHT"

>> ACTUALLY, I'M GOING TO SEE "LONG DAY'S JOURNEY INTO NIGHT" WITH NANETTE FOR MY BIRTHDAY.

"LONG DAY'S JOURNEY INTO NIGHT" WITH NANETTE FOR MY BIRTHDAY. >> YOUR BIRTHDAY'S NOT TILL WITH NANETTE FOR MY BIRTHDAY. >> YOUR BIRTHDAY'S NOT TILL OCTOBER.

>> YOUR BIRTHDAY'S NOT TILL OCTOBER. >> BUT THE PLAY CLOSES THIS OCTOBER. >> BUT THE PLAY CLOSES THIS MONTH.

>> BUT THE PLAY CLOSES THIS MONTH. >> FOUR HOURS OF TRAGEDY FOR A MONTH. >> FOUR HOURS OF TRAGEDY FOR A BIRTHDAY PRESENT?

>> FOUR HOURS OF TRAGEDY FOR A BIRTHDAY PRESENT? >> I PICKED THE PLAY.

BIRTHDAY PRESENT? >> I PICKED THE PLAY. >> AH.

[ THUNDER RUMBLES ] >> LOOKS LIKE MR. ROGERS IS IN THE NEIGHBORHOOD.

>> LOOKS LIKE MR. ROGERS IS IN THE NEIGHBORHOOD. >> MM.

[ THUNDER CRASHES ]

WHAT SHOULD I DO? [ THUNDER RUMBLES ]

>> I HATE IT WHEN PEOPLE SAY THAT. MOST OF THE TIME, THEY KNOW THAT. MOST OF THE TIME, THEY KNOW EXACTLY WHAT TO DO.

MOST OF THE TIME, THEY KNOW EXACTLY WHAT TO DO. ASK YOURSELF WHAT YOU REALLY EXACTLY WHAT TO DO. ASK YOURSELF WHAT YOU REALLY WANT.

HE SAYS HE'S GOING TO GAMBLERS ANONYMOUS.

[ HORN BLARES ]

CAN I MAKE A CALL?

[ SIGHS ]

NANETTE?! NANETTE? NANETTE, WHERE ARE YOU?

NANETTE?

[ DOG WHINES ] NANETTE?


>> MY DEAREST JAMES, BE PATIENT AND TOUGH. SOMEDAY THIS PAIN WILL BE USEFUL AND TOUGH. SOMEDAY THIS PAIN WILL BE USEFUL TO YOU.

>> OH, JAMES. MM. AND JILLIAN.

MM. AND JILLIAN. OH, GILLIAN.

AND JILLIAN. OH, GILLIAN. >> NO, NO, IT'S "JILLIAN" AGAIN.

OH, GILLIAN. >> NO, NO, IT'S "JILLIAN" AGAIN. >> WELL, IT WAS GILLIAN LAST

>> NO, NO, IT'S "JILLIAN" AGAIN. >> WELL, IT WAS GILLIAN LAST WEEK.

>> WELL, IT WAS GILLIAN LAST WEEK. >> YEAH, BUT THEN HEINRICH LEFT.

>> JAMES, SHE'S NOT REALLY GOING TO BE SITTING ON THE TABLE, IS SHE?

TO BE SITTING ON THE TABLE, IS SHE? >> WELL...

SHE? >> WELL... >> THAT'S WHAT I TRIED TO SAY.

>> WELL... >> THAT'S WHAT I TRIED TO SAY. I MEAN, IF THEY SEE THAT, >> THAT'S WHAT I TRIED TO SAY. I MEAN, IF THEY SEE THAT, THEY'RE GONNA KICK US OUT.

I MEAN, IF THEY SEE THAT, THEY'RE GONNA KICK US OUT. >> RELAX.

THEY'RE GONNA KICK US OUT. >> RELAX. AS LONG AS WE PAY THE BILL, THEY

>> RELAX. AS LONG AS WE PAY THE BILL, THEY WON'T MIND.

AS LONG AS WE PAY THE BILL, THEY WON'T MIND. BESIDES, THIS IS THE PERFECT WAY WON'T MIND. BESIDES, THIS IS THE PERFECT WAY TO SAY GOODBYE TO NANETTE.

BESIDES, THIS IS THE PERFECT WAY TO SAY GOODBYE TO NANETTE. IT WAS HER FAVORITE PLACE, AND TO SAY GOODBYE TO NANETTE. IT WAS HER FAVORITE PLACE, AND A FUNERAL WOULD HAVE FELT NOT IT WAS HER FAVORITE PLACE, AND A FUNERAL WOULD HAVE FELT NOT RIGHT.

A FUNERAL WOULD HAVE FELT NOT RIGHT. >> THAT'S TRUE.

RIGHT. >> THAT'S TRUE. I, FOR ONE, WANT A GREAT, BIG, >> THAT'S TRUE. I, FOR ONE, WANT A GREAT, BIG, HUGE FUNERAL, WITH A BLACK I, FOR ONE, WANT A GREAT, BIG, HUGE FUNERAL, WITH A BLACK CASKET AND, UH -- MAT, NOT HUGE FUNERAL, WITH A BLACK CASKET AND, UH -- MAT, NOT GLOSSY.

CASKET AND, UH -- MAT, NOT GLOSSY. GLOSSY'S SO TACKY.

GLOSSY. GLOSSY'S SO TACKY. AND DON'T BE SKIMPY ON THE GLOSSY'S SO TACKY. AND DON'T BE SKIMPY ON THE CHAMPAGNE AND THE LIMOS AND AND DON'T BE SKIMPY ON THE CHAMPAGNE AND THE LIMOS AND AND THE FLOWERS.

CHAMPAGNE AND THE LIMOS AND AND THE FLOWERS. >> MM. THAT SOUNDS LIKE FUN.

AND THE FLOWERS. >> MM. THAT SOUNDS LIKE FUN. I CAN'T WAIT.

>> MM. THAT SOUNDS LIKE FUN. I CAN'T WAIT. >> [ CHUCKLES ]

I CAN'T WAIT. >> [ CHUCKLES ] ONE DAY, YOU'LL REGRET ALL THE

>> [ CHUCKLES ] ONE DAY, YOU'LL REGRET ALL THE MEANS THINGS YOU'VE EVER SAID TO ONE DAY, YOU'LL REGRET ALL THE MEANS THINGS YOU'VE EVER SAID TO ME.

MEANS THINGS YOU'VE EVER SAID TO ME. >> YEAH, PROBABLY AT THE ME. >> YEAH, PROBABLY AT THE AFOREMENTIONED FUNERAL.

>> YEAH, PROBABLY AT THE AFOREMENTIONED FUNERAL. THANK YOU.

>> THANK YOU. >> AND WHO GETS THIS? >> OH, THAT'S FOR OUR

>> AND WHO GETS THIS? >> OH, THAT'S FOR OUR GRANDMOTHER.

>> OH, THAT'S FOR OUR GRANDMOTHER. >> UNFORTUNATELY, SHE, UH, WON'T GRANDMOTHER. >> UNFORTUNATELY, SHE, UH, WON'T BE WITH US TONIGHT.

>> UNFORTUNATELY, SHE, UH, WON'T BE WITH US TONIGHT. >> BUT SHE'S WITH US IN SPIRIT.

BE WITH US TONIGHT. >> BUT SHE'S WITH US IN SPIRIT. >> AH. OKAY.

>> BUT SHE'S WITH US IN SPIRIT. >> AH. OKAY. WHATEVER YOU SAY.

>> AH. OKAY. WHATEVER YOU SAY. >> DOMO ARIGATO.

TO NANETTE. I WISH I COULD HAVE... TALKED TO YOU MORE WHEN I HAD I WISH I COULD HAVE... TALKED TO YOU MORE WHEN I HAD THE CHANCE TO.

TALKED TO YOU MORE WHEN I HAD THE CHANCE TO. >> MOM?

THE CHANCE TO. >> MOM? THE PAST DOES NOT CONTROL THE

>> MOM? THE PAST DOES NOT CONTROL THE FUTURE.

THE PAST DOES NOT CONTROL THE FUTURE. >> YOU'RE RIGHT.

FUTURE. >> YOU'RE RIGHT. BUT YOU FORGOT THE "MMMM."

>> YOU'RE RIGHT. BUT YOU FORGOT THE "MMMM." [ CHUCKLES ]

>> SHE WOULD HAVE LIKED TO SEE YOU SMILE. SO, TO NANETTE.

YOU SMILE. SO, TO NANETTE. AND TO LIFE.

SO, TO NANETTE. AND TO LIFE. >> NANETTE.

AND TO LIFE. >> NANETTE. [ GLASSES CLINKING ]

>> NANETTE. [ GLASSES CLINKING ] NANETTE AND TO LIFE.

[ DOG WHINES ] >> NOW, I KNOW YOU'RE JEALOUS, BUT THIS DOG HAS ENTERED YOUR

>> NOW, I KNOW YOU'RE JEALOUS, BUT THIS DOG HAS ENTERED YOUR LIFE, AND YOU'RE GONNA HAVE TO BUT THIS DOG HAS ENTERED YOUR LIFE, AND YOU'RE GONNA HAVE TO DEAL WITH IT.

LIFE, AND YOU'RE GONNA HAVE TO DEAL WITH IT. [ DOG WHIMPERS ]

>> YOU KNOW HOW YOUR SISTER ONCE SAID THAT YOU DON'T KNOW ANYTHING ABOUT LOVE?

SAID THAT YOU DON'T KNOW ANYTHING ABOUT LOVE? WELL, I THINK SHE'S WRONG.

ANYTHING ABOUT LOVE? WELL, I THINK SHE'S WRONG. [ CHUCKLES ]


>> MY GRANDMOTHER LEFT EVERYTHING IN HER HOUSE TO ME. EVERY LAST THING.

EVERYTHING IN HER HOUSE TO ME. EVERY LAST THING. MY PARENTS WANT ME TO SELL IT TO EVERY LAST THING. MY PARENTS WANT ME TO SELL IT TO AN ESTATE LIQUIDATOR, SOMEONE MY PARENTS WANT ME TO SELL IT TO AN ESTATE LIQUIDATOR, SOMEONE WHO BUYS EVERYTHING AND THEN AN ESTATE LIQUIDATOR, SOMEONE WHO BUYS EVERYTHING AND THEN LIQUIDATES IT.

WHO BUYS EVERYTHING AND THEN LIQUIDATES IT. THAT'S THE WORD THEY USED --

LIQUIDATES IT. THAT'S THE WORD THEY USED -- "LIQUIDATE."

THAT'S THE WORD THEY USED -- "LIQUIDATE." I REFUSED.

"LIQUIDATE." I REFUSED. I'M PAYING TO HAVE EVERYTHING I REFUSED. I'M PAYING TO HAVE EVERYTHING STORED IN A CLIMATE-CONTROLLED I'M PAYING TO HAVE EVERYTHING STORED IN A CLIMATE-CONTROLLED WAREHOUSE.

STORED IN A CLIMATE-CONTROLLED WAREHOUSE. MY PARENTS THINK I'M CRAZY.

WAREHOUSE. MY PARENTS THINK I'M CRAZY. "BE REASONABLE," THEY SAY.

MY PARENTS THINK I'M CRAZY. "BE REASONABLE," THEY SAY. "GET RID OF THE JUNK.

"BE REASONABLE," THEY SAY. "GET RID OF THE JUNK. LIQUIDATE IT."

"GET RID OF THE JUNK. LIQUIDATE IT." BUT IF I'M CRAZY, WHAT THE HELL LIQUIDATE IT." BUT IF I'M CRAZY, WHAT THE HELL IS EVERYONE ELSE?

>> ♪ AND SO THE DAY HAS FINALLY COME ♪ ♪ WITH MY PAST, I'VE DRAWN THE COME ♪ ♪ WITH MY PAST, I'VE DRAWN THE SUN ♪

♪ WITH MY PAST, I'VE DRAWN THE SUN ♪ ♪ AND I'M GLAD I'M MOVING ON ♪ SUN ♪ ♪ AND I'M GLAD I'M MOVING ON ♪ ♪ I'M LOST IN UNRETURNING TIME ♪

♪ AND I'M GLAD I'M MOVING ON ♪ ♪ I'M LOST IN UNRETURNING TIME ♪ ♪ LET THE WINTER CHILL MY

♪ I'M LOST IN UNRETURNING TIME ♪ ♪ LET THE WINTER CHILL MY PRIME ♪

♪ LET THE WINTER CHILL MY PRIME ♪ ♪ BUT I'M DONE, I'M MOVING ON ♪ PRIME ♪ ♪ BUT I'M DONE, I'M MOVING ON ♪ ♪ LOOKING BACK CAN HELP YOU

♪ BUT I'M DONE, I'M MOVING ON ♪ ♪ LOOKING BACK CAN HELP YOU THROUGH ♪

♪ LOOKING BACK CAN HELP YOU THROUGH ♪ ♪ BUT I WONDER IF THAT'S TRUE ♪ THROUGH ♪ ♪ BUT I WONDER IF THAT'S TRUE ♪ ♪ I DON'T WANNA HAVE TO TAKE

♪ BUT I WONDER IF THAT'S TRUE ♪ ♪ I DON'T WANNA HAVE TO TAKE I-I-IT ♪

♪ I DON'T WANNA HAVE TO TAKE I-I-IT ♪ ♪ OR MAYBE SORROW IS MY GAIN ♪ I-I-IT ♪ ♪ OR MAYBE SORROW IS MY GAIN ♪ ♪ AND I'M LEARNING FROM THE

♪ OR MAYBE SORROW IS MY GAIN ♪ ♪ AND I'M LEARNING FROM THE PAIN ♪

♪ AND I'M LEARNING FROM THE PAIN ♪ ♪ BUT I'M READY TO MOVE ON ♪ PAIN ♪ ♪ BUT I'M READY TO MOVE ON ♪ ♪ 'CAUSE THE MOMENT'S HIGH ♪

♪ BUT I'M READY TO MOVE ON ♪ ♪ 'CAUSE THE MOMENT'S HIGH ♪ ♪ MY TEARS HAVE DRIED ♪

♪ 'CAUSE THE MOMENT'S HIGH ♪ ♪ MY TEARS HAVE DRIED ♪ ♪ I FEEL ♪

♪ MY TEARS HAVE DRIED ♪ ♪ I FEEL ♪ ♪ I CLAD MYSELF IN FLAME AND

♪ I FEEL ♪ ♪ I CLAD MYSELF IN FLAME AND STEEL ♪

♪ I CLAD MYSELF IN FLAME AND STEEL ♪ ♪ YEAH ♪ STEEL ♪ ♪ YEAH ♪ ♪ YOU'LL BE INVITED ♪

♪ YEAH ♪ ♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR

♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪

♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪ ♪ YEAH, YEAH, YEAH ♪ HAND, LOVE IS REQUITED ♪ ♪ YEAH, YEAH, YEAH ♪ ♪ YOU'LL BE INVITED ♪

♪ YEAH, YEAH, YEAH ♪ ♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR

♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪

♪ YEAH ♪ ♪ LOST IN UNRETURNING TIME ♪ ♪ LET THE WINTER CHILL MY

♪ LOST IN UNRETURNING TIME ♪ ♪ LET THE WINTER CHILL MY PRIME ♪

♪ LET THE WINTER CHILL MY PRIME ♪ ♪ BUT I'M DONE, I'M MOVING ON ♪ PRIME ♪ ♪ BUT I'M DONE, I'M MOVING ON ♪ ♪ OH, LOOKING BACK CAN HELP YOU

♪ BUT I'M DONE, I'M MOVING ON ♪ ♪ OH, LOOKING BACK CAN HELP YOU THROUGH ♪

♪ OH, LOOKING BACK CAN HELP YOU THROUGH ♪ ♪ BUT I WONDER IF THAT'S TRUE ♪ THROUGH ♪ ♪ BUT I WONDER IF THAT'S TRUE ♪ ♪ AND I DON'T WANNA HAVE TO

♪ BUT I WONDER IF THAT'S TRUE ♪ ♪ AND I DON'T WANNA HAVE TO TAKE IT ♪

♪ AND I DON'T WANNA HAVE TO TAKE IT ♪ ♪ OH, AND MAYBE SORROW IS MY TAKE IT ♪ ♪ OH, AND MAYBE SORROW IS MY GAIN ♪

♪ OH, AND MAYBE SORROW IS MY GAIN ♪ ♪ AND I'M LEARNING FROM THE GAIN ♪ ♪ AND I'M LEARNING FROM THE PAIN ♪

♪ AND I'M LEARNING FROM THE PAIN ♪ ♪ BUT I'M READY TO MOVE ON ♪ PAIN ♪ ♪ BUT I'M READY TO MOVE ON ♪ ♪ 'CAUSE THE MOMENT'S HIGH ♪

♪ BUT I'M READY TO MOVE ON ♪ ♪ 'CAUSE THE MOMENT'S HIGH ♪ ♪ AND MY TEARS HAVE DRIED ♪

♪ 'CAUSE THE MOMENT'S HIGH ♪ ♪ AND MY TEARS HAVE DRIED ♪ ♪ AND I FEEL ♪

♪ AND MY TEARS HAVE DRIED ♪ ♪ AND I FEEL ♪ ♪ SHOW MYSELF IN FLAME AND

♪ AND I FEEL ♪ ♪ SHOW MYSELF IN FLAME AND STEEL ♪

♪ SHOW MYSELF IN FLAME AND STEEL ♪ ♪ 'CAUSE THE MOMENT'S NIGH ♪ STEEL ♪ ♪ 'CAUSE THE MOMENT'S NIGH ♪ ♪ AND I'M OUT TO TRY ♪

♪ 'CAUSE THE MOMENT'S NIGH ♪ ♪ AND I'M OUT TO TRY ♪ ♪ THIS IS REAL ♪

♪ AND I'M OUT TO TRY ♪ ♪ THIS IS REAL ♪ ♪ I CLAD MYSELF IN FLAME AND

♪ THIS IS REAL ♪ ♪ I CLAD MYSELF IN FLAME AND STEEL ♪

♪ I CLAD MYSELF IN FLAME AND STEEL ♪ ♪ YEAH, YOU'LL BE INVITED ♪ STEEL ♪ ♪ YEAH, YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR

♪ YEAH, YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪

♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪ ♪ YEAH, YEAH, YEAH ♪ HAND, LOVE IS REQUITED ♪ ♪ YEAH, YEAH, YEAH ♪ ♪ YOU'LL BE INVITED ♪

♪ YEAH, YEAH, YEAH ♪ ♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR

♪ YOU'LL BE INVITED ♪ ♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪

♪ IF YOU'RE WILLING TO SHOW YOUR HAND, LOVE IS REQUITED ♪ ♪ OOH-OOH-OOH ♪ HAND, LOVE IS REQUITED ♪ ♪ OOH-OOH-OOH ♪ ♪ OOH-OOH-OOH-OOH-OOH ♪

♪ OOH-OOH-OOH ♪ ♪ OOH-OOH-OOH-OOH-OOH ♪ ♪ YEAH, YEAH ♪